THE SPLENDID ART 
REFERENCE LIBRARY 


OF 


CHARLES B. EDDY 


or PLAINFIELD, NEw JERSEY 


(WITH ADDITIONS) 


COMPRISING 


REPRODUCTIONS OF DRAWINGS OF 


THE GREAT MASTERS 


{| HISTORIES OF ENGRAVING, PAINTING, CERAMICS 
_ FURNITURE, RUGS, and other WORKS OF REFERENCE 


|| MODERN FRENCH ILLUSTRATED BOOKS 
= ALSO A FINE SERIES OF BOOKS DESIGNED BY 
BRUCE ROGERS 


To Be Sotp on THE AFTERNOONS OF MonpDay 
- AND Turespay, Marcu 17TH AND I8TH, 1924 


Z| AMERICAN ART ASSOCIATION, Inc. 
|} MADISON AVENUE, 56TH TO 57TH STREET 
ENTRANCE 30 EAST 57TH STREET, NEW YORK 


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THE SPLENDID ART 


REFERENCE LIBRARY !"ION\! 


OF 


CHARLES B. EDDY 


OF PLAINFIELD, NEw JERSEY 


(With Additions) 


COMPRISING 


REPRODUCTIONS OF DRAWINGS OF 


THE GREAT MASTERS 


HISTORIES OF ENGRAVING, PAINTING, CERAMICS 
FURNITURE, RUGS and other WORKS OF REFERENCE 


MODERN FRENCH ILLUSTRATED BOOKS 


ALSO A FINE SERIES OF BOOKS DESIGNED BY 
BRUCE ROGERS 


AMERICAN ART ASSOCIATION, Inc. 


MADISON AVENUE, 56TH TO 57TH STREET 
ENTRANCE 30 EAST 57TH STREET, NEW YORK 


Telephone: PLAzA 1270 


y \ 


ye 


On Free Public Exhibition— 


Commencing Thursday, March 13th, and 
Continuing until date of the sale 


Unrestricted Public Sale— 


Monday and Tuesday afternoons, March 
17th and 18th, 1924, at 2:30 o’clock 


Exhibition and Sale at the— 


AMERICAN ART GALLERIES 
MADISON AVENUE, 560TH TO 57TH STREET 


ENTRANCE 30 EAST §7TH STREET, NEW YORK 


Telephone: PLAZA 1270 


Conditions of Sale 


1. Rejection of Bids. Any bid which is not commensurate with the value of the article offered 
or which is merely a nominal or fractional advance may be rejected by the auctioneer if in his judg- 
ment such bid would be likely to affect the sale injuriously. 

2. The Buyer. The highest bidder shall be the buyer, and if any dispute arises between two or 
more bidders, the auctioneer shall either decide the same or put up for re-sale the lot so in dispute. 

3. Identification and Deposit by Buyer. Thename of the buyer of each lot shall be given 
immediately on the sale thereof, and when so required, each buyer shall sign a card giving the lot 
number, amount for which sold, and his or her name and address. 

A deposit at the actual time of the sale shall be made of all or such part of the purchase prices as 
may be required. 

If the two foregoing conditions are not complied with, the lot or lots so purchased may at the option 
of the auctioneer be put up again and re-sold. 

4. Risk after Purchase. Title passes upon the fall of the auctioneer’s hammer, and thereafter 
neither the consignor nor the Association is responsible for the loss or any damage to any article occa- 
sioned by theft, fire, breakage or any other cause. 

5. Delivery of Purchases. Delivery of any purchases will be made only upon payment of the 
total amount due for all purchases at the sale. 

6. Receipted Bills. Goods will be delivered only upon presentation of a receipted bill. A re- 
ceipted bill presented by any person will be recognized and honored as an order by the buyer, directing 
the delivery to the bearer of the goods described thereon. If a receipted bill is lost before delivery of 
the property has been made, the buyer should immediately notify the Association of such loss. 

7. Storage in Default of Prompt Payment and Calling for Goods. Articles not paid 
for in full and not called for by the purchaser or agent by noon of the day following that of the sale 
may be turned over by the Association to some carter to be carried to and stored in some warehouse 
until the time of the delivery therefrom to the purchaser, and the cost of such cartage and storage and 
any other charges will be charged against the purchaser and the risk of loss or damage occasioned by 
such removal or storage will be upon the purchaser. 

In any instance where the purchase bill has not been paid in full by noon of the day following that 
of the sale, the Association reserves the right, any other stipulation in these conditions of sale not- 
withstanding, in respect to any or all of lots so purchased to cancel the sale thereof or to re-sell the 
same at public or private sale without further notice for the account of the buyer and to hold the buyer 
responsible for any losses and costs sustained in so doing. 

8. Shipping. Shipping, boxing or wrapping of purchases is a business in which the Association 
is in no wise engaged, but the Association will, however, afford to purchasers every facility for em- 
ploying at current and reasonable rates carriers and packers; doing so, however, without any assump- 
tion of responsibility on its part for the acts and charges of the parties engaged for such service. 

9. Guaranty. The Association exercises great care to catalogue every lot correctly and endeavors 
therein and also at the actual time of sale to point out any error, defect or imperfection, but guaranty 
is not made either by the owner or the Association of the correctness of the description, genuineness, 
authenticity or condition of any lot and no sale will be set aside on account of any incorrectness, error 
of cataloguing or imperfection not noted or pointed out. Every lot is sold ‘as is’? and without recourse. 

Every lot is on public exhibition one or more days prior to its sale, and the Association will give 
consideration to the opinion of any trustworthy expert to the effect that any lot has been incorrectly 
catalogued and in its judgment may thereafter sell the lot as catalogued or make mention of the opinion 
of such expert, who thereby will become responsible for such damage as might result were his opinion 
without foundation. 

10. Records. The records of the auctioneer and the Association are in all cases to be considered 
final and the highest bid shall in all cases be accepted by both buyer and seller as the value against 
which all claims for losses or damage shall lie. 

11. Buying on Order. Buying or bidding by the Association for responsible parties on orders 
transmitted to it by mail, telegraph, or telephone will be faithfully attended to without charge or 
commission. Any purchases so made will be subject to the foregoing conditions of sale, except that, 
in the event of a purchase of a lot of one or more books by or for a purchaser who has not through 
himself or his agent been present at the exhibition or sale, the Association will permit such lot to be 
returned within ten days from the date of sale, and the purchase money will be refunded if the lot in 
any manner differs from its catalogue description. 

Orders for execution by the Association should be given with such clearness as to leave no room for 
misunderstanding. Not only should the lot number be given, but also the title, and bids should be 
stated to be so much for the lot, and when the lot consists of one or more volumes of books or objects 
of art, the bid per volume or piece should also be stated. If the one transmitting the order is unknown 
to the Association, a deposit must be sent or reference submitted. Shipping directions should also be 
given. 

Priced Catalogues. Priced copies of the catalogue, or any session thereof, will be furnished by 
the Association at charges commensurate with the duties involved in copying the necessary informa- 
tion from the records of the Association. 

No person other than the auctioneer or an official of the Association is authorized to arrange condi- 
tions of sale different in any way from those herein contained. 

AMERICAN ART ASSOCIATION, Inc., MANAGERS, 
DEPARTMENT OF BooKS AND 
OTTO BERNET anv HIRAM H. PARKE, ARTHUR SWANN, Director 
AUCTIONEERS 


First Session, Numbers 1 to 223, inclusive 


MONDAY AFTERNOON, MARCH 17th, AT 2:30 O’CLOCK 


1. ApAM ILLUSTRATIONS. ALHOY (MAuRICE). Le Chapitre des Accidents. 
Illustrated after the drawings of Victor Adam. Oblong 8vo, cloth, gilt edges, 
pages loose. Paris, circa 1845 

Some of the drawings are titled: La Tyrans de la Voie Publique; La Liberté 


du Trottoir; Episodes de Diligence; Les Cheveaux Assassins; Le Plaisirs de l’Hiver; 
and others. 


2. A‘sop. The Fables of AXsop. Selected, told Anew and their History Traced 
by Joseph Jacobs. Done into pictures by R. Heighmay. Jllustrated. 
12mo, half red morocco. London, 1894 


3. AMERICAN REVOLUTION. Catalogue de l’Exposition Historique des Souvenirs 
Franco-Américains de la Guerre de l|’Indépendance. Jilustrated. 4to, 
printed wrappers. Paris: Imprimerie Nationale, 1893 

RARE CATALOGUE PRINTED BY THE FRENCH GOVERNMENT, describing the various 


works of art loaned, and giving the names of the owners, which were exhibited at 
the Chicago World’s Fair. 


4. AMERICAN REVOLUTION. ROYAUMONT (LOUIS DE). La Fayette et Rocham- 
beau au Pays de Washington. La Guerre de |’Indépendance Américaine. 
1776-1783. Profusely illustrated. 4to, wrappers, uncut. Grenoble, 1919 

AN INTERESTING PUBLICATION. Amongst the many portraits are those of Wash- 


ington, Lafayette, Rochambeau, General Greene, Franklin, etc.; also maps, views, 
naval engagements, bookplates, medals, etc. 


5. ANCIENT AND MopERN ArT. La Revue de l’Art Ancient et Moderne. Direc- 
teur: Jules Comte. Profusely illustrated with full-page and text illustrations, 
including full-page etchings, IN Two or THREE STATES, and full-page 
heliogravures, some in two states; the etchings and heliogravures being on 
Japan paper. 24 vols. 4to, three-quarter red levant morocco, gilt paneled 
backs, gilt tops, uncut. Paris, 1897-1908 

MAGNIFICENT SET. A Most EXTENSIVE WorRK ON ANCIENT AND MODERN ART. 
Edition limited to 200 copies on ‘‘grand papier vélin,’’ signed in ink by the 
**Directeur,’’—Jules Comte. 


The etchings include those in First State, Remarque Proofs, and Proofs Before 
Letters; and the photogravures include Proofs Before Letters. 


6. ANCIENT WARFARE, Etc. BuRGMAIR ILLUSTRATIONS. Le Triomph de 
l’Empereur Maximilien I. [Text in French and German.] In a series of 

135 plates engraved on wood after Hans Burgmair. Atlas folio, half leather. 
Vienna, 1796 


A REMARKABLE VOLUME, containing representations of arms and armor, battle 
standards, etc. VERY RARE. 


Kindly read Conditions of Sale in forepart of Catalogue 


7. ARCHITECTURE. GRANGER (ALFRED H.). Charles Follen McKim. A Study 
of His Life and Work. With illustrations. Royal 8vo, boards, cloth back, 
uncut. Boston, 1913 

First Epition. A FINE WorK ON THE ARCHITECTURAL EXECUTIONS of Charles 
McKim. Amongst the illustrations are several plates of the Boston Public Library, 
including a plan, the Harvard and Century Clubs of New York, the Morgan Library, 
Pennsylvania Station, etc. 


8. Armor. Das Landes-Zeughaus in Graz. With 43 fine plates. Small folio, 
boards, half cloth. Leipzig, 1880 


A FINE Work, seldom offered at public sale in this country. 


9. Armor. FouLKEs (CHARLES). The Armourer and his Craft. With 32 full- 
page plates, each containing one or more subjects, and 69 diagrams in the text. 
4to, buckram, gilt top, uncut. London [1912] © 


A VERY FINE PUBLICATION, treating of the Armourer and his Craft from the 11th 
to the 16th Century. 


to. Armor. Niox (GénéRAL). Armes & Armures Anciennes et Souvenirs 

Historiques les Plus Précieux. With 51 large plates. Vol. I. Text and 

plates laid in loosely in cloth portfolio with ties. Paris, 1917 
EDITION LIMITED to 400 copies. FINE WORK ON ARMOR. 


11, Arms. Die Waffensammlung des Grafen S. D. Scheremetew in St. Peters- 
burgh. Beschrieben von E. von Lenz. With 26 full-page plates, each of 
which contains six or more illustrations. 4to, cloth, gilt top. Leipzig, 1897 


A fine catalogue of this well-known collection of pistols, sabres, and other weapons 
formed by Count Scheremetew, copies of which are seldom offered for public sale 
in this country. (See No. 168 for a work on Firearms.) 


12. ART IN AmErRIcA. Edited by Wilhelm R. Valentiner and Frederick F. Sher- 
man. Vols. I to XI, inclusive. Illustrated with numerous beautiful reproduc- 
tions of the works of the masters. Together, 11 vols. royal 8vo, the first two 
vols. bound in three-quarter red levant morocco, gilt, the second two, in 
three-quarter green levant, the rest being in their original parts with wrap- 
pers; the bound volumes have gilt tops, all uncut. 

New York and Portland (Me.), 1913-1923 


FINE SET of this extremely important publication. 


13. ART PUBLICATIONS. The Portfolio. April 1897. London, 1897; Corot & 
Millet. With Critical Essays by Gustave Geffroy and Arséne Alexandre. 
Edited by Charles Holme. New York, 1903; The Shilling Burlington and 
Fine Art Chronicle containing The Drawings of Claude. With an Essay 
by Roger E. Fry. August, 1907. London, 1907. All beautifully illustrated. 
Together, 3 pieces, 4to and royal 8vo, wrappers, uncut. 

London and New York, 1897-1907 


The first named contains articles on Crowe and Cotman. 


14. ARTIST’s REposirory (THE), and Drawing Magazine, exhibiting the Princi- 
ples of the Polite Arts in their various Branches. Profusely «lustrated 
with a number of full-page stipple engravings, of the human figure, heads, 
character plates, architecture, and an extensive series of pretty oval emblematic 
plates of the Arts and Sciences, the Virtues, etc., in the style of Bartolozzt. 4 
vols. 8vo, full blue French levant morocco, triple gilt fillet border on sides, 
gilt paneled backs, gilt tops, uncut, BY TAFFIN. London, 1795 

FINE AND COMPLETE SET OF THIS IMPORTANT AND RARE PUBLICATION. 


First Session, Monday Afternoon, March 17th 


15. AUFFRET (CHARLES). Une Famille d’Artistes Brestois au XVIIIe Siécle. 
Les Ozanne. With a large number of heliogravures IN THREE STATES, one set 
on Japan paper, one on China paper and one on “‘ papier vergi,’’ ALL PROOFS 
BEFORE LETTERS. 4to, boards, leather label on back, uncut. Rennes, 1891 


EDITION LIMITED TO 10 COPIES ON WHATMAN PAPER, numbered from 16 to 25, 
of which this is, No. 19. 

AUTOGRAPH PRESENTATION Copy from the author to Professor Pozzi, with the 
following inscription on half-title: En souvenir de notre voyage de 1892. Hommage 
affectueux confraternal au Professeur Pozzi. C. Auffret. On the verso of half-title the 
author has written: Wathman, triple suite. Japon, Chine, Hollande, C. A. 


16. AyTouN (WiziiAM E.). Lays of the Scottish Cavaliers and Other Poems. 
Illustrations by Joseph N. Paton. Royal 8vo, cloth, emblematically tooled 
in gilt, gilt edges. Edinburgh: William Blackwood and Son, 1863 


ORIGINAL ISSUE of this fine edition. 


.7. BAGATELLE CHATEAU. Le Chateau de Bagatelle. Etude Historique et De- 

scriptive suivie d’une Notice sur La Roseraie. With 88 full-page helio- 

_ gravures. Imperial 8vo, three-quarter brown French levant morocco, gilt 
paneled back, gilt top, uncut, BY DURAND. 

Paris: Charles Foulard, no date 


VERY FINE Work on the exterior and interior decorations of the Chateau de 
Bagatelle. The plates include reproductions of mantels, bronzes, ceilings, panels, 
cornices, locks, fireplaces, gates, etc. 


18. BARTscH (ApAm). Le Peintre-Graveur. 21 vols. Vienne, 1803-1821. With 
Atlas containing 16 full-page etchings. 2 vols. small folio. Vienne, 1803- 
1805; [ALso] Suppléments au Peintre-Graveur de Adam Bartsch, récueillis 
et publiés par Rudolph Weigel. Vol. I (all ever published). Leipzig, 
1843. 22 vols. 12mo, and 2 vols. small folio. Together, 24 vols. new boards, 
uncut. Vienne and Leipzig, 1803-1843 


First EDITION. IMPORTANT REFERENCE BOOK, and a most complete account 
of Printer-Etchers and Engravers from the earliest period. The two volumes of 
plates have the original printed wrappers bound in. 

FINE Copy OF THE RARE ORIGINAL, much superior to the reprint. 


19. BARYE (ANTOINE Louts). DE Kay (CHARLES). Life and Works of Antoine 
Louis Barye, Sculptor. Wzth 86 woodcuts, artotypes, etc. Small 4to, vellum, 
with emblematic gilt tooling on sides and back, uncut. New York, 1889 


EDITION LIMITED to 525 copies, printed on Holland paper, of which this is, No- 
367, signed with the initials of the author. 


20. Bas-Reiers. Li Bassirilievi Antichi di Roma. Incisi da Tommaso Pirolli. 
With illustrations by Giorgio Zoega. 2 vols. 4to, full russia, gilt, gilt edges, 
neatly rebacked. Rome, 1808 

A VERY FINE AND RARE WoRK ON ANTIQUE BAS-RELIEFS. 


21. BEARDSLEY (AUBREY). The Early Work of Aubrey Beardsley with a Pre- 
fatory Note by H. C. Marillier; The Later Work of Aubrey Beardsley. 
With portraits of Beardsley and reproductions of his works. 2 vols. 4to, cloth, 
uncut. London, 1912 


22. BELL (CLIVE). Since Cézanne. Jilustrated. 1922; Pot-Boilers. 1918. To- 
gether, 2 vols. 12mo, cloth, paper labels, uncut. London, 1918-1922 


Botu First EpiTions. Among some of the articles in the above volumes may 
be mentioned,—William Morris, Persian Miniatures, Carlyle’s Loves and Love- 
Letters, Ibsen, Boswell’s Letters, Contemporary Art in England, Art and War, Art 
and Politics, Renoir, Duncan Grant, Negro Sculpture, Wilcoxism, Bonnard, and 
others. 


Kindly read Conditions of Sale in forepart of Catalogue / 


23. BIBLIOGRAPHICAL SocIETY. Transactions of the BibGomapaiee Society. 
Vols. I-X, Complete. With Index. 16 nos. original wrappers. 1893-1909; 
Vols. XI-XV, Complete. 4 vols. boards, canvas backs. 1909-1919; The 
Library. 2 vols. 8 nos. original wrappers. 1920-1922. Each volume en- 
closed in a board portfolio, canvas back; PLomer (HENRY/R.). A Dic- 
tionary of the Printers and Booksellers who were at work in England, 
Scotland and Ireland, from 1668-1725. 1922; The Bibliographical Society. 
Rules and List of Members. 1914, 1915 (in duplicate), 1916-18, 1919-21. 
5 vols.; JAMES (M. R.). Lists of Manuscripts formerly owned by Dr. John 
Dee. With Preface and Identifications. 1921; GASELEE (S.). The Spanish 
Books in the Library of Samuel Pepys. 1921; The Bibliographical Society. 
News-Sheet. Comprises: Jan., Feb., Mar., Nov., Dec., 1915; Jan., Feb., 
Mar., Nov., Dec., 1916; Jan., Feb., Mar., Nov., Dec., 1917; Jan., Feb., 
Mar., 1918; Jan., Feb., Dec., 1919. 21 pieces. Some illustrations. Together, 
58 pieces, 8vo and 12mo, boards, canvas backs, and wrappers. . 

London, 1893-1922 


24. BIBLIOTHEQUE NATIONALE (LA). Les Grandes Institutions de France: La 
Bibliothéque Nationale. Par Henry Marcel, Henri Bouchot, Ernest Babe- 
lon, Paul Marchal et Camille Couderc. With 138 illustrations. 8vo, original 
wrappers. Paris, 1907 


A fine publication, written about the various collections in the French National 
Library, including book collections, manuscripts, prints, coins, medals, etc. 


25. BIRKET FosTER ILLUSTRATIONS. GOLDSMITH (OLIVER). The Poems of Oliver 
Goldsmith. Edited by Robert Aris Willmott. Wzth woodcuts, PRINTED IN 
CoLors. Square 8vo, half calf, gilt back, gilt top. London, 1859 


First EDITION with the charming series of illustrations by Birket Foster and 
H. N. Humphreys, PRINTED IN COLORS. 


26..BoNE (MUIRHEAD) ILLUSTRATIONS. BONE (GERTRUDE). Children’s Children. 
Drawings by Muirhead Bone. Royal 8vo, Japanese vellum paper boards, 
gilt, gilt top, uncut. London, 1908 


EpITION LIMITED to 215 copies printed throughout on Japanese vellum paper, 
of which this is, No. 83, signed by the artist: ‘‘ Muirhead Bone.” 


27. BONE (MUIRHEAD) ILLUSTRATIONS. BoNE (Davip W.). Merchantmen-at- 
Arms. The British Merchants’ Service in the War. With drawings by 
Muirhead Bone. 4to, vellum boards, gilt top, uncut. London, 1919 


EDITION LIMITED to 160 copies of which this is, No. 24. ‘ 
WITH AN ORIGINAL DRYPOINT ETCHING BY THIS ARTIST, signed in pencil: Muzr- 
head Bone. The etching is titled: ‘‘Salvage Men Approaching a Torpedoed Ship.” 


For another etching by this Artist, See No. 39. 


28. BoNE (STEPHEN) ILLUSTRATIONS. BONE (GERTRUDE). Mr. Paul. With full- 
page and text woodcut illustrations by Stephen Bone. 12mo, cloth, uncut. 
London, 1921 


EDITION LIMITED TO 750 signed copies, of which this is, No. 228, signed by both 
the Author and the Illustrator. 


29. Book Prices CuRRENT, AMERICAN. A Record of Books, Manuscripts and 

Autographs sold at Auction in New York and Elsewhere from August 

1920 to August 1921. Being the season 1920-1921. Compiled from the 

Auctioneers’ Catalogues. 8vo, red buckram, gilt top, New York, 1921 
Edition limited to 650 copies. 


First Session, Monday Afternoon, March 17th 


30. BOOKBINDING. MATTHEWS (BRANDER). Bookbindings, Old and New. Notes 
of a Book-lover, with an Account of the Grolier Club, New York. Beauti- 
fully and profusely illustrated. 8vo, Japanese vellum paper wrappers, 
uncut, loose in covers. London, 1896 


The Ex-Libris Series, edited by Gleeson White. Tuts Copy, PRINTED THROUGH- 
OUT ON JAPANESE VELLUM PAPER—only 75 so produced. 
From the library of Colin Armstrong, with bookplate. 


31. BOOKBINDING. PRIDEAUxX (S. T.). Bookbinders and Their Craft. Profusely 
illustrated. 8vo, gilt top, uncut. New York, 1903 


First EpiTion. Limited to 500 copies, of which this is, No. 1or. 
AN EXCEEDINGLY FINE WorRK WRITTEN BY THIS FAMOUS BINDER. 


32. BooKpLaTEs. A Catalogue of an Exhibition of Angling Book Plates forming 
the Collection of Daniel B. Fearing, Newport, R. I. Facsimile of Mr. 
Fearing’s bookplate. 8vo, boards, uncut. 

New York: Privately Printed, 1918 


Only 500 copies of this beautiful and authoritative work were issued. 


33. Booxs AND Manuscripts. La Collection Dutuit. Livres et Manuscrits. 
{With a foreword by Edouard Rahir.] Copiously illustrated with full-page 
reproductions of bindings, etc., also numerous woodcuts. Folio, vellum 
boards, leather label, uncut. Paris, 1899 

EDITION LIMITED to 350 copies of which this is, No. 333. 


The catalogue compiled by Edouard Rahir is of permanent value because of the 
excellence of the bibliographical compilation and the truthfulness of the numerous 
full-page reproductions, which deserve special note as they are all reproduced in the 
original colors from the elaborate bindings in this collection. ONE OF THE FINEST 
CATALOGUES WITH REPRODUCTIONS OF BINDINGS IN THEIR ORIGINAL COLORS 
EvER ISSUED. 


M. Edouard Rahir in his finely written foreword to the Catalogue says: ‘‘MM. 
Eugéne et Auguste Dutuit l’ont toujours parfaitement rempli. Possesseurs d’un 
des plus riches musées qui aient été formés dans ce siécle, ils ont toujours, a la 
moindre demande, tiré de leurs vitrines, livres . . . et contribué ainsi bien souvent 
au succés de nombreuses expositions rétrospectives. .. .’’ 

The collection is now the property of the French Government, having been pre- 
sented by the collector, and is preserved in the Petit Palais, with all the Dutuit 
Collections. 


34.’ Books aBouT Books. LownbEs (WILLIAM THomas). The Bibliographer’s 
Manual of English Literature, New Edition, Revised, Corrected and En- 
larged; With an Appendix Relating to the Books of Literary and Scientific 
Societies. By Henry G. Bohn. 6 vols. 8vo, half red morocco, gilt tops, 
uncut. London, 1869 


Nice LARGE PAPER Copy of the best edition. 
From the Wilberforce Eames collection, with autograph. 


35. Booxs aBout Books. Bibliographica. Papers on Books, their History and 
Art. Extensively illustrated with full-page and text reproductions of rare 
bindings, facsimiles and illustrations from early and rare books. COMPLETE 
Set in the 12 original parts. 1895-1897; [ALso] A Descriptive Bibliography 
of the most important books in the English Language relating to the Art 
& History of Engraving and the Collecting of Prints. Supplement and 
Index. By Howard C. Levis. 1913. Together, 13 pieces, royal 8vo, wrap- 
pers, uncut. London, 1895-1913 


Bibliographica is a magazine of bibliography in twelve quarterly parts and is an 
exceedingly fine and sumptuous publication. Among the numerous subjects 
treated are the Books of Hours of Geoffroy Tory; English Illuminated MSS.; Chro- 
nology of the Early Aldines; Mainz Psalter, etc. 


Kindly read Conditions of Sale in forepart of Catalogue 


36. 


37: 


38. 


39: 


40. 


4I. 


42. 


43. 


Books aBouT Books. HatsEy (Rosauie V.). Forgotten Books of the 
American Nursery. A History of the Development of the American 
Story-Book. Jilustrated. 8vo, boards, cloth back, uncut. Boston, I9I1 

EpItIon LIMITED to 750 copies, printed at the Merrymount Press. 


Booxs ABouT Books. Hor (RosBErRT). Sales Catalogue of the Library of 
Robert Hoe. Jilustrated. 4 vols. 8vo, three-quarter red levant morocco, 
gilt, gilt tops, original wrappers bound in. New York, I91I-1912 


Volumes II and IV have pockets on the inner back covers which contain the 
price-lists of this famous sale. FINE SET. 


Books ABouT Books AND BooKBINDING. ELTON (CHARLES I. AND Mary A.). 
The Great Book-Collectors. London, 1893; Mapam (F.). Books in 
Manuscript. London, 1893; PripEAux (S. T.). An Historical Sketch of 
Bookbinding. With a Chapter on Early Stamped Bindings, by E. Gordon 
Duff. London, 1893;-Modern Bookbindings. Their Design and Decora- 
tion. New York, 1906. All illustrated. Together, 4 vols. 8vo and 12mo, 
one vol. gilt top, all uncut. London and New York, 1893-1906 


BotricELti. Binyon (LAuRENCE). The Art of Botticelli. An Essay in 
Pictorial Criticism. Frontispiece etching by Muirhead Bone of a Tuscan 
Farm near Botticelli’'s Birthplace; 23 beautiful plates In Cotor. Small 
folio, cloth, vellum back, gilt top, uncut. London, 1913 


EDITION LIMITED to 275 copies. 
THE ORIGINAL ETCHING BY BONE IS MATTED AND SIGNED BY THE ETCHER: 
Muirhead Bone. 


BoucuoT (HENRI). La Femme Anglaise et ses peintres. With frontispiece in 
colors after Sir Thomas Lawrence, 19 full-page portraits, 6 miniatures and 
numerous text illustrations of female portraits by Holbein, Van Dyck, Lely, 
Reynolds, Opie, Hoppner, Gainsborough and other famous artists. Imperial 
8vo, three-quarter ultramarine crushed levant morocco, gilt, gilt back 
and top, uncut, original vellum wrappers bound in, BY TAFFIN. 

Paris, 1903 


ONE OF THE Most IMpoRTANT WORKS ON THIS SUBJECT. FINE Copy. 


BouTeET Etcuincs. Types de Parisiennes. With about 100 beautiful dry-point 
etchings of Parisian women, including a number of studies in the nude by 
Apoux. 4to, three-quarter olive levant morocco, gilt, gilt back and top, 
uncut, with several original covers containing etchings, bound in. 

Paris, recent 


A UNIQUE SET oF EtcHincs. Apart from the work of Boutet and Apoux, there 
are etchings by Roy, Dachery, Somm, and others. 


BOYLESVE (RENE). Les Bains de Bade. Petite Roman d’Adventures Galantes 
et Morales. With 6 full-page illustrations, and numerous vignette illustra- 
tions by Arm. Rassenfosse. 4to, three-quarter red levant morocco, gilt 
back and top, uncut, BY DURVAND. Paris: Society des Dilettantes [1911] 

HANDSOME Copy. One of 225 copies printed on Van Gelder paper. 


Buppuist PaInTInNGs. The Thousand Buddhas. Ancient Buddhist Paintings 
from the Cave-Temples of Tun-Huang on the Western Frontier of China. 
Recovered and Described by Aurel Stein. With an Introductory Essay 
by Laurence Binyon. With 48 full-page illustrations, many of which are IN 

[Continued 


First Session, Monday Afternoon, March 17th 


[No. 43. BuppHiIstT PAINTINGS—Continued] 


44. 


45. 


46. 


47. 


48. 


Coors, some of the plates having more than one subject. Text: 1 vol. royal 
4to, printed wrappers, uncut; Plates: Atlas folio portfolio, half cloth, with 
flaps. Together, 2 vols. London: Bernard Quaritch, 1921 


A MONUMENTAL WoRK ON BUDDHIST PAINTINGS. In his Preface, Sir Aurel Stein 
states,—‘‘It has been my aim in the descriptive text referring to each Plate to 
supply such iconographic information as the non-specialist student may need for 
the comprehension of the subject and details, and as the present state of our re- 
searches permits to be safely offered. In the same descriptive notes I have endeav- 
oured to record information also as to the state of preservation, character of work- 
manship, colouring and similar points in each painting.”’ 

This work was published under the orders of H. M. Secretary of State for India 
and with the co-operation of the Trustees of the British Museum. Plates numbered 
I to 33 are Atlas folio size, and plates 34 to 48 are royal to size enclosed in a printed 
envelope. At the end of the volume of Text there is an Index to the work. 

APPARENTLY THE First Copy TO BE OFFERED AT PUBLIC SALE IN THIS COUNTRY, 


Bunot’s EtcHincs. BourcarD (GUSTAVE). Felix Buhot. Catalogue 


Descriptif de son CEuvre Gravé. Avec une preface d’Arséne Alexandre. 
With an etched portrait of Buhot by Francois Courboin. Imperial 8vo, boards, 
cloth back, original wrappers bound in. Paris, 1899 


THE Most IMPORTANT WORK ON BuHOT; LONG OvuT oF PRINT. One of 150 
copies printed on Holland paper, signed in ink by the Author,—G. Bourcard. 


CaLico PAINTING. BAKER (GEORGE P.). Calico Painting in the East Indies 


in the xvuth and xvuith Centuries. With 8 full-page plates. Royal 
folio, boards, cloth back, uncut. 1921;[Atso] Portfolio containing 37 plates, 
13 of which contain two or more subjects, PRINTED IN CoLors. Together, 
2 pieces. London, 1921 

A VERY FINE PUBLICATION ON THIS Most CapTIvATING ArT and of which very 
little is known. These plates place in the hands of students of design a set of fac- 
similes of the most characteristic examples of calico and are the best reproductions 
that modern methods of paper printing can produce. 


The linen cover on the portfolio of plates was produced by the dyeing process 
expounded by Pliny, A.D. 70. 


CaLLoT ILLUSTRATIONS. Combata la Barriére. With rr illustrations by J. 


Callot, each tipped on a sheet of extra heavy paper. Oblong imperial 8vo, 
half scored calf, gilt top, each sheet hinged on guards. No place, no date 


From the collection of the ‘‘Marquis de Betague,’’ with a small stencil stamp 
on verso of each illustration but the last. 


CASSONI. SCHUBRING (PAUL). Truhen und Truhenbilder der Italienischen 


Friihrenaissance. Ein Beitrag zur Profanmalerei im Quattrocento. With 
15 full-page plates containing 46 illustrations; and a volume of 184 full-page 
plates coniaining 542 illustrations. Text, one vol. small 4to; Plates, one 
vol. atlas folio. Together, 2 vols. uniformly bound incloth. Leipzig, 1915 


A VERY FINE GENERAL WORK ON THE PAINTINGS ON CASSONI OF THE FOuR- 
TEENTH CENTURY. It also contains an Essay on the decoration of the chests of this 
period. 

Copies of this important work are seldom offered at public sale in this country; 
this we believe is the first so offered. 


CAVALRY. ANDRADE (MANOEL CARLOS DE). Luz da Liberal, e Nobre Arte da 


Cavallaria, Offerecida ao Senhor D. Jo&o Principe do Brazil. Porirait of 
the Prince of Brazil engraved by Frois; 96 plates, some folded, engraved by 
Frois, Manuel Alegre, and others. 2 vols. in 1, folio, half morocco, uncut. 

Lisboa: na Regia Officina Typografica, 1790 


First EDITION. VERY BRILLIANT IMPRESSIONS OF THE PLATES. 
From the Theo. L. DeVinne collection, with bookplate. 


Kindly read Conditions of Sale in forepart of Catalogue 


49. 


50. 


51. 


52. 


53: 


54. 


55: 


56. 


CEZANNE (PAUL). GasQueT (Joacuim). Cézanne. Profusely illustrated. 
Royal 4to, boards, uncut. Paris, 1921 


EDITION LIMITED to 150 copies on ‘‘papier d’Arches.’”’ A FINE Work. 


CHARLET (NicoLas Toussaint). Album Lithographique. A collection of 
45 lithographs and a vignette on title-page, by Charlet. Royal 4to, cloth, 
roan back, worn. Paris, circa 1835 


INTERESTING COLLECTION, representing some of his best military subjects; a few 
of the plates slightly spotted. 


CHARLET (NicoLas Toussaint). Les Artistes Célébres. Collection Placée 
par Autorisation Ministérielle du 15 Juillet 1892 sous le haut Patronage 
du Ministére de I’Instruction publique et des Beaux Arts. Charlet, par F. 
Homme. Full-page and text illustrations. Royal 8vo, half red levant 
morocco, gilt back and top, uncut. Paris, 1892 


EXTRA-ILLUSTRATED by the insertion of 9 lithographs of Napoleon and military 
subjects of the French Empire. A BEAUTIFUL VOLUME. 


CHINESE PAINTING. Encyclopédie de la Peinture Chinoise. Traduction et 
Commentaires par Raphaél Petrucci. Augmentés d’une Preface, d’un Dic- 
tionnaire Biographique des Peintres et d’un Vocabulaire des termes Tech- 
niques. Illustrated with about 500 illustrations. Folio, cloth, gilt top, uncut. 

Paris, 1918 
EDITION LIMITED to 550 copies, of which this is, No. 22. THe Most IMpoRTANT 


Work OF Its KIND. Believed to be the first copy to be offered for public sale in 
this country. EXTREMELY SCARCE. 


CHINESE PoRCELAINS. Bonpy (WALTER). Kang-Hsi eine Blue-Epoche der 
Chinesischen Porzellankunst. With 115 full-page illustrations, 6 of which 
are IN CoLors, also text illustrations. Royal 8vo, boards, cloth back. 

Miinchen, 1923 


A fine publication on the work of the golden period of ceramic art. 


CHINESE AND JAPANESE ART. FENOLLOSA (ERNEST F.). Epochs of Chinese 
& Japanese Art. An Outline History of East Asiatic Design. New and 
Revised Edition, with Copious Notes by Professor Petrucci. With numer- 
ous full-page illustrations. 2 vols. small 4to, boards, cloth back. 

New York [1921] 


A VERY FINE WorK ON JAPANESE AND CHINESE ART. 


CHINESE AND JAPANESE ArT. A Year of Japanese Epigrams. Translated and 
Compiled by William N. Porter. Illustrated by Kazunori Ishibashi. 
London, 1911; PETRuccI (RAPHAEL). Les Peintres Chinois. Paris, no 
date; Chinese Painters. A Critical Study. Translated by F. Seaver. With 
a Biographical Note by Laurence Binyon. New York [1920]; HotmEs 
(C. J.). Hokusai. London, 1899. Each volume with illustrations. Together, 
4 vols. 8vo and 12mo, boards, wrappers and cloth. 

London, etc., various dates 


CHINESE AND TURKISTAN PAINTINGS. WACHSBERGER (ARTUR). Stilkritische 
Studien zur Wandmalerei Chinesisch-Turkestans. With 51 illustrations. 
Royal 8vo, printed wrappers. Berlin, 1916 

Fine volume of critical studies on mural paintings of China and Turkestan. 


57: 


«58. 


59: 


60. 


6t. 


62. 


63. 


64. 


65. 


First Session, Monday Afternoon, March 17th 


CHODOWIECKI (DANIEL). Catalogue des Estampes Gravées par Daniel 
Chodowiecki. 16mo, quarter calf, gilt, uncut, somewhat foxed. 
No place, 1796 
AN EXCEEDINGLY RARE CATALOGUE listing 758 items by this artist, also almost 
200 additional items in contemporary manuscript. 


CurysTaL (GEORGE W.). The Meditations of the Emperor Marcus Aurelius 
Antoninus. A New Rendering Based on the Foulis Translation of 1472. 
Small 4to, boards, uncut. Edinburgh, 1902 

Printed on handmade paper. 


CocHET ILLUSTRATIONS. FARRERE (CLAUDE). L’Homme Qui Assassina. 
Illustrated with 47 compositions designed and engraved on wood by Gérard 
Cochet. Small 4to, original wrappers, uncut. Paris, 1921 

LIMITED EDITION “‘sur vélin pur fil lafuma,’’ of which this is, No. 382. 


CocHIN. ROCHEBLAVE (S.). Les Cochin. With 127 engravings in the text, 
4 engraved plates in black-and-white, 11 engraved plates in red chalk. 8vo, 
original wrappers, uncut. Paris, 1893 


Comic AtBuM. The Comic Album: A Book for Every Table. Profusely 
illustrated by ‘‘ Alfred Crowquill”’ and others. 4to, three-quarter red morocco, 
gilt top. London, 1843 


This humorous work, among other contributions, contains those of Gilbert A. 
A’Beckett and ‘‘Alfred Crowquill.’’ It is printed on paper of varying colors. 


CONSTABLE (JOHN). Various Subjects of Landscape, Characteristic of Eng- 
lish Scenery, from Pictures Painted by John Constable. A series of 23 
mezzotints by David Lucas, PRooFs ON INDIA PAPER. IN THE ORIGINAL 5 
Parts, oblong narrow folio, uncut, ORIGINAL WRAPPERS. London, 1830 


ORIGINAL EDITION OF THIS, ONE OF THE FINEST PUBLICATIONS OF THE NINE- 
TEENTH CENTURY. Copies in the superb collector’s condition, as the above, ARE 
_ OF THE GREATEST RARITY. 


Coptey (Joun S.). Amory (Martua B.). The Domestic and Artistic Life 
of John Singleton Copley, R.A. With Notices of his Works, and Reminis- 
cences of his son, Lord Lyndhurst, High Chancellor of Great Britain. 
Portrait. 8vo, cloth, gilt top, uncut. Boston, 1882 


CooquELin (Constant). Préface d’Edmond Rostand. With a facsimile of 
sonnet by Rostand to Coquelin, 30 large and beautiful plates IN CoLor and 5 
plates in black-and-white. Folio, all laid in loosely in a board folder, cloth 
back, leather lettering piece on obverse cover, inner protecting board flaps. 

[Paris] 1909 
Epition LriteEp to 500 copies, of which this is, No. 97. Each plate is mounted 
on a folio sheet of heavy deckle edged drawing paper. 


Corot. Rospaut (ALFRED). L’CEuvre de Corot. Catalogue Raisonné et 
Illustré, Précédé de l’Histoire de Corot et de ses Gtuvres par Etienne 
Moreau-Nélaton. [Avec une Table Analytique et Générale.] IlJustrated 
with portrait and a great number of illustrations. Together, 5 vols. small 
folio, wrappers, uncut and unopened. Paris, 1905 


EpItIon LIMITED TO 25 COPIES PRINTED THROUGHOUT ON ‘'Japon Shizuoka” 
of which this is, No. 14. COPIES ON JAPANESE PAPER ARE EXTREMELY RARE. 
A Very FINE PUBLICATION on this great French artist, treating both graphically 
and pictorially, the products which his genius gave to the world. 


Kindly read Conditions of Sale in forepart of Catalogue 


66. CostuME. Lacroix (PAUL). XVIIIme Siécle. Institutions, Usages et Cos- 


67. 


68. 


69. 


70. 


71. 


tumes. France, 1700-1789. Illustrated with 21 chromolithographs and 350 
woodcuts after Watteau, Vanloo, Rigaud, Boucher, Eisen, Gravelot and 
others. Small folio, three-quarter red levant morocco, gilt, gilt paneled 
back, gilt top, uncut, BY RITTER. Paris, 1875 


FINE Copy oF THIS INTERESTING AND IMPORTANT WORK, PRINTED THROUGHOUT 
ON CHINA PAPER. 


CosTuME. PLANCHE (JAMES RoBinson). A Cyclopedia of Costume or Dic- 
tionary of Dress. Including Notices of Conteporaneous Fashions on the 
Continent; and a General Chronological History of the Costumes of the 
principal Countries of Europe from the Commencement of the Christian 
Era to the Accession of George the Third. With numerous plates of which 
Many ARE IN GOLD AND CoLors. 2 vols. 4to, quarter morocco, gilt, gilt 
tops, uncut. London, 1876-1879 


AN EXTENSIVE AND VALUABLE WoRK on the style of dress. ORIGINAL AND BEST 
EDITION. Now VERY SCARCE. 


CostuME. HOTTENROTH (FRIEDRICH). Le Costume. Les Armes, Les Bijoux, 
La Céramique, Les Utensiles, Outils, Objets Mobiliers, etc., chez les Peuples 
Anciens et Modernes. With 120 beautiful plates IN COLOR and numerous 
text illustrations. Small folio, all laid in loosely in a board portfolio, cloth 
back. Paris, circa 1880 


AN IMPORTANT AND INSTRUCTIVE WorK. The plates are virtually indispensable 
to the student of international costume from the ‘‘ Moyen-Age”’ to the 18th century. 
Some of the plates are titled: Scandinaves jusqu’en 1200; Anglo-Saxons et Anglo- 
Danois; Normands et Anglo-Normands (1066-1200); Francais (500-1200); Alle- 
mands (XIIIéme Siécle); Italians; Espagnols; Polonais; Grecs; etc. 


CosTUME. HOTTENROTH (FRIEDRICH). Trachten, Haus-, Feld und Kriegs- 
gerathschaften der Vélker Alter und Neuer Zeit. Wuth 120 plates, nearly 
all In CoLor, and numerous woodcuts. 2 vols. 4to, boards, leather backs, 
red edges. - Stuttgart, no date and 1891 

FINE Work, seldom offered for public sale in this country. ; 


CostuME. Boutet (HENRI). Les Modes Féminines du XI Xe Siécle. 1801- 
1850. Préface de Jules Claretie. Wzth 100 full-page etchings In Two STATES, 
one set COLORED BY HAND, the other set printed in different values of sepia ink. 
2 vols. 4to, three-quarter blue morocco, gilt backs and tops, uncut. 

Paris, 1903 
EDITION LIMITED to 60 copies on Imperial Japan paper, numbered and signed 
by the artist: Henri Boutet, this being, No. 50. A FINE AND ARTISTIC WORK. j 


CosTuME. TILKE (Max). Le Costume en Orient. With 128 plates and ex- 
planatory text. Thick 4to, canvas, gilt. Paris [1922] 
AN INTERESTING AND INSTRUCTIVE WorRK. Some of the plates are IN COLORS. 


. CostuME. ROSENBERG (ADOLF). Geschichte des Kostiims. Text von Prof. 


Dr. Eduard Heyck. With 4oo large fine plates, the majority of which are 
In CoLor, each having a descriptive letterpress. 5 vols. small folio, half 
brown levant morocco. New York, recent 

COMPREHENSIVE PUBLICATION ON THE COSTUMES OF MANY COUNTRIES during 
various periods of the world’s history. Some of the plates are: Primitive Time; 


Egypt, Antiquity; Assyria; Greek Asiatic; Etruscan, Antiquity; Romans; Persia, 
Early Middle-Ages; Germany; Great Britain; Spain; Italy; etc. 


73: 


74. 


75: 


76. 


77: 


78. 


80. 


First Session, Monday Afternoon, March 17th 


Costume. Zur Geschichte der Costiime. With 125 pages containing 500 
illustrations IN COLOR of the various centuries after designs by Louis Braun, 
W. Diez, Ernst Frolich, and others. Small folio, decorated cloth. 

Miinchen, recent 


CosTuME. RoGER-MILEs (L.). Les Créateurs de la Mode. Numerous full- 
page plates and text illustrations. Small folio, decorated wrappers, uncut. 
Paris, no date 


EDITION LIMITED to 120 copies on ‘“‘papier vélin d’Arches’’ numbered from 56 to 
175, of which this is, No. 147. 


CosTuME PLATES IN Cotor. Paris. Colored plates of the Costumes of the 
Work Women of Paris. A series of 44 full-page costume plates, showing the 
modes of dress of the working class of women of Paris. 4to, boards, binding 
broken. Paris [1815] 


EXTREMELY RARE. ALL BRILLIANT IMPRESSIONS. The plates were designed by 
Lante and engraved by Gatine, all are FINELY COLORED. An interesting collection 
depicting the style of dress of milliners, embroiderers, flower girls, servants, cor- 
setiéres, hairdressers, and others. 


CosTUME PLATES IN CoLor. Eyrizs (J. B. B.). La Russie, ou Costumes, 
Mceurs et Usages des Russes. With 24 full-page aquatint plates, IN COLORS. 
Royal 8vo, half maroon straight-grain morocco, uncut. Paris [1818] 


Very Scarce. A fine collection of plates, with explanatory text to each, depict- 
ing the dress of the inhabitants of the Russian Empire, including Finland, Esthonia, 
Tchérémisse, various Tartar tribes, and others, showing both male and female 
attire. 


CostuME PLATES IN CoLor. Costumes des Divers Pays. With 80 fine plates 
by Gatine after Lanté, CoLoRED BY HAND. 4to, half green straight-grain 
morocco, gilt, gilt paneled back, gilt edges, BY MORRELL. 

[Paris] circa 1820 


EXTREMELY RARE. A work which brings the curious costumes of faraway coun- 
tries to the interested eye of the costume plate collector. Some of the plates are: 
Cuisiniére de Hambourg; Bouquetiére de Hambourg; Cuisiniére de Berne; Bernoise; 
Arlesienne; Costume de Séville; Costume de Barcelone; and others. 


CostumME Piates. Un Ana Rome et dans ses Environs. Recueil de Dessins 
Lithographies. Dessiné et publié par Thomas. 72 full-page lithographs. 
Folio, half roan. Paris, 1823 


Rare. A fine series of lithographs depicting the costumes and the civil and 
religious ceremonies of the Roman states in general. Some of the plates have more 
than one subject. 


CosTUuME PLATES IN CoLor. DurcH. Collection des Costumes des Provincer 
Septentrionales du Royaume des Pays Bas. Dessinés d’aprés Nature, pas 
N. Greeven et Lithographiés par Vallon de Villeneuve. A series of 20 full- 
page lithographs IN Coors. 4to, original half leather, binding poor. 

Paris-Amsterdam, 1828 


Very FINE COLLECTION of original colored lithographs. Text in English, French 
and Dutch. EXTREMELY RARE. 


Costume PLATES IN CoLor. SCHEFFER ILLUSTRATIONS. [Scénes de Société.] 
25 fine lithographs IN CoLoR, initialed by the artist. 4to, boards, cloth 
back, several plates loose. [Paris] circa 1828 

AN INTERESTING SERIES OF COLORED PLATES. 


Kindly read Conditions of Sale in forepart of Catalogue 


SI. 


82. 


83. 


84. 


85. 


86. 


87. 


CostuME PLATES IN CoLor. SPANISH. Collection de diverses Provinces 
de l’Espagne. Lithographies d’aprés des Dessins originaux par Pigal. 
100 full-page COLORED LITHOGRAPHS, after designs by Pigal. 4to, half 
roan, binding broken, uncut. Paris [1830] 

EXTREMELY RARE AND FINE SERIES of plates depicting the costumes worn by the 


inhabitants of the various provinces ‘of Spain. The title-page and about four of 
the plates are foxed. 


CostumME PLATES IN Cotor. A series of 78 CoLoRED costume plates from 
“(Le Petit Courrier des Dames et la Mode”’ of Paris, 1833. Bound in one 
vol. 4to, boards. [Vienna] 1833 

Tus IMPORTANT SERIES of 78 plates was engraved in Vienna after the Parisian 
plates and given as premiums to the magazine ‘‘Moden and Litteratur.’’ They 


show the female dress in Paris. Each engraving is colored by hand and has wide 
margins. 


CosTUME PLATES IN CoLor. FRESQUET (GoUPIL). Voyage d’Horace Vernet 
en Orient. Numerous fine plates BRILLIANTLY COLORED BY HAND. Royal 
8vo, rebound in cloth, gilt top, uncut. Paris, circa 1845 

EXCEEDINGLY INTERESTING PUBLICATION. Some of the plates are entitled: 


Physionomie de l’Orient; Vue de Malte; Egypte; Costumes des Environs de Naplouse 
et de Nazareth; Scheick et Femme de Deir-el-Kamar; etc. ; 


CostuME PLATES. VECELLIO (CESARE). Costumes Anciens et Modernes. 
Precedes d’un Essai sur la Gravure sur Bois par M. Amb. Firmin-Didot. 
[Text in French and Italian.] Full-page costume plates in black-and-white, 
and ornamental borders. 2 vols. 8vo, quarter brown levant morocco, gilt 
tops, a few slight stains. Paris, 1859-1860 


CostuME PLATES IN CoLor. Costumes du Temps de la Révolution 1790, 
1791, 1792, 1793. Tirés de la Collection de M. V. Sardou. Préface de M. 
Jules Claretie. With 40 CoLorED Ercuines by Guallamot fils. Folio, half 
red straight-grain morocco, gilt back, gilt top, uncut. Paris, 1876 


Now Very Scarce. A fine series of plates depicting the costumes worn by the 
people of France during the Revolution, 1790-1793. 


CostuME PLATES IN CoLtor. REISET (LE COMTE DE). Modes et Usages au 
Temps de Marie-Antoinette. Livre-Journal de Madame Eloffe. With 
200 illustrations of which 68 are full-page plates IN CoLors. 2 vols. im- 
perial 8vo, half red morocco, gilt backs and tops, uncut. Paris, 1885 

Cuoice Copy. One of the most interesting publications illustrating the fashions 


and manners of that great period of Marie-Antoinette, copies of which seldom 
come up for public sale in this country. 


CostuME PLATES IN CoLor. Racinet (M. A.). Le Costume Historique. 
Types Principaux du Vétement et de la Parure. . . . Avec des Notices 
Explicatives, une Introduction Générale, des Tables et un Glossaire. 
Illustrated with over 500 full-page plates (300 IN COLORS, GOLD AND SILVER, 
200 in ‘‘Camaieu” or improved tinted lithography). 6 vols. small 4to, half 
crimson levant morocco, gilt paneled backs, gilt tops, uncut. 

Paris: Firmin-Didot et Cie, 1888 
FINE Copy OF THE SMALLER, RARER AND HANDIER EDITION OF THIS IMPORTANT 


Work ON THE COSTUMES OF ANCIENT AND MODERN Nations. A few light fox- 
marks. 


First Session, Monday Afternoon, March 17th 


88. CosTUME PLATES IN CoLor. Edition Nationale. Victor Hugo. La Esméralda. 


Costumes de Louis Boulanger. With 16 costume plates IN Two STATES, 
one set BEAUTIFULLY COLORED BY HAND, one set plain, also 23 pages of music. 
Folio, letterpress, music and plates all laid in loosely in a cloth portfolio, 
gilt. [Paris, 1888] 


Based on Victor Hugo’s famous novel ‘‘ Notre Dame de Paris.”’ 


89. COSTUME PLATES IN CoLor. HEFNER-ALTENECK (Dr. J. H. von). Trachten, 


go. 


Lama 


9 


92. 


93: 


Kunstwerke und Gerathschaften des Siebzehnten und Achtzehnten Jahr- 
hunderts. With 72 full-page chromolithographs. 4to, half roan. 

Frankfurt am Main, 1889 

Depicts the fashions, works of art and articles of general use of the 17th and 18th 


centuries.“ The plates are finely executed in colors after the original designs, and 
include male and female dress, articles of personal adornment, etc. 


CosTUME PLATES IN CoLor. UZANNE (OCTAVE). Les Modes de Paris. 


Variations de Gout et de l’Esthetique de la Femme, 1797-1897. With 100 
full-page illustrations IN CoLors, and numerous illustrations in the text, by 
Courboin. Square 8vo, half green morocco, gilt back and top, uncut, 
original wrappers bound in, BY DAVID. Paris, 1898 


EDITION LIMITED, this being No. 800 of 1000 copies printed on ‘‘velin special.’’ 
BEAUTIFUL Copy, 


CostuME PLATES IN CoLor. Modes et Maniéres d’Aujoud’hui. With 12 


full-page plates by André Marty, COLORED By HAND, and 12 vigneites by 
Tristan Bernard. Royal 8vo, sheets, in board portfolio. Paris, 1919 


PRINTED THROUGHOUT ON JAPAN VELLUM PAPER. One of 271 copies. Each 
plate is accompanied by a leaf of text. 


CosTUME PLATES IN CoLor. Modes et Maniéres d’Aujourd’hui, Années de 
J 


Guerre. With 12 full-page plates by Georges Lepape, COLORED BY HAND. 
Royal 8vo, sheets, in board portfolio. Paris [1919] 


PRINTED THROUGHOUT ON JAPAN VELLUM PAPER. One of 271 copies. Each 
plate is accompanied by a poem by Henry Jacques. 


CosTUME PLATES IN CoLor. Diz Mope. Menchen und Moden. Nach bil- 


dern und Stichen der Zeit ausgewahlt von Dr. Oskar Fishel. Text von 
Max von Boehn. Profusely illustrated, many of the plates IN CoLors. 6 
vols. 12mo, cloth. Miinchen, 1919-1920 


A VALUABLE AND EXTENSIVE Work on the costumes of the German, English 
and French people of the 17th, 18th and roth centuries. The costumes depicted 
are from the time of Queen Elizabeth up to and including the year 1914. 

In the volume for the 17th century Max Von Boehn has done both the selecting 
of the illustrations and the writing of the text. The plates are after pictures and 
engravings of the periods. 

One volume is devoted to the 17th Century, one volume to the 18th Century and 
four volumes to the 19th Century. 


94. CosTUME PLaTEs IN CoLor. Gazette du Bon Genre, Art, Modes, Frivolités. 


With numerous full-page plates and text illustrations, ALL COLORED BY 
HanD. Io parts, small 4to, printed covers. | Paris and New York, 1920 
One of the best recent publications as to text, and fully illustrated. This is the 


new series. The publication of this magazine was suspended during the war. Each 
part is in sheets and is laid in the printed wrappers. 


Kindly read Conditions of Sale in forepart of Catalogue 


95. CoURBET (GUSTAVE). RIAT (GzorGEs). Les Mattres de l’Art Moderne: 
Gustave Courbet, Peintre. Wath full-page etchings, helogravures and 
phototypes, IN Two STATES, and numerous text illustrations. Royal 8vo, 
original wrappers. Paris, 1906 

EpITION DE Luxe. LIMITED TO 50 COPIES, PRINTED THROUGHOUT ON JAPAN 


Paper. The etchings and heliogravures are printed on Japan paper and Holland 
paper; the phototypes being printed on Japan paper and plate paper. 


96. DALZIEL ILLUSTRATIONS. BuNYAN (JoHN). The Pilgrim’s Progress. 1861; 
Home Thoughts and Home Scenes. 1865. Some pages loose; Dalziels’ 
Illustrated Arabian Nights’ Entertainments. 2 vols. 1865; [ALso] The 
Brothers Dalziel. A Record of Fifty Years’ Work in Conjunction with 
many of the most Distinguished Artists of the Period. 1840-1890. I9OI. 
All illustrated. Together, 5 vols. small 4to, and royal 8vo, cloth, 3 vols. 
gilt tops. London, 1861-1901 


UNUSUAL COLLECTION of books illustrated by the Dalziels. 


97. DANCE OF DEATH. Douce (FRANCIS). The Dance of Death. Exhibited in 
Elegant Engravings on Wood with a Dissertation on the Several Repre- 
sentations of that Subject but more Particularly on those Ascribed to 
Macaber and Hans Holbein. 1833; Icones Veteris Testamenti; Illustra- 
tions of the Old Testament, engraved on Wood, from Designs by Hans 
Holbein. 1830. First Epition. First Issue. Profusely illustrated with 
woodcuts. Together, 2 vols. 8vo and 12mo, boards, leather backs. 

London: William Pickering, 1830-1833 


98. DANIELL (THOMAS AND WitttAM). Oriental Scenery. Six Parts. A series of 
144 splendid COLORED AQUATINT views. 6 vols. elephant folio, new half 
brown pigskin. London, 1795-1808 

A SUPERB AND COMPLETE Copy OF THIS EXTREMELY RARE ORIGINAL ISSUE. 
It is almost unnecessary to say anything in commendation of this extraordinary 
work, which is, without exception, the most magnificent series of views ever pro- 
duced. The plates measure 24 by 17 inches each, are colored in the style of the 


drawings, and are all BRILLIANT IMPRESSIONS. 
Complete series are seldom met with, as the artists finished them only in small 


numbers, and owing to the exquisiteness of the plates many copies were broken up 


and the plates framed. : ; 
There was an 8vo volume of descriptive text issued some years after the issue 


of the plates, but this does not accompany the present copy. The text is seldom 
found with the plates. The work comprises:— 
First SERIES: Twenty-four Views in Hindoostan, drawn and engraved by T. 


Daniell. 1795. 
SECOND SERIES: Twenty-four Views in Hindoostan, from the drawings of T. 


Daniell, engraved by himself and W. Daniell. 1797. 
THIRD SERIES: Twenty-four Views in Hindoostan, drawn and engraved by T. 


and W. Daniell. 18o0Tf. 
Fourtu SERIES: Twenty-four Landscape Views in Hindoostan by T. and W. 


Daniell. 1807. 
ANTIQUITIES OF INDIA. Twenty-four Views from the drawings of T. Daniell, 


engraved by himself and W. Daniell. 1799-1808. 
Hinpoo ExcAvATIONS IN THE MOUNTAIN OF ELLORA, near Aurungabad in the 
Decan. Twenty-four Views, engraved from the drawings of J. Wales, by, 


and under the direction of T. Daniell. 1803. 


99. Dante. VOLKMANN (LUDWIG). Iconografia Dantesca. The Pictorial Repre- 
sentations to Dante’s Divine Comedy. Revised and Augmented by the 
Author. With a Preface by Charles Sarolea. W2th 17 plates and 4 woodcuts. 
Imperial 8vo, vellum paper back, gilt top. London, 1899 

Epition LiMiTED to 250 copies, of which this is, No. 71. 


Ioo. 


IoO!. 


102. 


103. 


104. 


105. 


106. 


107. 


First Session, Monday Afternoon, March 17th 


Dante. La Divina Commedia. Illustrata nei luoghi e nelle persone a cura 
di Corrado Ricci. With 870 illustrations, of which 170 are full-page plates, 
of persons and places mentioned in the text. Thick small folio, full brown 
sheep, front cover with a raised design of a wreath, gilt top, uncut. 

Milano, recent 


MAGNIFICENT PUBLICATION. EDITION LIMITED TO 1000 COPIES. 


Dausicny (C.—F.). Dettem (Loys). Le Peintre Graveur Illustré. (XI Xe 
et XXe Siécles). Charles-Francois Daubigny. Copiously illustrated. 
4to, wrappers, uncut, and unopened. Paris, 1921 


Daumier (C.). Album Comique. With roo illustrations. 4 vols. small folio, 


original wrappers. Paris, circa 1835 


Fine SET oF THE RARE ORIGINAL ISSUE. AN AMUSING AND ENTERTAINING 
SERIES OF ALBUMS FROM THE PROLIFIC PENCIL OF Tuis ARTIST. 

The subjects treated are: Emotions Parisiennes; Histoire Ancienne, Pastorales; 
and Les Beaux Jours de la Vie. 


Daumier (C.). Les Bohémiens de Paris. With 25 illustrations. Small folio, 
original wrappers, portion of backbone torn away. Paris, no date 


ORIGINAL IssuE. AN INTERESTING AND AMUSING SPECIMEN OF FRENCH CARIC- 
ATURE. 


DaumieR (Honoré). ALEXANDER (ARSENE). Honoré Daumier. L’Homme 


et l’Geuvre. With an etched portrait by Guerard, 2 heliogravures and 47 
illustrations. Royal 8vo, marbled board sides, quarter purple morocco, 
gilt, gilt top, uncut. Paris, 1888 


Epirion LimItep to 18 copies ‘‘sur Hollande.” T his important work is seldom 
offered at public sale in this country. 


DaumiER (Honoré). H. Daumier. A Series of 36 beautiful large woodcuts 
on Japanese vellum, each plate matted in drawing paper. Enclosed in 4 
folio board portfolios, cloth backs, ties. Paris, 1920 

Epition LIMITED to 75 copies on Japan vellum paper, of which this is, No. 75. - 

The above series, comprising 36 large woodcuts, are all impressions from the 
ORIGINAL Woop BLOCKS. 

ONE OF THE Most IMPORTANT WoRKS ON DAUMIER, and apparently the first 
copy to be offered at public sale in this country. 


Daumier (Honoré). Fonrarnas (AnpRE). Le Peinture de Daumier. 
With numerous photogravure reproductions of paintings by Dauner. 4to, 
wrappers, uncut. Paris [1923] 


Limitep Issur. This forms one of the ‘Ars Graphica Etudés et Documents”’ 
series published under the direction of J. G. Daragnés. 


DAUMIER AND OTHER ILLUSTRATIONS. LA CARICATURE. Morale, Religieuse, 
Littéraire et Scénique. Journal fondé et dirigé par Ch. Philipon. With about 
520 humorous COLORED ani plain folding and full-page caricatures by H. 
Monier, Granville, Devere, Traves, Charlet, Raffet, Bellange, Adam, Daumver, 
etc., many of which are COLORED BY HAND. 10 vols. 4to, boards, leather 
back, gilt, uncut. Paris, 1830-1835 

ComPLETE SET OF THIS RARE AND EXCEEDINGLY DESIRABLE Work OF PARISIAN 
CARICATURE, especially sought after because it contains some of Daumier’s most 
important work. 

ONE OF THE Most IMPORTANT PUBLICATIONS OF THIS NATURE EVER OFFERED 
FOR PUBLIC SALE. A FINE AND COMPLETE SET IN THE ORIGINAL NuMBERS WITH 
SOME OF THE ORIGINAL PICTORIAL WRAPPERS BOUND In. SucH A COMPLETE 

[Continued 


Kindly read Conditions of Sale in forepart of Catalogue 


[No. 107. DaumIER—Continued] 


SET IS VERY RARELY Met WITH BECAUSE THE PLATES ARE OFTEN EXTRACTED 

AND USED FOR FRAMING PURPOSES, PARTICULARLY THOSE IN COLOR WHICH ARE 

VERY DESIRABLE FOR DECORATION. THE PLATES ARE IN FINE CONDITION. 
From the Lord Farnham collection, with his bookplate. 


108. DAUMIER ILLUSTRATIONS. FABRE (FRANCOIS). Némésis Médicale Illustrée, 
Recueil de Satires par Francois Fabre, Phocéen et Docteur. Revue et Cor- 
rigée avec soin par l’Auteur. Illustrated with 30 vignettes, drawn by Daumier 
and engraved by the best artists, and numerous tail-pieces. 2 vols. in one, 
8vo, boards, leather back, slightly foxed. Paris, 1840 


ORIGINAL EDITION—now very scarce. 


109. DAUMIER ILLUSTRATIONS. Tout ce Qu’on Voudra. A series of 21 large 
illustrations by Honoré Daumier, COLORED BY HAND. 4to, cloth, uncut. 

[Paris] circa 1840 

A VERY FINE AND COMPLETE SERIES of plates with their respective descriptive 


legends. The plates are excellent representations of Parisian costumes. Contains 
the advertisements. ; 


110. DAUMIER AND OTHER ILLUSTRATIONS. LES FRANCAIS PEINTS par Eux-Mémes. 
CoMPLETE SET comprising: Paris, 5 vols.; Les Provinces. 3 vols.; Le Prisme. 
Embellished with upwards of tooo remarkably clever and spirited engravings 
of the manners, habits and costumes of all classes of French society. Together, 
9 vols. quarter morocco, gilt, marbled edges. Paris: L. Curmer, 1840-1842 


FINE SET of one of the most entertaining sets of books ever published. Among 
the authors are:—Jules, Janin, Mery, Balzac, A. Delacroix, Couilhac, Soulie, E. 
de la Bedolliérre, Th. Gautier, and many others. The illustrations are by Dau- 
mier, Gagniet, Gavarni, Grandville, Malapeau, Meissonier, Pauquet, Penguilly, 
Raymond Pelez, Trimolet, H. Monnier, Delacroix, E. Lami, and other artists. 

This series is a complete cyclopedia of French life during the roth century. 

HAS THE RARE VOLUME “‘Le Prisme,’’ generally missing. 


111.77 DAUMIER ILLUSTRATIONS. Le Charivari. Treiziéme Année. From Monday, 
Jan. 1, 1844 to Tuesday Dec. 31, 1844. Profusely illustrated with humorous 
illustrations by Daumier, Grandville, Bouchot, Vernier, and other well-known 
French illustrators. With 3 double-page plates COLORED BY HAND. 2 vols. 
small folio, boards, roan backs, marbled edges, one colored plate torn, 
some tears, small stamp on several pages. Paris, 1844 


A RARE, AND EXCEEDINGLY AMUSING PUBLICATION. Especially desirable because 
of the illustrations. 


112.‘; DAUMIER: ILLUSTRATIONS. Catalogue of an Exhibition Illustrative of a 
Centenary of Artistic Lithography, 1796-1896. Wzth 20 photo-engravings 
from the originals by Daumier, Gavarni, Bonington, Cassatt, Chauvel, De- 
camps, Englemann, Millet, and others. 8vo, cloth, original wrappers bound 
in. New York: The Grolier Club, 1896 


This Exhibition was held at the Grolier Club in March 1896. Edition limited 
to 400 copies. 


113.° DECORATIVE ART. Collection of the Works of Gille-Marie Oppenord. [No 
Text.] 120 phototype plates, containing 2000 designs. Enclosed in a royal 

4to board portfolio, cloth back, stencil stamp on title, and on verso of all 

the plates. New York, no date 

A FINE COLLECTION of plates depicting brackets, trophies, altars, candlesticks, 
candelabras, tombs, fountains, fire-places, sculpture in stone, marble, and wood, 

interior decorations, church furniture, etc., for the use of architects, decorators, 


hewellers, cabinet-makers, ornamental sculptors, pottery and porcelain painters, 
and others. 


First Session, Monday Afternoon, March 17th 


114. DEeGAs. Laronp (PAuL). Degas. With numerous plates, some IN COLOR, 
also a great number of illustrations. 2 vols. 4to, wrappers, uncut, one volume 
loose in covers. Paris, 1918-1919 

A VERY EXCELLENT, ILLUSTRATIVE WORK ON DEGAS. 


115. DEGAs, Guys AND OTHER FRENCH ARTISTS. Modern French Masters: Louis 
Legrand. Text by Gustave Kahn; Edgar Degas. Text by Georges Grappe; 
Constantin Guys. Text by Georges Grappe; Eugéne Delacroix. Text by 
Camille Mauclair. All profusely illustrated, some of the reproductions being 
In Cotors. Four parts in one volume, 4to, cloth, leather back. 

London, Berlin, Paris: The International Art Publishing Company, no date 


FINE WorkK ON THESE FOUR FRENCH PAINTERS. The work is divided into four 
parts, each with a separate title-page, separate index of plates, and separate pagina- 
tion. There is a general half-title to the work. 


116. DESBOUTIN (MARCELLIN). CLEMENT-JANIN. La Curieuse Vie de Marcellin 
Desboutin. Peintre-Graveur-Poete. With numerous fine plates and text 


reproductions. 4to, wrappers, uncut. Paris, 1922 
A FINE Work ON THIS PAINTER, ENGRAVER, AND POET, with catalogue of his 
work. 


117. Dippin (THOMAS FROGNALL). Reminiscences of a Literary Life. First EpI- 
TION. Portrait and other engraved plates. 2 vols. thick 8vo, boards, paper 
labels, uncut. London: John Major, 1836 


118. Dove (James E.). A Chronicle of England. B.C. 55—A.D. 1485. Written 
and Illustrated by James E. Doyle. Numerous illustrations, engraved and 
printed IN Cotors by Edmund Evans. 4to, cloth, gilt, gilt edges. 

London, 1864 
First EpItIon. ORIGINAL IssuE OF THIS FINE Work. 


Tipped in are extracts from the Memoir of Charles Deane, historian, with his 
portrait. His presentation autograph appears on fly-leaf. 


REPRODUCTIONS OF DRAWINGS BY OLD AND MODERN MASTERS 


The following 26 numbers (119 to 144) comprise what is, we believe, the most 
important collection of its class that has ever been offered at public sale in this 
country. They include many works that here make their INITIAL APPEARANCE 
AT AN AMERICAN SALE, and comprise some of the finest work ever carried out 
technically in the way of reproducing the spirit and character of the original 
drawings by the Great Masters both of the Renaissance and Modern times. 


119. DRAWINGS BY THE OLD Masters. THE Vasari Society for the Reproduc- 
tion of Drawings by Old Masters. Contains about 350 reproductions in 
collotype. 10 parts in 11, imperial 4to, in sheets in original envelopes; Parts 
6 to 15 inclusive enclosed in board portfolios with Holland backs. London, 
1905-1915; INDEX to the First Series, Parts I-X. 8vo, stitched. Oxford, 
1920. Together, 12 vols. London and Oxford, 1905-1920 


COMPLETE SERIES OF THIS SUPERB PUBLICATION. Each plate is described in 
detail by well-known authorities, among whom may be mentioned,—Sir Sidney 
Colvin, Laurence Binyon, Charles Ricketts, Campbell Dodgson, Edward McCurdy, 
A. M. Hind of the British Museum, and others. Part 10 contains an Index to 
artists and owners of drawings reproduced in the work, compiled by C. F. Bell. 
Each plate is tipped on to a sheet of heavy paper. About four leaves in Part I 
have been punctured, slightly damaging a few letters. 

The reproductions are taken from drawings in the British Museum, and from 
collections owned by Universities and private individuals. 


Kindly read Conditions of Sale in forepart of Catalogue 


120. DRAWINGS BY THE OLD MastTERs. Collection J. Pierpont Morgan: A Selection 
from the Collection of Drawings by the Old Masters formed by C. Fairfax 
Murray. With 202 full-page plates. [1910]; Two Lombard Sketch Books 
in the Collection of C. Fairfax Murray, with a Few Drawings Supple- 
menting the Previous Volume. With 78 full-page plates. 1910. Together, 
2 vols. 4to, half green levant morocco, gilt backs and tops, uncut. 

London, 1910 
PRIVATELY PRINTED, AND A VERY SUMPTUOUS WorK. In the first volume men- 
tioned above there are about 150 different artists represented, and a number of 
the examples reproduced are of drawings of masters not often met with, An almost 
complete representation is accorded Rembrandt, together with a sufficient number 
of his contemporaries and followers. There is, also, a fine series of drawings by 
Adrian van Ostade. : 
In the second work there are two series of drawings reproduced. The first series, 
consisting of plates Nos. r to 26, are reproduced from a sketch-book of the 14th 
century, and tne drawings, executed with precision, are of North Italian origin. 
Plates Nos. 26 to 67, which form the second series, are reproduced from drawings by 
Cesare da Sesto, once attributed to Leonardo da Vinci. 
In each volume is an Introduction by C. Fairfax Murray, and a list of the plates, 


giving the name of the artist, the title of the drawing, and the collections to which 
they formerly belonged. 


121. DRAWINGS BY THE OLD Masters. UrFrrFizi GALLEY, FLORENCE. I Disegni 
della R. Galleria degli Uffizi. Four Srries, FrvE Parts Eacu. With about 
500 facsimiles of original drawings in the Royal Galleries in Florence. 20 
parts, large folio, each in a board folder, with ties, title on front covers. 

Firenze: Leo S. Olschki, 1912-1921 
MAGNIFICENT PUBLICATION OF REPRODUCTIONS OF DRAWINGS by the masters 
of the German, Flemish, Venetian and Florentine schools. Among the masters 
whose work is herein reproduced may be mentioned,—Leonardo da Vinci, Claude 
Lorrain, Hermann van Swanevelt, Botticelli, Lodivico Cardi, Jacopo Callot, Raf- 
faello, Filippino Lippi, Baccio Della Porto, Tiziano Vecellio, Adamo Elsheimer, 
Paolo Brill, Umbro-Senesi, Tosco-Romani, Stefano Della Bella, and others; also 
reproductions of ornamental designs. 


APPARENTLY THE FIRST SET OF THIS EXTREMELY IMPORTANT PUBLICATION TO 
BE OFFERED AT PUBLIC SALE IN THIS COUNTRY. 


122. DRAWINGS BY THE OLD MAstTErRS. GABLENTZ (HANS VON DER). Zeichnungen 
alter Meister im Kupferstich-Kabinet der Grosherzoglichen Museums zu 
Weimar. With two folders, each containing a series of 30 reproductions of 
original drawings (in all 60 plates). Text, one vol. 8vo, wrappers; Plates 
2 paper folders. The whole enclosed in a folio board portfolio, cloth back, 
with flaps. ~ Frankfurt am Main, 1913) 

A VERY IMPORTANT PUBLICATION. 
These reproductions represent the drawings of the masters of the German and 


Dutch schools. The volumes of text comprise a catalogue of the plates; each plate 
is tipped on a sheet of bristol board. 


123. DRAWINGS BY THE OLD Masters. Pavit (GusTAv). Zeichnungen alter 
Meister in der Kunsthalle zu Bremen. Three parts, each with a folder 
containing a series of 30 reproductions of original drawings, (in all go plates). 
Text 3 vols, 8vo, stitched; Plates, 3 paper folio folders. The whole en- 
closed in a folio board portfolio, cloth back, with flaps. 

Frankfurt am Main, 1914-1916 


EXTREMELY FINE PUBLICATION reproducing original drawings of old masters 
in the Bremen Museum. Each plate is tipped on a sheet of bristol board, 


124. 


125. 


126. 


127. 


128. 


129. 


130. 


First Session, Monday Afternoon, March 17th 


DRAWINGS BY THE OLD MASTERS. FLECHSIG (EDUARD). Zeichnungen alter 
Meister im Landesmuseum zu Braunschweig. Deutsche Nr. 1-42. With 42 
full-page reproductions of drawings. Each plate neatly tipped on sheet of 
stiff paper. Folio, sheets, enclosed in half cloth portfolio, cloth flaps, 
with ties. Frankfurt am Main [1922] 


_ EDITION LIMITED TO 400 COPIES, OF Wuicw Tuis Is, No. 368. <A very fine pub- 
lication depicting drawings by the old German masters in the Brunswick Museum, 


DRAWINGS BY JACOPO BELLINI. GOLOUBEW (VicToR). Les Dessins de Jacopo 
Bellini au Louvre et au British Museum. With a large number of plates, 
most of them being folding. 2 vols. thick folio, half vellum, uncut. 

Brussels, 1908-1912 


The first volume of this beautiful work is printed throughout on Japanese vellum 
paper, while the second is printed on plain paper. 

The most authoritative work on Bellini, which has become extremely scarce. 
This we believe to be the first copy to be offered for public sale in this country. 
The issue was small, the number of copies printed not being stated in the work. 


DRAWINGS BY BoTTICELLI. Die Zeichnungen aus Dante Alighieri die Gétt- 
liche Komodie. Mit einer Einleitung von Emil Shaeffer. With 109 full- 
page plates. Oblong folio, decorative boards, vellum back. Berlin, 1921 


ONE OF 400 Copies PRINTED ON HANDMADE Paper. A very fine reproduction 
of the drawings executed by Botticelli for Dante’s Divine Comedy. The plates 
are as follows: Inferno, 34 plates; Purgatory, 33 plates; Paradise, 32 plates. Believed 
to be the first copy to be offered at public sale in this country. 


DRAWINGS BY PIETER BREUGHEL, THE ELDER. Facsimile Reproductions 
after Drawings in the Print Room of Berlin and Dresden. [With a De- 
scriptive List of the Plates.] A series of 14 plates, each matted. Enclosed in 
a folio board portfolio, vellum back, with flaps. Berlin, 1922 


Tuis ENGLISH EpITION Is StRicTtLy LIMITED TO 100 CopiEs, printed by the 
Marées-Society, of which this is, No. LXV. 
AN IMPORTANT PUBLICATION, the plates beautifully executed. 


DRAWINGS BY LucAS CRANACH, THE ELDER. Gesellschaft fiir Zeichnende 
Kiinste: Lukas Cranach der Alter. With portfolio containing 15 reproduc- 
tions of drawings by this master, each plate matted. Text, one vol. 4to, 
stitched; Plates, in a folio board portfolio, with flaps. Together, 2 vols. 

Berlin, 1922 
Epit1on LiMiTED to 250 copies, of which this is, No. 213. A most important 


publication, of which we believe this is the first copy to be offered at public sale in 
this country. 


Drawincs By Dscas. Vingt Dessins, 1861-1896. A collection of 20 facsimile 
drawings, some IN Cotors. Each plate neatly matted. Enclosed in heavy 
board portfolio, pigskin back, with cord ties. Paris: Goupil & Cie, no date 


ONE OF THE RAREST AND FINEST OF ART PUBLICATIONS, OF WHICH WE BELIEVE 
ONLY Two OTHER COPIES HAVE BEEN OFFERED AT PUBLIC SALE IN THIS COUNTRY. 

LIMITED TO 100 CopiEs. A BEAUTIFUL SERIES OF 20 COLORED AND BLACK-AND- 
WHITE LITHOGRAPHIC REPRODUCTIONS OF THE ORIGINAL SIGNED DRAWINGS. In 
original folio and on original mounts. 


DRAWINGS BY ADOLF VON HILDEBRAND. BAUMLER (ALFRED). Adolf von 
Hildebrand Handzeichnungen. With portfolio containing 36 plates, being 
reproductions of drawings by Hildebrand. Text, one vol. royal 4to, stitched; 
Plates folio, in a board portfolio with buckram back. Together, 2 vols. 

Miinchen, 1923 


FINE Copy of this important publication. 


Kindly read Conditions of Sale in forepart of Catalogue 


I3I. 


132. 


133. 


134. 


135. 


DRAWINGS BY DitreER. LIPPMANN (DR. FRIEDRICH). Zeichnungen von 
Albrecht Diirer in Nachbildungen. Herausgegeben von Dr. Friedrich 
Lippmann. 4 vols. 1883-1896; MEDER (DR. Jos—EpH—Editor). Zeichnung- 
en Albrecht Diirers in der Albertina zu Wein in Nachbildungen unter Mit- 
wirkung von Josef Edler von Schonbrunner. Herausgegeben und redirgirt 
von Dr. Joseph Meder. 1906. Contains 588 full-page reproductions of 
drawings by Diirer, being executed in exact facsimile with the original colors 
maintained. 5 vols. folio, full blue and gold cloth, in imitation of brocade, 
solid gilt edges. Berlin: G. Grotesche Verlagsbuchhandlung, 1883-1906 


SUPERB AND EXTENSIVE WORK ON THE DRAWINGS OF ALBRECHT DURER. EDI- 
TION LIMITED TO 300 Copies. Each volume contains a catalogue of the drawings 
contained therein. 

The drawings reproduced in the first four volumes have been selected from 48 
well-known private and public collections, among which may be mentioned the 
King’s Print Collection at Berlin, British Museum, Musée du Louvre, Biblio- 
théque Nationale, Frederick Locker Collection, William Mitchell Collection, John 
Malcolm Collection, and from other well-known public and private collections in 
England, Germany and France. The drawings reproduced in the fifth volume, 
ae in number, comprise the collection owned by the Albertina Museum in Vienna, 

ermany. 

BELIEVED TO BE THE FIRST COPpy TO BE OFFERED AT PUBLIC SALE IN THIS 
COUNTRY. ; 


DRAWINGS BY ADOLPH MeENzEL. Amtliche Veréffentlichung der National- 
galerie. Adolph Menzel, fiinfzig zeichnungen Pastelle und Aquarelle aus 
dem besitz der Nationalgalerie. Mit einer Einleitung von Max Liebermann 
und einem erlauternden Verzeich von G. F. Kern. Wath 50 facsimile 
reproductions, some IN CoLors. Folio, boards, vellum back. Berlin, 1921 


EDITION LIMITED TO 100 CopiEs. Each plate is tipped on sheet of brown paper. 
An exceedingly important publication. 


DRAWINGS BY JEAN-FRANCOIS MILLET. Les Dessins de J. F. Millet. Avec 
une Introduction de Léonce Bénédite. Illustrated with 50 reproductions in 
facsimile after the original drawings of the master. Small folio, vellum, gilt, 
gilt edges, binding somewhat warped. Paris, 1906 


EpITION LIMITED TO 50 COPIES ON IMPERIAL JAPAN VELTUM PAPER, OF WHICH 
Tuis Is, No. 34. A FINE Work. 


Drawincs By Nicotas Poussin. Dessins de Maitres Francais. Nicolas 
Poussin. Cinquant Reproductions de Léon Marotte avec un Catalogue 
par Charles Martine. With 50 plates. Folio, letterpress and plates laid in 
loosely in a canvas portfolio, with inner protecting canvas flaps, ties. 

Paris, 1921 
AN IMPORTANT PUBLICATION. 
Copy No. 8 of a limited edition. Each plate tipped on heavy French gray art 
paper. 


DRAWINGS BY PIERRE-PAUL PRuD’HON. Dessins de Maitres Frangais. 
Pierre-Paul Prud’hon. Soixante-douze reproductions de Léon Marotte, 
accompagnées d’une Vie du Peintre par Anatole France, ... et d'un 
Catalogue par Charles Martine. . . . With 72 large and beautiful repro- 
ductions, each tipped on thick French gray art paper, one being IN COLOR; 
also vignette of Napoleon I, on title and several illustrations tipped in the text. 
Folio. Letterpress and plates laid in a canvas portfolio, with inner canvas 
protecting flaps, ties. Paris, 1923 

A VALUABLE AND ARTISTIC PUBLICATION, Most DESIRABLE TO THE COLLECTOR 


INTERESTED IN THE FRENCH MASTERS OF PAINTING. The plates are faithfully 
reproduced from the originals. 


First Session, Monday Afternoon, March 17th 


136. DRAWINGS BY RAPHAEL. FISCHEL (OSKAR). Raphaels Zeichnungen. [ALso] 
Two Portfolios containing 103 plates, tipped on large sheets. Text: 2 vols. 
folio, wrappers; Plates: In two large folio board portfolios. Together, 4 
vols. Berlin, 1918 


The text includes a catalogue of the large plates. A SuPERB Work. Believed 
to be the first copy to appear at public sale in this country. 


137. DRAWINGS BY REMBRANDT. Original Drawings by Rembrandt Harmenz van 
Rijn. Reproduced in the Colours of the Originals by Emrick & Binger at 
Haarlem. First SERIES: Edited by F. Lippmann with the assistance of 
W. Bode, Sidney Colvin, F. Seymour Haden and J. P. Saeltine. Second, 
unaltered edition, edited by C. Hofstede de Groot. Contains 200 facsimiles 

of original drawings, reproduced in the ORIGINAL CoLors. Four Parts. 

1914-1920; THIRD SERIES: Edited by C. Hofstede de Groot. Contains 100 

facsimiles of original drawings. Two Parts. 1903-1906. This edition 

limited to 150 copies, of which this is, No. 1; FOURTH SERIES: Edited by C. 

Hofstede de Groot. Contains 100 facsimiles of original drawings. Two 

Parts. 1911-1910. Edition limited to 150 copies. Together, 8 large folio 
cloth portfolios, with cloth flaps and ties, leather label on front covers. 

The Hague: Martinus Nijhoff, 1903-1920 

A SUPERB PUBLICATION, AND WHICH, OWING TO THE ISSUE BEING LIMITED, 

Is QuiTE Scarce. Believed to be COMPLETE SERIES of the publication as issued 


to date, the Third and Fourth Series having been published before the first parts 
of the work. 


Each plate is tipped on a separate sheet of Bristol board, and in the reproduction 
of the drawings the coloring of the originals has been maintained. BELIEVED TO 
BE THE First Copy TO BE OFFERED AT PUBLIC SALE IN THIS COUNTRY. 


138. DRAWINGS BY RENOIR. Facsimiles d’aprés Vingt-et-Une Dessins, Aquarelles 
et Pastels de Toutes les Epoques. Introduction par Elie Faure. 21 plates, 
being facsimiles of drawings and paintings by Renoir. Text (being the 
Introduction), folio, wrappers; Plates, loose in royal folio portfolio. To- 
gether, 2 pieces. Paris, 1920 

A Sumptuous PUBLICATION, limited to 100 copies, of which this is, No. 43. BE- 
LIEVED TO BE THE First Copy TO BE OFFERED AT PUBLIC SALE IN THIS COUNTRY. 


The Introduction by Elie Faure is printed on handmade paper, and contains a Table 
of the plates at the end. 


139. DRAWINGS BY RuBENS. Reubens Zeichnungen der Wiener Albertina in zwolf 
faksimiledrucken. Eingeleitet von Gustav Gliick. 12 plates, being facsimiles 
of drawings by Rubens. Text: 1 vol. small folio, wrappers; Plates, loose in 
portfolio. Together, 2 pieces. Miinchen, 1921 

The Introduction by Elie Faure is printed on handmade paper, and contains a 
Table of the plates at the end. 


A SuMPTUOUS PUBLICATION, limited to 100 copies, of which this is, No. 2. Each 
plate is matted. 


140. DRawiNncs By TiEPoLo. Au Temps du Christ. Jesus, la Vierge, les Ap6tres. 
Préface et Notice Biographique par Henri Guerlin. With photogravure 
reproductions of 50 unpublished drawings by Giovanni Domenico Tiepolo. 
Royal 4to, sheets, original paper cover. Enclosed in a brocade cloth port- 
folio, leather lettering piece on front cover. 

Tours: Maison Alfred Mame et Fils, recent 


A BEAUTIFUL PUBLICATION. One of 450 copies printed on “‘velin des papeteries 
de Rives.”’ 


Kindly read Conditions of Sale in forepart of Catalogue 


141. DRAWINGS BY TRUBNER. Exias (Jutius). Wilhelm Triibner Handzeich- 
nungen. Ausgewahlt und mit einer Einleitung herausgegeben von Julius 
Elias. With a portfolio containing 49 lithograph plates, being reproductions 
of drawings by Triibner. Text, one vol. stitched; Plates in a folio board 
portfolio, cloth back. Together, 2 vols. Berlin [1921] 


EDITION LIMITED TO 300 COPIES. 


142. DRAWINGS BY WaATTEAU. Handzeichnungen von Watteau. Mit einer Studie 
und begleitenden Notizen herausgegeben von Cornelius Gurlitt. Wath 
50 facsimile reproductions of drawings, by Watteau. Folio, buckram, uncut. 
Berlin, 1909 
EDITION LIMITED TO 200 CopiEs, of which this is, No. 68. 
This beautiful publication is now extremely scarce. The plates are in tints in 


exact facsimile of the originals. Believed to be the first copy to be offered at public 
sale in this country. 


143. DRAWINGS BY FLORENTINE PAINTERS. BERENSON (BERNHARD). The Draw- 
ings of the Florentine Painters Classified, Criticised and Studied as Docu- 
ments in the History and Appreciation of Tuscan Art. With a Copious 
Catalogue Raisonné. With numerous full-page plates, some of which are 
In CoLor. 2 vols. thick atlas folio, leather backs, gilt tops, uncut. 

New York: E. P. Dutton and Company, 1903 
EDITION LIMITED to 355 copies of which this is, No. 351. 


THE Most COMPREHENSIVE WORK ON THE FLORENTINE MASTERS, COPIES OF 
WHuiIcH ARE SELDOM OFFERED AT PUBLIC SALE. 


144. DRAWINGS AFTER EIGHTEENTH CENTURY FRENCH ARTISTS. The Eighteenth 
Century in France. Facsimile reproductions after drawings by Watteau, 
Fragonard, Natioire, Lancret, Chardin, G. et A. de St. Aubin, Hub. Robert, 
Boucher, Huet, Greuze, Moreau-le-Jeune, Doyen, Portail, Pesne, Clodion, 
Oppenort. A series of 28 plates, each plate within a mat. Enclosed in a 
folio board portfolio. [London] Published by the Marees-Society, recent 


THIS ENGLISH EDITION Is STRICTLY LIMITED TO 100 CopPpiEs, of which this is, 
No. 12. A VERY FINE PUBLICATION. 


145. DwReR (ALBRECHT). Cust (LIONEL). The Engravings of Albrecht Diirer. 
With 20 illustrations, including 4 full-page plates. Royal 8vo, new wrappers, 
uncut. London, 1894 


146. DURER (ALBRECHT). Albrecht Diirer, Graveur. Texte par Peladan. With 
102 reproductions of engravings by Diirer, each plate tipped on a separate 


sheet. Folio, boards, cloth back. Paris, 1914 
eta LIMITED TO 195 CopliEs, this being one of 190 copies printed on “‘ papier 
afuma.”’ 


147. DURER (ALBRECHT). WOLFFLIN (HeErnricH). Die Kunst Albrecht Diirers. 
Profusely illustrated. 8vo, boards. Munich, 1920 


148. Earty ITALIAN ENGRAVINGS. A Loan Exhibition of Early Italian Engravings 
(Intaglio) Fogg Art Museum. Jilustrated throughout. Imperial 8vo, 
three-quarter brown morocco, gilt, gilt paneled back, gilt top, original 
wrappers bound in. Cambridge, 1915 


149. 


150. 


I5I. 


152. 


153. 


154. 


155. 


First Session, Monday Afternoon, March 17th 


EIGHTEENTH CENTURY ART. Exposition d’@uvres d’Art du XVIIIe siécle 
a la Bibliothéque Nationale. Catalogue. Miniatures, Gouaches, Estampes 
en Couleurs, Francaises et Anglaises 1750-1815; Médailles et Pierres 
Gravées, 1700-1800; Biscuits de Sévres. Contains a number of full-page 
illustrations, some plates with two subjects. 8vo, half blue morocco, gilt 
top, uncut. Paris, 1906 

Catalogue of miniature portraits, drawings, prints in colors, etc. 


EIGHTEENTH CENTURY ENGRAVINGS. STIX (PROFESSOR ALFRED). Meister- 
werke der Graphik im XVIII Jahrhindert. Heransgegeben und einge- 
leitet von Professor Alfred Stix. With 54 full-page plates, 6 IN CoLors, on 
Japan paper. Each plate matted. Folio, laid in board box-case. 

Wien [1921] 
ONE OF 250 COPIES WITH THE PLATES PRINTED ON JAPAN PAPER, SIX OF WHICH 
ARE IN CoLors. A SUMPTUOUS PUBLICATION. 


The plates represent the works of many of the well-known English, Italian, 
German and French engravers of the Eighteenth Century. 


Et Greco (Domenico Theotocopuli). BARRES (MAURICE) AND LAFOND 
(PauL). Le Greco. Numerous fine plates and text allustrations. 4to, wrap- 
ers, uncut. Paris, circa 1885 


First EDITION. LIMITED TO 25 COPIES ON JAPAN PAPER, of which this is, No. 
9. AN EXCEEDINGLY FINE PUBLICATION on this great painter, the pupil of Titian. 


ENGRAVED PortrRAITs. FAucHEUX (L. E.). Catalogue Raisonné de Toutes 
les Estampes qui forment les CEuvres graves d’Etienne Ficquet, Pierre 
Savart, J. B. de Grateloup et J. P. S. de Grateloup. 8vo, full red levant 
morocco, triple gilt fillet borders, gilt paneled back, gilt inside dentelle 
borders, gilt top, uncut, BY MATTHEWS. Paris, 1864 


VERY RARE. ONLY 100 COPIES PRINTED. Indispensable to the collector of 
portraits by these eminent engravers. 
From the William Loring Andrews collection, with his leather book-label. 


ENGRAVED Portraits. Bibliothéque Nationale. [Catalogue] Exposition de 
Portraits, peints et dessines du XIIIe au XVIIe Siécle. Avril-Juin 1907. 
With a number of full-page reproductions. 8vo, three-quarter brown morocco, 
gilt back and top, uncut, original paper covers bound in. Paris, 1907 


HANDSOME Copy. Only 150 copies printed on Holland paper, of which this is, 
No. 55. A very useful catalogue of portraits, painted and drawn, from the Thir- 
teenth to the Seventeenth Century, which were on Exhibition at the French National 
Library from April to June 1907. 


ENGRAVING. OTTLEY (WILLIAM Y.). An Inquiry into the Origin and Early 
History of Engraving, upon Copper and in Wood, with an Account of 
Engravers and their Works, from the Invention of Chalcograph by Maso 
Finiguerra, to the time of Marc’ Antonio Raimondi. Profusely illustrated. 
2 vols. folio, full red morocco, gilt, gilt paneled back, wile inner morocco 
borders, gilt, gilt edges. London, 1816 

LARGE AND THICK PAPER Copy of this valuable work on engraving. 


ENGRAVING. PassAvANT (J. D.). Le Peintre-Graveur. Contenant l’histoire 
de la Gravure sur Bois, sur Métal et au Burin jusque vers la fin du XVI 


Siécle . . . et un Catalogue Supplémentaire aux Estamps du XV. et XVI 
Siécle du Peintre-Graveur de Adam Bartsch. 3 vols. 8vo, boards, cloth 
backs, sprinkled edges. Leipsic, 1860-1864 


Reprint of this famous reference work. 


Kindly read Conditions of Sale in forepart of Catalogue 
EE ee 


156. ENGRAVING. Levis (Howarp C.). A Descriptive Bibliography of the Most 
Important Books in the English Language relating to the Art & History 
of Engraving and the Collecting of Prints. Wath 117 tllustrations in the 
text, of title-pages, portraits, prints, etc. 1912; [ALSO] Supplement and 
Index. 1913. 1 vol. boards, buckram back, 1 vol. cloth. Together, 2 
vols. 4to. London, 1912-1913 


FINE Copy oF THIS SCARCE BIBLIOGRAPHY. Inserted, at the end of the volume 


of text are extra title-pages and half-titles, which can be used in case it is desired 
to bind the work in two volumes. 


157. ENGRAVING IN ITALY. DELABORDE (LE VTE. HENRI). La Gravure en Italie 
avant Marc-Antoine (1452-1505). With full-page and text illustrations. 
4to, boards, cloth back, uncut. Paris [1885] 

A VERY SCARCE AND AUTHORITATIVE Work. 


158. ENGRAVINGS. Catalogue of the Collection of Line Engravings, Mezzotinto 
and Stipple Engravings and Etchings. Formed by the late Walter S. 
Carter. Cloth. 1905; Catalogue of the Masterpieces of Engraving and 
Etching collected by the Late General Brayton Ives. Half morocco. 1915. 
Both priced. Together, 2 vols. royal 8vo and 8vo. New York, 1905-1915 


Both of the above collections were sold by the American Art Association; they 
are two of the most important collections ever offered at public sale. 


159. ENGRAVINGS AND Woopcuts. KRISTELER (PAUL). Kupferstich und Holz- 
schnitt in Vier Jahrhunderten. With 6509 text illustrations. Small 4to, 
three-quarter seal-brown morocco, gilt back, gilt top, uncut. Berlin, 1905 


A very fine publication on copperplate and woodcut engraving in Germany 
England, Holland, Italy and France during the 15th, 16th, 17th and 18th Centuries, 
and one that seldom occurs for sale in this country. 


160. EraGny Press. A Brief Account of the Origin of the Eragny Press & a Note 
on the Relation of the Printed Book as a Work of Art to Life by T. Sturge 
Moore. A Bibliographical List of the Eragny Books Printed in the Vale 
Type by Esther & Lucien Pissarro on their Press at Epping. .. . With 
numerous fine woodcuts. 8vo, boards, uncut. Hammersmith, 1903 


EDITION LIMITED to 235 copies. The first book printed in the “Brook” type, 
by Esther & Lucien Pissarro. 


Tipped on end-leaf is an Autograph Letter Signed: ““L. R. Pissarro.’’ tp. 16mo, 


Paris, Sept. 24, 1922. To unnamed correspondents. An interesting letter referring 
to a list of the etchings or lithographs by Camille Pissarro. 


161. Essex House Press. AsHBee (C. R.). An Endeavour Towards the Teaching 
of John Ruskin and William Morris. Being a Brief Account of the Work, 
the Aims, and the Principles of the Guild of Handicraft in East London. 
With woodcuts by George Thomson. 8vo, vellum, uncut. London, 1901 


EDITION LIMITED to 350 copies, of which this is, No. 332. This is the first book 
printed at the Essex House Press in the new type designed by C. R. Ashbee. 


162. Essex HousE: Press BIBLIOGRAPHY. ASHBEE (C. R.). The Private Press: 
A Study in Idealism. To which is Added a Bibliography of the Essex 
House Press. With some 200 blocks and cuts by Strang, Savage, Walter 
Crane, Woodroffe, Griggs, New, Ashbee and others. 4to, Kelmscott boards, 
art linen back, uncut. Broad Campden, 1909 


EDITION LIMITED to 125 copies on handmade paper, of which this is, No. 54. 
Laid in, is a descriptive circular relating to the above volume. 


163. 


164. 


165. 


166. 


167. 


168. 


169. 


170. 


First Session, Monday Afternoon, March 17th 


EtTcHING. BINYON (LAURENCE). Dutch Etchers of the Seventeenth Century: 
With fine plate and text illustrations. Royal 8vo, three-quarter red morocco, 
gilt top, uncut, original wrappers bound in. London, 1895 


A FINE Work in which Paul Potter, A. van Ostade, L. Backhuysen, Van de 
Velde, Rembrandt, Ruisdael and others are mentioned. 


ETCHING AND ENGRAVING. HinpD (ArtTHUR M.). A History of Engraving 
& Etching from the 15th Century to the year 1914. Being the Third and 
Fully Revised Edition of ‘‘A Short History of Engraving and Etching.” 
With frontispiece in photogravure and 110 text illustrations. 4to, cloth, gilt 
top, uncut. Boston, 1923 


This revised edition contains a chapter on modern etchers, and engravers, a 
classified list of engravers arranged by countries, general and individual bibliog- 
raphies, and an index of over 2500 names. 


ETCHING, ENGRAVING, AND LITHOGRAPHY. GLASER (Curt). Die Graphik 
der Neuzeit. Vom anfang des XIX. Jahrhunderts bis zuer gegenwart. 
With hundreds of illustrations. Imperial 8vo, cloth. Berlin, 1922 


A valuable work on the art of etching, engraving and lithography, from the begin- 
ning of the Nineteenth Century up to the present time, in Germany, England, 
United States, France, and other countries. 


ETcHINGS By CoLMAN. Specimens of Architectural Remains in Various 
Counties in England, but Principally in Norfolk, With Descriptive Notices 
by Dawson Turner, Esq. and Architectural Observations by Thomas 
Rickman. With 258 full-page etchings by John Sell Cotman. 2 vols. folio, 
half maroon morocco, very slightly rubbed. London, 1838 


ORIGINAL ISSUE OF THIS FINE WoRK ON ARCHITECTURE. The etchings comprise 
Five Series and were executed by Mr. Cotman at different intervals, chiefly during 
his residence in Norfolk, and include specimens of Architectural Antiquities of 
Norfolk, Specimens of Norman and Gothic Architecture in Norfolk, the Liber 
Studiorum (which forms the Fifth Series), and others. 


ETCHINGS BY FORAIN AND RAFFAELLI. HuysMans (J. K.). Croquis Parisiens. 
Eaux-fortes de Forain et Raffaelli. With 11 etchings, 4 by Raffaelli and 6 by 
Forain. 8vo, half brown morocco, gilt top, uncut, rubbed. Paris, 1880 


First Epirion, printed on Holland paper, containing two plates by Forain, ‘‘Au 
Bar’”’ and ‘““Aux Folies-Bergéres,’’ which were refused by the publisher. (For other 
work by Forain, see Nos. 169 to 176 and 192.) 


FIREARMS. JACKSON (HERBERT J.). European Hand Firearms of the Six- 
teenth, Seventeenth & Eighteenth Centuries. With a Treatise on Scottish 
Hand Firearms by Charles E. Whitelaw. With 71 full-page plates, most of 
which contain more than one subject. 4to, cloth, gilt top, uncut. 

London, 1923 


Ep1tion LIMITED to 500 copies for sale. A VERY FINE Work on the firearms 
of the 16th, 17th and 18th centuries. (See also No. II.) 


ForAIn (JEAN-Lours). GUERIN (MarceL). J. L. Forain, Aquafortiste. 
Catalogue Raisonné de |’iuvre Grave de l’Artiste. With an original 
etching, and 31 reproductions of etchings, by Forain. 4to, original paper 
covers. Paris, 1912 

EDITION LimITED TO 300 Copies, of which this is, No. 57. 


ForAIN ILLustraATIons. Album de Forain. [With a preface by Alphonse 
Daudet.] 50 illustrations. Folio, original wrappers. Paris, circa 1885 


Kindly read Conditions of Sale in forepart of Catalogue 


171. FORAIN ILLUSTRATIONS. Le Fifre. Journal Hebdomadaire. Jllustrated 
throughout by Forain. Folio, cloth back, uncut. Paris, 1889 


A FINE EXAMPLE oF l'art de caricature of Paris. Forain’s ability is here exem- 
plified at its best. 


172. FORAIN ILLUSTRATIONS. Les Temps Difficiles (Panama) par J.-L. Forain. 
Each illustration with explanatory legend. Small 4to, wrappers. Paris, 1893 


173. FORAIN AND CARAN D’ACHE ILLUSTRATIONS. Psst ...! Premiére Année, 
1898-1899; Seconde Année. 1899. Illustrated throughout by Forain and 
Caran d’Ache. 2 vols. folio, three-quarter brown levant morocco, gilt, 
uncut. [Paris] 1898-1899 


EDITION LIMITED to 75 copies on Japan paper. FINE Copy of this important 
and rare work. 


174. ForAIN ILLUSTRATIONS.’ La Vie. Illustrated title and 27 plates, ALL IN COLOR. 
Small folio, original pictorial wrappers, uncut. Paris, no date 


Scarce. EpiTIon LIMITED TO 50 CopiEs ON IMPERIAL JAPAN PAPER, numbered 
from 51 to 100, of which this is, No. 85. 
A FINE SPECIMEN OF FORAIN’S ART. 


175. FoRAIN ILLUSTRATIONS. Dela Marneau Rhin. Dessins des Années de Guerre. 
I9QI4-I919. 2 vols. No date; Doux Pays. No date. Illustrated, with ex- 
planatory legends. Together, 3 vols. 12mo, wrappers, uncut. [Paris] no date 


These illustrations from the pen of Forain powerfully depict the horrible tragedies 
that lay in the wake of War’s grim phantom. 


176. ForaIn ILLUSTRATIONS. Douze Dessins Originaux en Couleurs ayant Trait 
a la Guerre. Reproduits en fac-similé par le Procédé Léon Marotte. 24 
beautifully COLORED illustrations. In two portfolios, folio size, the first, 
half morocco, the second, half vellum paper. Paris, no date 


EDITION LIMITED to 300 copies on “‘papier d’Arches,”’ of which this is, No. 37, 
signed by the artist: ‘‘ Forain.” 

Tue PictuRES FORCEFULLY DEPICT THE GHASTLINESS AND TRAGEDY OF WAR. 

These illustrations are suitable for framing. (For other work by Forain, see 
Nos. 167, 192.) 


177. FRAGONARD (Honoré). PorTALis (ROGER, BARON). Honoré Fragonard. 
Sa Vie et Son CEuvre. With 210 plates and vignettes after the paintings, en- 
gravings, and original drawings. Etchings by Lalauze, Champollion, Couriry, 
De Mare, Wallet, Greux, Veyrassat, Boilvin, Monziés, Salmon and Jazinskt. 
One vol. extended to two, imperial 8vo, three-quarter midnight blue levant 
morocco, gilt paneled backs, gilt tops, uncut, original covers bound in. 

Paris, 1889 


LONG OuT OF PRINT AND RARE. ONE OF THE BEST WORKS KNOWN ON THIS 
EMINENT PAINTER. PRINTED THROUGHOUT ON JAPANESE VELLUM PAPER. Limited 
Issue. 


178. Frames. Cadres et Bordures de Tableaux, de la Fin du XVIe Siécle au 
Premier Empire. [With a historical preface.] With 62 plates. Folio. Letter- 
press and plates laid in loosely in a board portfolio, half cloth, ties. 

Paris, circa 1890 
UNUSUAL AND VERY HELPFUL PUBLICATION ON THIS BRANCH OF ART. Each 
plate is a beautiful study in detail of exquisite wood-carving, etc. Some of the 


plates are representative of the art of framing in Italy during the 16th century; 
during the Reign of Louis XIV; Louis XV; Louis XVI; etc. 


179. 


180. 


181. 


182. 


183. 


184. 


185. 


First Session, Monday Afternoon, March 17th 


FRENCH ARTISTS AND WRITERS. Paris Guide par les Principaux Ecrivains 
et Artistes de la France. Premiére Partie, la Science, l’Art; Deuxiéme 
Partie, la Vie. Illustrations by Rops, Meryon, Flameng, Daubigny, Bracque- 
mont, Bonheur, Daumier, Morin, Fichot, Francais, Popelin, and others. 
Also embellished with autographs, maps and charts. 2 vols. 12mo, quarter 
green morocco, gilt paneled backs, uncut. Paris, 1867 

FINE Copy PRINTED THROUGHOUT ON CHINA PAPER. A VALUABLE WorK. 


FRENCH EIGHTEENTH CENTURY ENGRAVINGS. DILKE (Lapy). French En- 
gravers and Draughtsmen of the XVIIIth Century. With 51 illustrations. 
Imperial 8vo, cloth, gilt lettered and decorated, uncut. London, 1902 

This important work is now very scarce. 


FRENCH EIGHTEENTH CENTURY ENGRAVERS. SALOMONS (VERA). Gravelot. 
With 21 photogravures. 1911; Choffard. With 29 photogravures. 1912; 
Charles Eisen. With 35 photogravures. 1914. Together, 3 vols. 8vo, uni- 
formly bound in blue cloth, gilt tops, uncut. London, I9II-I914 


First EDITIONS of these works on these three well-known French book-illus- 
trators of the Eighteenth Century. 


FRENCH EIGHTEENTH CENTURY ENGRAVERS. L’Estampe Francaise. Essais 
par Frangois Courboin. With numerous reproductions of well-known engrav- 
ings, mainly of the 18th century. 8vo, original decorated covers, uncut. 

Brussells and Paris, 1914 


AN EXCEEDINGLY FINE AND USEFUL Work treating on rare engravings, engravers, 
engraver’s tools, etc. 


FRENCH EIGHTEENTH CENTURY ENGRAVINGS. PEzAyY (LE MARQUIS DE). 
Zélis au Bain. Poéme en Quatre Chants. With engraved title, 4 plates, 4 
vignettes, and 4 tatlpieces after Hisen by Aliamet, de Lafosse, Lemire, and de 
Longueil. 8vo, full deep blue crushed levant morocco, gilt, gilt paneled 
back, inner gilt dentelle borders, gilt edges. Geneva [1763] 

Edition containing 36 pages. 


FRENCH EIGHTEENTH CENTURY ENGRAVINGS. [DESFONTAINES (GUILLAUME 
F.).] Les Bains de Diane ou le Triomphe del’Amour. Poéme. Par M. Desf. 
. . . Illustrated with a fine title by de Ghendt after Marillier, and 3 plates 
by Massard, Ponce, and Voyez l’ainé after Marillier. 8vo, full mottled calf, 
gilt, gilt back and edges, joints repaired. Paris: Chez J. P. Costard, 1770 


First EDITION. FINE Copy WITH BRILLIANT IMPRESSIONS OF THE PLATES. 
Desfontaines, born at Caen in 1733, was a French dramatist, and became librarian 
to Louis XVIII. 


FRENCH EIGHTEENTH CENTURY ENGRAVINGS. LAcHAU (ABBE DE). Dis- 
sertation sur les Attributs de Vénus, qui a obtenu I|’Accessit, au jugement 
de l’Académie Royale des Inscriptions & Belles-Lettres, 4 la Séance pub- 
lique du mois de Novembre 1775. With a magnificent engraved frontispiece 
by St. Aubin, of Titian’s Venus Anadyomene, vignettes of the Venus de 
Medicis on title-page and the Venus Callipyge on last leaf, and numerous 
small engravings in the text. 4to, full green French levant morocco, Jansen- 
ist; doublures of full red French levant morocco, with gilt filigree borders, 
Derome manner; fly-leaves of sage-green silk; gilt top, uncut, BY TALIBART. 
Enclosed in boards slip-case, lined with chamois. Paris, 1776 

First EDITION oF THIS RARE AND CurRIoUS WorK. MAGNIFICENT COPY. 
[Continued 


Kindly read Conditions of Sale in forepart of Catalogue 


[No. 185. FRENCH EIGHTEENTH CENTURY ENGRAVINGS—Continued] 


ExTRA-ILLUSTRATED by the insertion of 37 full-page plates and unique old prints, 
among which may be mentioned the following,—Reynolds’ Venus and Cupid, 
mezzotint in colors; three superb plates of Jupiter and Diana and Birth of Bacchus 
designed by Borel; Nymphs at the Bath, designed and engraved by Couché; Jupiter 
and Leda, designed by Borel, engraved by Triere; and numerous choice nude sub- 
jects from the antique. 


186. FRENCH EIGHTEENTH CENTURY ENGRAVINGS. GRAFFIGNY (FRANCOISE DE). 
Letters of a Peruvian Princess, translated from the French: With the 
Sequel taken from a Spanish Manuscript. Embellished with superb engrav- 
ings. 2 vols. 12mo, full light brown levant morocco, Jansenist, inner gilt 
dentelle borders, gilt tops, uncut, BY CANAPE. Paris, 1802 

FINE Copy oF THIS RARE EDITION, WHIcH ALSO HAS THE FRENCH TEXT. 


187, FRENCH EIGHTEENTH CENTURY ILLUSTRATION. PORTALIS (ROGER, BARON). 
Les Dessinateurs d’Illustrations au Dix-Huitiéme Siécle. Etched frontis- 
piece. 2 vols. 8vo, figured boards, morocco backs, gilt paneled, gilt tops, 
uncut, BY STIKEMAN. Paris, 1877 

First Epition. Indispensable to the collector of 18th Century Art. SCARCE. 


188. FRENCH ENGRAVINGS. CouRBOIN (FRANCOIS). La Gravure en France des 
Origines A 1900. With 204 reproductions of rare engravings, of which & 
full-page plates are IN COLORS. 4to, boards, brown morocco back, gilt top, 
uncut. Paris, 1923 


Work of great interest, describing the art of engraving in France during the last 
five centuries. 


189. FRENCH FLAGs. DESJARDINS (GUSTAVE). Recherches sur les Drapeau- 
Francais. With 4o full-page plates, IN Cotors. Imperial 8vo, three- 
quarter blue levant morocco, gilt fillets on sides, gilt paneled back, gilt 
top, uncut, original wrappers bound in. Paris, 1874 


CuHorce Copy of this interesting work, giving a complete history of the French 
flags from Charlemagne to the year 1789. The plates give reproductions of many 
flags, all executed in colors. 


190. FRENCH FURNITURE. DREYFUS (CaRLE). Musée du Louvre. Le Mobilier 
Francais: Epoque de Louis XIV et de Louis XV. 4o plates; Epoque de 
Louis XVI. 50 plates. 8vo, sheets, enclosed in two board portfolios, cloth 
backs, with ties. Paris [1921] 


Two very interesting publications on Freych Furniture of the Louis XIV, XV 
and XVI periods. The text is stitched as a pamphlet, and the plates are printed on 
heavy paper. Beneath each plate is a description of the piece of furniture illustrated, 


FRENCH FURNITURE. Meubles et Objets de Gout. 1796-1830. Préface et 
Notice par M. Paul Cornu. With 112 exceedingly fine plates, some of which 
ave IN CoLor. Folio. Laid in loosely in a board portfolio, half cloth, with 
ties. Paris, recent 

IMPORTANT AND FINE WORK. 


on | 
. 


19 


192, FRENCH ILLUSTRATORS. BRISSON (ADOLPHE). Nos Humoristes. Caran 
d’Ache, J.-L. Forain, Hermann-Paul, Léandre, Robida, Steinlen, Willette. 
With “illustrations by the foregoing artists. Small folio, original pictorial 
covers, uncut, shaken. Paris, no date 


The above is a very desirable example of the style of the well-known artists 
mentioned. Besides the numerous fine caricatures, there are photographic por- 
traits of the artists. 


193. 


194. 


195. 


196. 


197. 


198. 


199. 


200. 


First Session, Monday Afternoon, March 17th 


FRENCH PAINTERS. Les Peintures de la Collection Chauchard. With 80 
beautiful reproductions in heliogravure, after the pictures of Corot, Daubigny, 
Decamps, Delacroix, Diaz, Jules Dupré, Fromentin, E. Isabey, Charles 
Jacque, E. Metssomer, J.-F. Millet, Th. Rousseau, Troyon. Laid in loosely 
in a board portfolio, with inner board protecting flaps. Paris, I9II 


EDITION LIMITED to 250 copies on “‘vélin de cuve des papeteries d’Arches,"’ of 
which this is, No. 15. 


FRENCH PAINTERS. WOLFF (ALBERT). Cent Chefs-d’Gtuvre. The Choice 
of the French Private Galleries. With numerous full-page and text etched 
reproductions, ALL PROOFS BEFORE LETTERS, from the works of Corot, Dau- 
bigny, Diaz, Fromentin, Troyon, Greuze, Delacroix, Millet, Rousseau, 
Tenters, Rembrandt, and other famous artists. Folio, half morocco, gilt 
edges, each leaf reinforced at hinge with guard. New York, no date 


_ EDITION LIMITED to 600 copies on Holland paper of which this is, No. 284. Bind- 
ing somewhat rubbed. 


FRENCH PRINTS. NEVILL (RALPH). French Prints of the Eighteenth Cen- 
tury. Wauth 50 full-page plates. 8vo, cloth. London, 1908 


The first work written in English dealing with the subject from the collector’s 
point of view. 


FRENCH REVOLUTION. Collection Compléte des Tableaux Historiques de la 
Révolution Francaise. Very copiously illustrated with symbolic frontis- 
pieces by Fragonard, extremely interesting historical plates of all the most 
stirring scenes of the Revolution, from the convening of the Assembly of Nota- 
bles to the Dictatorship of Napoleon, also portraits of the ‘leading figures. 
3 vols. folio, morocco backs and boards uncut, title in Vol. 3, slightly torn. 

Paris. 1804 


BRILLIANT IMPRESSIONS OF THE PLATES. A FINE Work and an official record 
of the progress of the Revolution, copies of which seldom appear for public sale. 


FRENCH REVOLUTION. GONCOURT (EDMOND ET JULES DE). Historie de la 
Société Francaise pendant la Révolution. Numerous illustrations. 4to, 
cloth, gilt top, uncut, original wrappers bound in. Paris, 1889 


FRENCH SCULPTURE. ROSEROT (ALPHONSE). Les Grands Sculpteurs Frangais 
du XVII le Siécle: Edme Bouchardon. With 20 full-page plates, and numer- 
ous text illustrations, of works by Bouchardon. Imperial 8vo, original covers, 
uncut. Paris, 1910 

A very interesting volume on one of the great sculptors of the Eighteenth Cen- 


tury. Bouchardon was specially noted for his equestrian statue of Louis XV, 
erected in the Place de la Concorde, Paris. 


FRENCH SCULPTURE. STEIN (HENRI). Les Grands Sculpteurs Francais du 
XVIIle Siécle: Augustin Pajou. Wuth 12 full-page plates and 154 text 
illustrations. Imperial 8vo, original wrappers, uncut. Paris, 1912 


USEFUL WorK with many reproductions of the works of this noted sculptor, 
remembered specially for his many busts of Madame Du Barry and other celebrated 
personages of the Louis XV and XVI periods. 


FRENCH SCULPTURE. ROCHEBLAVE (S.). Les Grands Sculpteurs Frangais 
du XVIIle Siécle: Jean-Baptiste Pigalle. With 38 full-page plates. Imperial 
8vo, original wrappers, uncut. Paris, 1919 


Very FINE Work on this sculptor and his work. He was specially noted for 
the tomb of Marechal Lasee in Strassbourg. The plates depict some of his work 
in terra-cotta and marble. 


Kindly read Conditions of Sale in forepart of Catalogue 


201. 


202. 


203. 


204. 


205. 


206. 


207. 


208. 


209. 


FRENCH WAR TROPHIES, VERILLON (M.). Les Trophées de la France. 
Numerous illustrations, some folding plates. Small folio, boards, dark 
brown morocco back, gilt top, uncut, original wrappers bound in. 

Paris, 1907 
EDITION LIMITED to 500 copies on ‘‘papier satin’’ of which this is, No. 127. The 
illustrations depict battle and historical scenes, and reproductions, in colors, of 


many flags captured by the French in various wars from the 17th Century up to 
and including the Franco-Prussian War. 


FREUDENBERG ILLUSTRATIONS. [La Femme au XVIIIme Siécle.] A series 
of 11 engravings, all but one with legends. Each mounted on a 12mo sheet. 
I2mo, marbled boards, quarter cloth, red edges. [Gotha] circa 1790 


AN INTERESTING SERIES OF ENGRAVINGS after the well-known prints by Freud- 
enberg for ‘‘Le Monument du Costume.” The plates were engraved by a pupil 
of Chodowiecki and used in the ‘‘Almanach de Gotha.” 


FROMENTIN (EuGENE). Les Maitres d’Autrefois. Belgique—Hollande. 
Royal 8vo, half morocco, gilt, gilt top, uncut. Paris, 1876 
First EDITION. Fine copy. 


Fruit CULTIVATION. SENENSIS (BAPTISTA F.). Hesperides Sive de Malorvm 
Avreorvm Cvltvra et Vsv. Libri Quatuor. With a large number of fine full- 
page copperplates. Imperial 8vo, boards, roan back. 

Romae: Sumptibus Hermanni Scheus, 1646 
A work seldom offered at public sale. 


FURNITURE, Etc. MaAzE-SENCIER (ALPH.). Le Livre des Collectionneurs. 
Some illustrations in text. 8vo, boards, roan back. Paris, 1885 


Lonc Out oF PRINT AND Scarce. A most valuable book for the Collector or 
Museum treating on Furniture, Bronzes, Gold Boxes, Clocks, Watches, Ceramics, 
Miniatures, Ivories, Terra Cottas, Waxes, Wood Carvings, Enamels, etc. Also 


gives the names of the most celebrated Artists who attained fame in the respective 
arts. 


FURNITURE. Meubles et Objets de Gout. 1796-1830. Préface et Notice par 
Paul Cornu. With 112 fine plates, some COLORED BY HAND. Folio, letter- 
press and plates laid in loosely in a board portfolio, half cloth, ties. 

Paris, circa 1885 


THE PLATES ARE EXCEEDINGLY FINE and represent: Directoire, 1796-1799; 
Consulate, 1800-1804; Empire, 1804-1813; Restoration, 1814-1836. 


FURNITURE. SINGLETON (ESTHER). The Furniture of our Forefathers. With 
Critical Descriptions of plates by Russell Sturgis. Profusely illustrated 
with plate and text illustrations. 2 vols. royal 8vo, cloth, gilt top. 

New York, 1901 


A Fine Work treating upom furniture from the 17th to the roth centuries. 
Long out of print. 


FURNITURE. LAKING (Guy FRancis). The Furniture of Windsor Castle. 
With 47 beautiful plates and headpiece. Thick royal 4to, cloth, leather back, 
gilt top, uncut. London, 1915 


A VERY FINE AND CONSTRUCTIVE Work treating upon English and Continental 
furniture, tapestry hangings of English, French and Flemish looming, etc. 


FURNITURE. Chairs by the Jacob Brothers. Wzuth a fine series of plates, 
each with a descriptive legend. 8vo, laid in loosely in a board portfolio, 
cloth back, with ties. [Paris, 1921] 


First Session, Monday Afternoon, March 17th 


210. FURNITURE. DreEyFus (CARLE). Musée du Louvre. Le Mobilier F rang¢ais, 
Epoques de Louis XIV, XV et de Louis XVI. Beautiful series of plates, 
some im black, some in sepia, all having explanatory legends. 2 vols. 8vo. 
each enclosed in a board portfolio, cloth backs, with ties. Paris [1921] 


211, FURNITURE. PERCIVAL (MACIVER). Old English Furniture and its Surround- 
ings. From the Restoration to the Regency. Illustrated. Square 8vo, cloth, 
uncut. London, 1920 


AN INTERESTING Work treating on the Restoration, the end of the Seventeenth 


caret the beginning of the Eighteenth Century, and the Early and Late Georgian 
Periods. 


212. FURNITURE. Nurtinc (WALLACE). Furniture of the Pilgrim Century. 
1620-1720. Including Colonial Utensils and Hardware. JIllustrated with 
1000 photographs by the author hitherto unpublished. Royal 8vo, cloth. 


Boston [1921] 


IMPORTANT Work treating on carved, ornamented and plain chests, chairs, gate- 
leg tables, cupboards, etc. 


213. FURNITURE. CORNELIUS (CHARLES). - Furniture Masterpieces of Duncan 
Phyfe. With 56 full-page reproductions of articles of furniture by Duncan 


Phyfe. 8vo, half vellum, uncut. New York, 1922 
First EpiTIon of this fine publication on the work of this early American cabinet- 
maker. 


214. FURNITURE. HUNTER (GEORGE LELAND). Decorative Furniture. With 
over 900 illustrations, of which 23 plates are IN CoLor. 4to, blue cloth, 


uncut. Philadelphia and London, 1923 

EDITION LIMITED. Printed from type and the type distributed. 

The work treats on the furniture of all periods and ages, among which may be 
mentioned,—Byzantine, Chinese, Japanese, French and Italian Renaissance, later 
Italian, Louis XIII, XIV, XV, XVI, Directoire and Empire, Spanish, Flemish, 
Elizabethan, Jacobean, Queen Anne, Early Georgian, Chippendale, Adam, Hepple- 
white, Sheraton, American Colonial, Modern European and American, American 
Mission, and others. 


215. FURNITURE. CESCINSKY (HERBERT). English Furniture of the Eighteenth 
Century. Illustrated from drawings by the author and from photographs. 
3 vols. 4to, half morocco, gilt, gilt paneled backs, gilt tops. 


New York, recent 
FINE Copy or THis Most IMpoRTANT Work. 


216. GARDENS. FouQquieEr (M.) AND DucHENE (A.). Des Divers Styles de Jardins, 
Modéles de Grandes et Petites Résidences, sur l’art Décoratif des Jardins, 
Jardins Européens et Jardins Orientaux. With full-page and text illustra- 
tions. Royal 4to, printed wrappers, uncut. Paris, 1914 

A VERY INSTRUCTUVE PUBLICATION with illustrations of the Tuileries, Versailles, 


Luxembourg, Chanteloup, plans of gardens, parks, fountains, lakes, etc., after 
Ducerceau, Le Notre, Blondel, Hubert Robert, Moreau le Jeune, and others. 


217. GARDENS OF FRANCE. SAINT-SAUVEUR (HEcTorR). Les Beaux Jardins de 
France. Introduction de R. Ed. André. With 44 full-page heliogravure 
plates, some with more than one subject. Folio, sheets loose in cloth portfolio. 

Paris: Ch. Massin, circa 1890 


SPLENDID PUBLICATION. The plates depict the laying out of gardens, lawns, 
fountains, flower beds, etc. 


Kindly read Conditions of Sale in forepart of Catalogue 


218. 


219. 


220. 


221. 


222. 


Gaucuin (PAuL). Morice (Cuarves). Paul Gauguin. With 87 full-page 
reproductions of paintings by Paul Gauguin. 4to, illustrated wrappers, un- 
cut and unopened. Paris, 1919 

The most important publication on Gauguin and his works. 


GaucGutn (PAUL). Morice (CHARLES). Paul Gauguin. With numerous full- 
page illustrations. Small 4to, original illustrated wrappers, uncut. 
Paris, 1919 


FINE Copy of this important work. 


GAVARNI ILLUSTRATIONS. SUE (EUGENE). Le Juif Errant. Illustrated by 
Gavarni. 4 vols. imperial 8vo, three-quarter green levant morocco, gilt, 
gilt paneled backs, gilt tops, uncut, original wrappers boundin. Paris, 1845 

FINE Copy of the scarce original edition, with the Gavarni illustrations. 


GAVARNI ILLUSTRATIONS. Le Diable a Paris. Paris et les Parisiens. Texte 
par George Sand, P.-J. Stahl, Léon Gozlan, P. Pascal, de Balzac, Arséne 
Houssaye, Aubert, Théophile Gautier, Alfred de Musset, and others. 
Précédé d’une Histoire de Paris par Théophile Lavalée. Illustrations by 
Garvarni, Bertall, Champin, Bertrand, Daubigny and Francais. 2 vols. 
royal 8vo, cloth, morocco back, gilt, gilt edges, slightly rubbed. 

Paris, 1845-1846 
An ILLUSTRATIVE Work treating upon the manners and customs, characters. 
and portraits, of the inhabitants of Paris. 


GazETrE pEs BEaux Arts. For June, July, and November. Paris, 1922. 
Illustrations. 2 vols. Paris, 1922. Contains articles on modern tapestries, 
portraits of Columbus, drawings by Jacopo Bellini, etc; CHRONIQUE DES 
Arts et de la Curiosite. Supplément a la Gazette des Beaux-Arts, Nos. 
12, 13, 14, 15 and 18, June-November, 1922. 5 vols. Paris, 1922; BURLING- 
Ton MaGazinE. No. 237, Vol. XLI, December 1922. Illustrated. London, 
1922. Contains articles on Cassone Panels, French 18th Century Furniture, 
Old Plate at the Church Congress, etc. Together, 9 vols. 4to and imperial 
8vo, wrappers. London and Paris, 1922 


223. Gicoux ILLustRATIONS, Histoire de Gil Blas de Santillane par Le Sage. 


Numerous vignettes by Jean Gigoux. Thick royal 8vo, boards, leather back, 
gilt, marbled edges. Paris, 1835 
ORIGINAL IssuE of this finely illustrated edition. 


Second Session, Numbers 224 to 454, inclusive 


TUESDAY AFTERNOON, MARCH 18th, AT 2:30 O’CLOCK 


224. GirTIN (THomasS). A Selection of Twenty of the most Picturesque Views in 
Paris and its Environs. Drawn and etched in the year 1802 by the late 
Thomas Girtin. Being the only etchings of that Celebrated Artist, and 
Aquatinted in exact imitation of the Original Drawings. A series of 20 
fine aquatints, printed in brown, by Lewis, Harraden and Pickett, after etch- 
ings by Thomas Girtin. Oblong folio, half roan, lettering piece on front 
cover. London, 1803 


ORIGINAL ISSUE. VERY SCARCE. EXTRA-ILLUSTRATED. In addition to the 
aquatints which are printed in brown, are original impressions of a series of 18 
soft-ground etchings, of 18 of the above plates, which were used as a basis before 
the plates were aquatinted. Both the etchings and the aquatints are BRILLIANT 
IMPRESSIONS AND ARE UNSPOTTED. Five of the aquatint plates have been skilfully 
and neatly inlaid to size. 

Girtin was a watercolor painter, and a great friend of J. M. W. Turner who was 
employed like him in washing in skies for architects, and coloring prints for John 
Raphael Smith and others. In 1801 his health had broken down and he was rec- 
ommended to try a change of air. In the spring of 1802 he went to Paris to recover 
his health, and while there executed the drawings for this beautiful series for the 
Earl of Essex, which he himself etched on his return to England. Afterwards they 
were aquatinted by Lewis, Harraden and Pickett. 

THERE IS NO RECORD IN AMERICAN BOOK PRICES CURRENT OF A Copy HAVING 
BEEN SOLD AT PUBLIC SALE IN AMERICA. AND, THERE IS NO RECORD IN ENG- 
LisH Book Prices CURRENT OF A Copy, WITH THE ETCHINGS ADDED, HAVING 
BEEN SOLD AT PUBLIC SALE. 

From the collection of Eugene Von Wassermann, a copy of the catalogue of which 
is catalogued as No. 449 of this sale. 


225. GoLpsmiTH’s ART. BOUILHET (Henri). L’Orfévrerie Francaise aux XVIIIe 
et X1Xe sidcles. With hundreds of full-page and text illustrations. 3 vols. 
royal 8vo, wrappers, uncut. Paris, 1910 


ONE OF THE BEST PUBLICATIONS ON THE GOLDSMITH’S AND SILVERSMITH’S ART. 
The illustrations depict chalices, jewel boxes, candlesticks, soupterrines, spoons, 
knives, vases, etc.; the work also treats on various hall-marks. Covers the period 
from 1700 to 1900. 

Edition limited to 1000 copies. 


226. GONCoURT (EDMOND ET JULES DE). L’Art du Dix-Huitiéme Siécle. With 35 
full-page heliogravures, of works by Chardin, Latour, St. Aubin, Boucher, 
Fragonard, Eisen, Moreau, and others. 2 vols. royal 4to, half blue morocco, 
with a female figure, in cloth, onlaid on front covers, entirely uncut. 

Paris, 1880 


LARGE Paper. THIRD AND BEST EDITION, ENLARGED. It was owing to this 
work that the art of the 18th century was revived in France. , 
Copies of this extremely important work seldom occur for public sale. 


227. GOYA Y LUCIENTES (FRANCISCO). LLAFOND (PauL). Goya. [Written in 
French.] Illustrated with beautiful large plates and numerous text allustra- 
tions. 4to, wrappers, uncut. Paris, no date 

EpitIon Limirep to 50 copies. From the ‘‘ Revue de l’Art Ancien et Moderne.” 


Kindly read Conditions of Sale in forepart of Catalogue 


228. 


229. 


230. 


231. 


253: 


233. 


GRANDVILLE ILLUSTRATIONS. Les Métamorphoses du Jour par I. Adolphe 
Grandville. With 73 humorous lithographs In Cotor. Oblong small folio, 
half black morocco, gilt top, uncut, original front cover bound in. 

Paris, 1829 


RARE ORIGINAL IssuE OF THIS Most AmusinG Work, in which Grandville 
depicts the lower brute creation living, moving and having their being in human 
intelligence and activity. Bound in at the back of the volume are 6 additional 
lithographs, of which 4 are in color. RARE IN THIS STATE. Those in color are 
colored by hand. 


GRANDVILLE ILLUSTRATIONS. Fables de la Fontaine. 2 vols. 1838; Petites 
Miséres de la Vie Humaine par Old Nick et Grandville. 1843. All pro- 
fusely illustrated. Together, 3 vols. royal 8vo, cloth and boards, uncut. 

Paris, 1838-1843 


ORIGINAL EDITIONS of each work, with the finest impressions of the illustrations, 


GRANDVILLE ILLUSTRATIONS. SCENES de la Vie Privée et Publique des 
Animaux. Vignettes par Grandville. Etudes des Mceurs Contemporaines 
publiées sous la direction de M. P.-J. Stahl [and others]. Wazth 200 full- 
page illustrations, and numerous illustrations in the text by Grandville. 2 
vols. royal 8vo, half red morocco, gilt top, uncut. Paris, 1842 

FINE Copy OF THE First EDITION, with the best impressions of the illustrations. 


GRANDVILLE ILLUSTRATIONS. Cent Proverbes par Grandville et par [device— 
Trois Tétes dans un Bonnet]. Frrst Epition. Profusely illustrated through- 
out. Royal 8vo, three-quarter red morocco, gilt, gilt paneled back, gilt 
top, uncut, original wrappers bound in, somewhat rubbed. Paris, 1845 


GREAT War (THE). Collection Henri Le Blanc. La Grande Guerre. Icon- 
ographie, Bibliographie, Documents Divers. Catalogue Raisonné des 
Estampes, Originaux, Affiches Illustrées, Imageries, Vignettes, Cartes 
Postales, etc. Préface de Georges Cain. J. illustrations. 7 vols. (should be 8, 
vol. 7 missing), 4to, wrappers, uncut. Paris, 1916-1922 

AN INTERESTING AND DESIRABLE CATALOGUE. 


GROLIER CLuB. A collection of Catalogues of Exhibitions held at the Grolier 
Club, New York City, between 1887 and 1912. Together, 28 pieces, 16mo, 
original wrappers, uncut. New York, 1887-1912 


The catalogues are of exhibitions of Early Printed Books, Japanese Prints, Illus- 
trated Books, Books on Angling, Modern Wood Engravings, Old English Books, 
Etchings, etc. Among some of the catalogues may be mentioned the following,— 
Etchings and Drypoints by D. Y. Cameron. 1908; Early Printed Books Relating 
to America. 1888; Chronological Hand-List of various Editions of the Complete 
Angler by Izaak Walton and Charles Cotton. 1893; Angling Books, together with a 
number of Manuscripts, Angling Bookplates, Prints, Medals, etc, 1912; Engraved 
Portraits of Washington. 1900; Original and Early Editions of Italian Books. 1902; 
Japanese Prints and Illustrated Books. 1889; First Editions of the Works of Alex- 
ander Pope. 1911; Modern Wood Engraving. 1890; and others. A few of the 
catalogues are in duplicate. 


234. GROLIER CLUB PUBLICATION. HART (CHARLES HENRY). Catalogue of the 


Engraved Portraits of Washington. Engraved frontispiece, facsimile and 
19 photogravures. Royal 4to, half vellum, gilt, entirely uncut. | 
New York, 1904 
LIMITED to 425 copies printed on American handmade paper. The best and 
most authoritative work on the subject, being an indispensable guide to all who 
desire a thorough knowledge of the painters, engravers, issues, etc., of portraits of 
Washington. Contains full detailed description of 880 portraits "of Washington 
and 5 indices of engravers, publishers, places of publication, and general index. 


235- 


236. 


237. 


238. 


239. 


240. 


241. 


242. 


243. 


Second Session, Tuesday Afternoon, March 18th 


GROLIER CLUB PUBLICATION. IRVING (WASHINGTON). Notes and Journal of 
Travel in Europe. 1804-1805. With an Introduction by William P. Trent. 
Txtle-page and illustrations in aquatint. Designed and engraved by Rudolph 
Ruzicka. 3 vols. 12mo, cloth, gilt, gilt tops, uncut. 

New York: The Grolier Club, 1921 


EDITION LIMITED to 257 sets on rag paper. 


Gruver (F. A.). La Peinture au Chateau de Chantilly. Ecole Francaise. 
With 4o heliogravure illustrations on India paper. 4to, half maroon morocco, 
gilt back and top, uncut, original wrappers bound in. Paris, 1898 


FINE Copy oF THIS VERY SCARCE WorK. SPECIALLY PRINTED FOR MONSIEUR 
FERNANT DEHAITRE. 


GRUYER (F. A.). Chantilly. Les Portraits de Carmontelle. With 4o helio- 
gravure illustrations on India paper. 4to, half maroon morocco, gilt back 
and top, uncut, original wrappers bound in. Paris, 1902 


FINE Copy OF THE RAREST OF THE SERIES. SPECIALLY PRINTED FOR PAUL 
HERVIEU. 


Guys (CONSTANTIN). GRAPPE (GEORGES). Constantin Guys. With 63 
illustrations. Royal 4to, buckram, uncut. New York, recent 


Very fine work on Constantin Guys and his works. 
Laid in the above is AN ORIGINAL WASH DRAWING BY Guys, with the title on the 
back, in pencil, ‘Au bivowac des Zouaves Camp det. Main. 1859.”’ 


HARDING (J. D.). Sketches at Home and Abroad. 50 large, fine plates. 
Folio, half leather. Some plates spotted. [London] Charles Tilt [1836] 


HAvaRD (HEnrRy). Dictionnaire del’ Ameublement et de la Decoration depuis 
le XIII siécle jusqu’a nos jours. With 256 full-page plates, many IN COLor, 
and 2500 text illustrations. 4 vols. royal 4to, half green morocco, gilt 
paneled backs, gilt tops, uncut. Paris, no date 


CHOICE Copy OF THIS MONUMENTAL, VERY IMPORTANT, AND USEFUL Work, 
treating fully on every branch of decoration. Out of print and now very scarce. 


HEARN (LAFcapIo). Leaves from the Diary of an Impressionist. Early 
Writings by Lafcadio Hearn. With an Introduction by Ferris Greenslet. 
Facsimiles of manuscript. 16mo, boards, holland back, uncut. Boston, I9II 

EDITION LIMITED to 575 copies printed at the Riverside Press. 


[HEARN (LAFcapi1o).] BELLESSORT (ANDRE). Le Nouveau Japon. 12mo, 
original wrappers, uncut. Paris, 1918 
The whole third part of this work is devoted to the famous Ionian ‘‘Littérateur,’’ 
who had written ‘‘Glimpses of Unfamiliar Japan.’’ This part contains an excellent 
description of his parentage, birth, and sidelights on his checkered life. The French 
narrator also speaks of his personal appearance, his peculiarities and his charac- 
teristics when he met him in Japan, also mentioning Mme. Koizumi, Hearn’s Jap- 
anese wife, and this extraordinary man’s Oriental naturalization. 


HErnstus (J. E.). Outmont (CHARLES). J. E. Heinsius 1740-1812, Peintre 
des Mesdames de France. With 88 reproductions, 5 IN Cotors, of portraits 
painted by Heinsius. Each plate mounted on a sheet of heavy brown paper. 
4to, vellum boards, gilt top. Paris, 1913 


One of 500 copies printed on “papier vélin.”” A very fine publication on the 
paintings executed by Heinsius. 


Kindly read Conditions of Sale in forepart of Catalogue 


244. Heaton (Mrs. Cuares). The Life of Albrecht Diirer of Niirnberg. With 
a Translation of his Letters and Journal and an Account of his Works. 
1881; Dosson (AusTIN). William Hogarth. 1891. Both illustrated. To- 
gether, 2 vols. 8vo, cloth, uncut. London, 1881-1891 


245. HERMANN-PAUvL. Sur le Rhone de Lyon a Saint-Louis. A series of 51 plates 
after Hermann-Paul, signed by Ruck. Folio, original wrappers, uncut. 
Paris, circa 1885 
EpItIon LIMITED to 300 copies of which this is, No. 19. 
Each plate is tipped on heavy blue-gray paper of folio size, with legend beneath. 


246. HERMANN-PAUL. Sechs Kaltnadelarbeiten zu Salome. A series of 6 full- 
page etchings, PROOFS BEFORE LETTERS, each plate signed by the etcher, 
Hermann-Paul, in pencil. With title-page. Enclosed in a half cloth port- 
folio. Miinchen, recent 


Pe kf 


A Very FINE SERIES OF ETCHINGS DEPICTING SCENES FROM the drama **Salomé, 
written by Oscar Wilde. On the verso of the title-page is a list of the plates, giving 
the number of the scene and the title of the plate. Each plate is matted. 

EDITION LIMITED to 125 copies, the present being one of 100 copies printed on 
Holland paper. 


247. HeyMANN (MaApDAME ALFRED). Lunettes et Lorgnettes de Jadis. Preface de 
M. Georges Lafenestre. With numerous full-page and text illustrations. 
Royal 4to, printed wrappers, uncut. Paris, I9II 


Curious work with numerous illustrations of spy-glasses, spectacles, mirrors, 
sun-dials, magnifying glasses, telescopes, etc., and giving a complete history of the 
same from the earliest times to the middle of the 19th century. 


248. Hinpoo Art. TaGoRE (ABANINDRA Natu). Art et Anatomie Hindous. 
Traduction d’André Karpelés. Préface de Victor Goloubew. With 36 
text illustrations. Square 16mo, printed wrappers. Paris, 1921 


This brochure was published under the patronage of the ‘‘Association Francaise 
des Amis de 1’Orient.”’ 


249. Historic SCENES OF THE SIXTEENTH CENTURY. Les Grandes Scénes His- 
toriques du XVIe Siécle. Reproduction facsimilé du recueil de J. Tortorel 
et J. Perrissin. Publiée sous la direction de M. Alfred Franklin. With 43 
double-page plates. Folio, half cloth, gilt top, uncut. Paris, 1886 


250. Hon (CLAUDE). PorTALis (ROGER, Baron). Claude Hoin (1750-1817). 
Gouaches, Pastels, Miniatures. With portrait and full-page reproductions, 
In Two Srates, one before letters, also numerous illustrations in the text. 
Royal 8vo, half brown morocco, gilt back and top, uncut, original wrappers 
bound in. Paris, 1900 


RARE. ONE OF THE 50 COPIES PRINTED THROUGHOUT ON JAPANESE VELLUM 
Paper. The illustrations are reproductions of some of the best examples of min- 
iatures and pastels of this celebrated artist. 


251. Horace. Quinti Horatii Flacci Opera Omnia. With a Commentary by the 
Rev. A. J. Macleane. 2 vols. 8vo, full crimson levant morocco, blind tooled, 
light brown geometrical designed medallion onlaid on sides, onlays on 
blind tooled paneled backs, inner levant borders, gilt; doublures and end- 
leaves of light blue calf, the doublures being tooled in blind and gilt, gilt 
tops. London, 1881 


s BrstiotHEcA CLassica. Edited by George Long and A. J. Macleane. FINE 
OPY. 


252. 


253. 


254. 


gue: 


256. 


257: 


258. 


259. 


260. 


Second Session, Tuesday Afternoon, March 18th 


Hovupon (J. A.). GANDOUIN (ERNEST). Qulques Notes sur J. A. Houdon, 
Statuaire, 1741-1828. Portrait. 4to, wrappers, uncut. Paris, [1920] 


This recent publication gives much data on this celebrated Sculptor not found 
elsewhere. 


IMPRESSIONISTS. DEWHURST (WyNFORD). Impressionist Painting, Its 
Genesis and Development. Portraits and other illustrations. Small folio, 
buckram, gilt, gilt top, uncut. London, 1904 


Among some of the subjects in the volume may be mentioned:—The Evolution 
of the Impressionistic Idea, Edouard Manet, The Impressionist Group, Claude 
Monet, American Impressionists: Whistler, Harrison, Hassam; Some Younger 
Impressionists, etc. 


INTERIOR DECORATION. BoucHER (J.-F.). Recueil de Décorations In- 
térieures. With 60 plates reproduced in facsimile after the edition of Chereau 
(circa 1775). Folio, letterpress and plates laid in loosely in board portfolio, 
half vellum paper, uncut, ties. : Paris, circa 1880 


INTERNATIONAL StupI0 (THE). An Illustrated Magazine of Fine and Applied 
Art. Vol. 48 (No. 189), 1913 to Vol. 59 (No. 236), 1916, inclusive; Vol. 63 
(No. 249), 1918 to Vol. 74 (No. 298), 1921 inclusive; Vol. 75, 1922 com- 
plete; Vol. 76, Nos. 305-307 inclusive and Nos. 309, 310, 311, 1923. All 
profusely illustrated throughout, many of the illustrations beautifully colored. 
Together, 24 vols. bound in cloth and 12 numbers in original wrappers, 
imperial 8vo. New York, 1913-1923 

A Sumptuous PUBLICATION WITH VALUABLE INFORMATION CONCERNING THE 
WORLD OF ArT. 


ITALIAN PatntTING. More ui (GIovANNI). Italian Painters. Critical Studies 
of their Works. Translated from the German by Constance Jocelyn 
Ffoulkes. With an Introduction by Sir A. H. Layard. With illustrations. 
2 vols. 8vo, cloth, uncut. London, 1900-1907 


Jameson (Mrs.). The History of Our Lord. 2 vols. 1892; Legends of the 
Monastic Orders. 1905; Legends of the Madonna. 1909; Sacred and 
Legendary Art. 2 vols. 1911. All illustrated. Together, 6 vols. 8vo, green 
cloth, gilt tops. London, 1892-1911 


JAPAN. BELLEssoRT (ANDRE). Voyage au Japon. La Société Japonaise. 
I2mo, wrappers, uncut, rebacked. Paris, 1902 


AUTOGRAPH PRESENTATION Copy from the author to his former master of instruc- 
tion, with the following inscription in ink on half-title: A mon cher Maiire son ancien 
éleve trés reconnaissant, trés respecteuse et trés dévoué. André Bellessort. 


Japan. AKIYAMA (AISABURO). Sights of Old Capital. With two PRINTS IN 
Cotors, and full-page half-tone illustrations. 8vo, decorative silk. 
Tokyo, 1919 
The two colored plates are exquisite examples of Japanese art, and are entitled,— 
“‘ Arashiyama” and ‘‘Dancing Girls Enjoying Cool Breeze on River Kamo.” 


JAPANESE Art. The Kokka. An Illustrated Monthly Journal of the Fine 
and Applied Arts of Japan and other Eastern Countries. Nos. I to 382, 
[1889]|-—March 1922. With about 1600 full-page plates, in collotype and 
chromoxylograph. TOGETHER, 382 NUMBERS, wrappers. Enclosed in 64 
decorative cloth (except 5 which are in plain cloth) portfolios. 

Tokyo, 1889-1922 


[Continued 


Kindly read Conditions of Sale in forepart of Catalogue 


[No. 260. JAPANESE ART—Continued] 


THE FINEST JAPANESE PUBLICATION OF ITS KIND. For the foreign student it 
is absolutely indispensable, since it illustrates countless pictures, in private hands 
or in temples, which the traveller never sees. Each number contains two colored 
plates and four or more collotypes. It is the extraordinary excellence of the colored 
plates which makes the magazine so valuable. Not many works in the way of 
colored reproduction made in Europe can compare with the beauty and fidelity 
of these prints. Of the 382 numbers, 132 are in Japanese characters, the balance 
being in English. 

THIS IS THE FIRST SET OF THIS WoRK TO MAKE ITS APPEARANCE AT PUBLIC 
SALE IN THIS COUNTRY. 


JAPANESE ArT. TajiIMA (SHICHI). Masterpieces Selected from the Ukiyoye 
School. With Brief History of the Development of the School, Biographical 
Sketches of the Artists, and some Critical Descriptions, Numerous full-page 
illustrations, mostly colored and mounted. 5 vols. folio, silk, with designs on 
front covers, gilt edges. Each volume enclosed in cloth portfolio. 

Tokyo: The Shimbo Schoin, 1907-1909 

SPECIAL EDITION, only 200 copies printed. COMPLETE SET. 

“The object we have in view in compiling the present series, is the reproduction 
of certain Masterpieces selected from the Ukiyoye school in that form of our wood- 
cuts which is most advanced at the present time, and which is our artistic pride; 
and in which, excepting the size of the canvasses, everything, from the beauty of 
brushwork and coloring to the effect of periodicity in the characteristics, is revealed 
without a blemish to detract from the charm of the original pictures, so that our 
plates shall be identical with the originals. . In reproducing these pictures, we 
have followed, in a measure, the chronological order with advantage; but since. 
that method is not perfectly adapted to the wishes of one who desires to trace the 
evolution of each subdivision of the Ukiyoye school, each of those subdivisions is 
introduced according to the chronological order of its founder, under whom, again, 
each subordinate artist’s works are given in chronological order. . . . Although the 
plates are generally reproduced from the Artist’s originals, yet there are extant 
works to the original of which it is difficult to obtain access; while there are some, 
the woodcuts of which are artistically superior to the original; in both such cases, 
our reproduction is taken from old woodcuts. Each volume of the series is to con- 
tain thirty plates printed in woodcut reproduction, and there are to be five volumes 
in all; but there are some masterpieces which, owing to various circumstances, we 
are unable to reproduce in their original coloring; while there are some which we 
have found it impossible to collect and reproduce as colored woodcuts within the 
limited space of time at our command. When deemed indispensable to the study 
of the history of the Ukiyoye school, these works are reproduced in collotype as 
supplementary to the different volumes.’’—SHicu1 Tajima, Editor. 


262. JAPANESE NAMEs. Koop (A. J.) AND INADA (H.). Japanese Names and How 
to Read Them. A Manual for Art Collectors and Students. Being a 
Concise and Comprehensive Guide to the Reading and Interpretation of 
Japanese Proper Names both Geographical and Personal, as well as of 
Dates and Other Formal Expressions. Complete in 5 parts. 4to, original 
wrappers, uncut and unopened. nclosed in a cloth folder. 

London, 1920-1923 


AN INVALUABLE AND USEFUL Work, which seldom appears for public sale in this 
country. 


263. JAPANESE PRINTS. DuRE¢ (THEODORE). Livres & Albums Illustrés Japon. 
Réunis et Catalogués par Théodore Duret. With full-page illustrations, 
some IN CoLors. 8vo, printed wrappers. Paris, 1900 


This work was issued under the direction of the Bibliothéque Nationale, Départ- 
ment des Estampes. 


264. JAPANESE Prints. Axryama (ArsaBuro). A Brief History of Pictorial 
Japan. With numerous full-page reproductions of Japanese prints. 8vo, 
decorative silk, gilt top. Tokyo, 1919 


A fine biography on Japanese artists and their works. 


265. 


266. 


267. 


268. 


269. 


270. 


271. 


272, 


Second Session, Tuesday Afternoon, March 18th 


JAPANESE Prints. Hoxkusat (YEISHI CHOKI). Estampes Japonaises.... 
Exposées au Musée des Arts Décoratifs en Janvier 1913. [With a fine intro- 
duction in French by Raymond Koechlin.] With 118 plates, many of 
which are BEAUTIFULLY COLORED. The whole, laid in loosely in a cloth 
folder, folio size. Paris [1913] 

Tue PLATES ARE A BEAUTIFUL REPRESENTATION OF HOKUSAI’S ART. 


_ Epirion LIMITED to 130 copies of which this is, No. 122. Fine Copy of this 
important and very scarce work. 


JAPANESE Prints. Catalogue of Rare and Valuable Japanese Color Prints. 
Sold by the Walpole Galleries. 1921; Catalogue of Old Japanese Color 
Prints of Rarity and Distinction. The Carl Schraubstadter Collection, 
sold by the American Art Galleries. 1921; Catalogue of Rare and Valuable 
Japanese Color Prints. The Alexis Rouart Collection, sold by the American 
Art Galleries in 1922. All illustrated. Together, 3 vols. 8vo, wrappers. 

New York, 1921-1922 


The first named is priced. 


JouannotT ILLustRATIONS. MOLIERE (J. B. POQUELIN DE). CEuvres de Moli- 
ére. Précédées d’une Notice sur sa Vie ses Ouvrages par M. Sainte Beuve. 
Portrait, engraved title-pages, numerous vignettes by Tony J. ohannot. 2 vols. 
royal 8vo, marbled board sides, leather backs, gilt, uncut, slightly fox 
marked. Paris, 1835-1836 


FINE Copy OF THIS SCARCE ISSUE. 


Jouannot ILLUSTRATIONS. CERVANTES (MIGUEL DE). L’Ingénieux Hidalgo 
Don Quichotte de la Manche. Traduit et Annoté par Louis Diardot. 
With illustrations and vignettes by Tony Johannot. 2 vols. royal 8vo, half 
blue straight-grain morocco, gilt, gilt tops, uncut. Paris, 1836-1837 


Fine Copy of the original issue of this choice edition. 


JoHannot ILLustTRATIONS. PELLIcO (SiLvio). Mes Prisons. Suivies du 
Discours sur les Devoirs des Hommes. Traduction de M. Antoine de 
Latour. Avec les Additions de Maroncelli et des Notices Littéraires ou 
Biographiques sur plusiers Prisonniers du Spielberg. With illustrations by 
Tony Johannot, frontispiece being India Paper Proof Before Letters. Imperial 
8vo, marbled board sides, three-quarter cloth, uncut. Paris, 1843 


First EDITION WITH THESE ILLUSTRATIONS. 


JoHANNOT ILLUSTRATIONS. ARIOSTO (Lupovico). Roland Furieux. Traduc- 
tion Nouvelle et en Prose par M. V. Philipon de la Madelaine. Iilustrated 
with 300 vignettes, and 25 beautiful plates on China paper, by Tony Johannot, 
Baron, Francais and C. Nanteuil. Royal 8vo, cloth, gilt, gilt edges, binding 
needs repairs, Paris, 1844 


JoHannoT ILLUsTRATIONS. REyBAUD (Louis). Jérome Paturot a la Recher- 
che de la Meilleure des Républiques. Jilustrated by Tony Johannot. Royal 
8vo, cloth, gilt, gilt edges, somewhat worn. Paris, 1849 


ORIGINAL IssuE of this well-illustrated edition. 


Jounson (LIONEL). Poems. 8vo, boards, uncut. London, 1895 
First Epition. Limited to 750 copies. 


Kindly read Conditions of Sale in forepart of Catalogue 


273. JONES ILLUSTRATIONS. DouCcET (JEROME). Contes de la Fileuse. Illustrated 


274. 


275. 


276. 


277) 


278. 


279. 


280. 


by Alfred Garth Jones. Decorative titles with numerous illustrations on China 
and Japan paper, some with borders; text within artistic border, head-and-tail- 
pieces. Royal 8vo, three-quarter brown levant morocco, gilt, gilt paneled 
back, gilt top, uncut, BY DURVAND. Paris [1900] 


EDITION LIMITED TO 25 COPIES ON JAPAN PAPER, of which this is, No.6. A FINE 
VOLUME. 

TuHIs Copy CONTAINS AN ORIGINAL WATERCOLOR DRAWING BY ALFRED GARTH 
JONES, SIGNED IN HIS AUTOGRAPH: A. Garth Jones, 1900. 


KEENE ILLUSTRATIONS. JERROLD (DouGLas). Mrs. Caudle’s Curtain Lec- 
tures. Colored frontispiece and numerous illustrations by Charles Keene. 
Square 8vo, cloth, gilt edges. London, 1866 

First EDITION WITH THESE ILLUSTRATIONS. 


KLEIst (HENRI DE). La Cruche Cassée. Comédie. Illustrated by Adolphe 
Menzel. Folio, boards, uncut. Paris, 1884 
EDITION LIMITED to 250 copies, of which this is, No. 211. 


KREISLERIANA. EIJf Radierungen zu E. T. A. Hoffman. Von Karl Georg 
Hemmerich. A series of 11 etchings, remarque proofs on Imperial Japan 
paper; each plate signed by the etcher,—‘‘ Hemmerich.” Enclosed in a folio 
half cloth portfolio. Miinchen, 1920 


EDITION LIMITED TO 75 COPIES, this being No. 4 of 25 copies with the plates on ~ 
Japan paper. 


KupPKA ILLUSTRATIONS. Le Cantique des Cantiques qui est sur Salomon. 
Traduit littéralement et remis a la scéne par Jean de Bonnefon. A été 
joué pour la premiére fois 4 Paris le 22 Mai 1905. Wath full-page and vig- 
nette illustrations, illustrated title-page, text within floreated borders, by F., 
Kupka. Folio, original board covers, uncut. Paris [1905] 

One of 500 copies printed on Holland paper. 


Lace. Album de |’Exposition de l’Art Ancien. Bruxelles 1884. La Dentelle. 
Accompagnées d’une Notice par Mr. le Chanoine Reusens. With 30 
photographs after the originals reproduced in phototype by J. Claesen. Folio, 
letterpress and plates laid in loosely in a board portfolio, cloth back, ties. 

Paris, circa 1880 
FINE WORK ON LACE. 


Lacrorx (PAUL). XVIIIme Siécle Institutions, Usages et Costumes, France, 
1700-1789. With 21 chromolithographs, and 350 woodcuts. 1875; Vie Mili- 
taire et Religieuse au Moyen Age et a l’Epoque de la Renaissance. Wath 
14 chromolithographs and 410 woodcuts. 1877; XVIIIme Siécle. Letters, 
Sciences et Arts, France 1700-1789. With 16 chromolithographs and 250 
woodcuts. 1878. Together, 3 vols. royal 8vo, red morocco backs and cloth, 
gilt, gilt edges. Paris: Firmin-Didot et Cie, 1875-1878 


Lacro1x (Pau). Military and Religious Life in the Middle Ages and at the 
Renaissance. With 14 chromolithographic prints by F. Kellerhoven, Regamey, 
and L. Allard; and upwards of 400 woodcuts in the text. Royal 8vo, full red 
French levant morocco, Jansenist, gilt inside fillet borders, gilt top, uncut, 
BY TALLIBART. London: Bickers & Son, no date 


A BEAUTIFUL CoPy. 


ee, a 


Second Session, Tuesday Afternoon, March 18th 


281. LA FoNTAINE (JEAN DE LA). Illustrations to the ‘‘Contes et Nouvelles de la 
Fontaine.” 83 plates by Charles Eisen, all PRoors BEFORE LETTERS, also 
portraits of La Fontaine and Eisen. 8vo, half blue levant morocco, gilt 
back and top, uncut, BY TAFFIN. No place, circa 1880 

VERY FINE SET. 


282. LALAUZE ILLUSTRATIONS. CERVANTES (MIGUEL DE). The History of the 
Ingenious Gentleman Don Quixote of La Mancha. Translated from the 
Spanish by P. A. Motteux. With a number of illustrations designed and 
etched by A. Lalauze. 4 vols. royal 8vo, three-quarter light brown crushed 
levant morocco, gilt, gilt paneled backs, gilt tops, uncut, BY MORRELL. 

London: Paterson, 1884 
A DESIRABLE EDITION, with exceptionally fine illustrations. 


283. LAVATER (JOHN CASPER). Physiognomischen Fragmente zur Beférderung 
der Menschenkenntniss und Menschenliebe. Wath hundreds of full-page 
copperplates and steel engravings, some plates with several subjects, also 
hundreds of silhouette engravings, full-page and in the text. 4 vols. royal 4to, 
full contemporary calf, gilt backs, bindings somewhat rubbed. 

Leipzig, 1775-1778 
First Epition of this extensive work, and a most able treatise upon the once 
popular study of the head and face as indexes of character. The engravings com- 


prise portraits of men and women of all times and nations who were remarkable 
for some strong characteristic. 


284. Le Cog (A.). Ergebnisse der Kgl. Preussischen Turfan-Expeditionen. Chot- 
scho. Facsimile-Widergaben der wichtigeren Funde der ersten K6niglich 
Preussischen Expedition nach Turfan in Ost-Turkistan. Im auftrage der 
General Verwaltung der Kéniglichen Museen aus Mitteln des Baessler- 
Institutes, herausgegeben von A. Le Cog. With 75 full-page plates, 45 of 
which ARE IN COLORS, several subjects on some plates. Sheets, folio, loose in 
board portfolio. Berlin, 1913 


Contains a foreword, and each plate is accompanied by a leaf of descriptive 
text. A SumMpTruous WorK, AND ONE SELDOM SEEN IN Turis CouNTRY. The 
beauty of the reproductions has been rarely equalled. 


285. LEGRAND (Louis). MAUCLAIR (CAMILLE). Etudes sur quelques Artistes 
Originaux: Louis Legrand, Peintre et Graveur. With numerous full-page 
and text illustrations, being reproductions of works by Legrand. Small 4to, 
original illustrated wrappers, uncut, loose. Paris, circa 1885 


286. LEGRAND (Louis). Ramiro (E.). Louis Legrand, Peintre-Graveur. Cata- 
logue de son (Euvre Grave et Lithographie. With 5 full-page etchings, and 
numerous illustrations in the text. Royal 8vo, half maroon straight-grain 
morocco, gilt top, uncut. Paris, 1896 


A FINE Work. EDITION LIMITED to 200 copies printed on ‘“‘papier vélin.”’ 
Laid in, are two etchings by Legrand, also two lithographs, extracted from a volume, 
by him. 


287. Leurs (Max). Der Meister W A Ein Kupferstecher der zeit Karls des 
Kuhnen. With portfolio containing 31 full-page plates of 76 reproductions 
of engravings by this master. Text, one vol. printed wrappers; Plates, in 
board portfolio. Together, 2 vols. folio. Leipzig, 1895 

A fine work on the woodcut engravings of this unknown German master. 


Kindly read Conditions of Sale in forepart of Catalogue 


288. 


289. 


290. 


291. 


2092. 


293. 


294. 


295. 


LELOIR ILLUSTRATIONS. Dumas (ALEXANDRE). La Dame de Monsoreau. 
Extensively illustrated by Maurice Leloir. 2 vols. imperial 8vo, original 
wrappers, uncut. Paris, 1894 


First EDITION with these illustrations. The most sumptuous edition of this 
celebrated work ever published. 


LELorr ILLustratTions. Dumas (ALEXANDRE). Les Trois Mousquetaires. 
Avec une Lettre d’Alexandre Dumas Fils. Extensively illustrated by Mau- 
rice Leloir. 2 vols. imperial 8vo, original wrappers, uncut. Paris, 1894 


FIRST EDITION with these illustrations, which are far superior to the later issues. 
It is now entirely out of print and scarce. 


LIGHTING Fixtures. D’ALLEMAGNE (HENRY RENE£). Histoire du Luminaire 
depuis l’Epoque Romaine jusqu’au XI Xe Siécle. With 500 engravings in 
the text and 80 large plates. Illustrations by Emile Solvet. Thick 4to, half 
leather, broken, not returnable. Paris, 1891 

EpITION LIMITED to 1000 copies. This copy is on ‘‘vélin teintée."”’ A valuable 


and very illustrative work on lighting fixtures. Comprehensive works such as this 
on this particular subject are infrequently met with. 


LITHOGRAPHS IN Coors. Recueil des Scénes Familiéres, et de Société de 
Paris. Par J. S , Pigal, &c. &c. A series of 18 plates (should be 21). 

2 parts, 4to, original printed wrappers, back-strip worn. Paris, 1824 
RARE ORIGINAL IMPRESSIONS, of these plates, depicting French family scenes: 


Plate number 8 has the upper corner of plate missing, but not injuring the subject; 
the plates lacking are numbers 5 and 7. 


LITHOGRAPHS IN CoLors. GAUTIER (THEOPHILE). Fortunio. Réimpression 
Textuelle de |’Edition Originale. With 24 lithographs, IN Cotors, by A. 
Lunots. Royal 8vo, original wrappers, uncut, rebacked. Paris, 1898 


One of 500 copies printed on ‘‘vélin du Marais.’’ After publication the original 
plates were destroyed. 


LitHoGraPHy. Marret (F.). Notice sur la Lithographie. Deuxiéme Edition 
suive d’un Essai sur la Reliure et le Blanchiment des Livres et Gravures. 
With 4 lithographs, and a plate of a press used in the making of a lithograph. 
12mo, half red straight-grain morocco, gilt back, gilt top, uncut. 


Paris, 1824 
FINE Copy oF THIS RARE WorK ON LITHOGRAPHY. 


LirHoGRAPHY. Catalogue of an Exhibition Illustrative of a Centenary of 
Artistic Lithography, 1796-1896. With 20 photo-engravings. 12mo, original 
wrappers, uncut. New York: Grolier Club, 1896 

EDITION LIMITED to 400 copies on handmade paper. The exhibition comprises 


244 examples by 160 different artists. The illustrations in the volume include 
examples by Daumier, Bonington, Gavarni, Vernet, Raffet, and others. 


LITHOGRAPHY. PENNELL (JOSEPH AND ELIZABETH). Lithography and 
Lithographers. Some Chapters in the History of the Art by Elizabeth 
Robins Pennell. Together with Descriptions and Technical Explanations 
of Modern Artistic Methods by Joseph Pennell. Numerous illustrations, 
including a portrait of Joseph Pennell by J. McN. Whistler. 4to, boards, 
cloth back. London, 1915 


296, 


297. 


298. 


299. 


300. 


301. 


302. 


303. 


304. 


Second Session, Tuesday Afternoon, March 18th 


Lone (GEorRGE—Translator). The Discourses of Epictetus. 2 vols. 8vo, 
vellum boards, gilt tops, uncut. ; London, 1902 
EDITION LIMITED to 250 copies, printed on handmade paper. 


Loncus. Daphnis et Chloé. Préface de Jules Claretie. With full-page and 
vignette illustrations by R. Collin, etched by Champollion. 8vo, original wrap- 
pers, uncut, rebacked. Paris, 1890 


CHARMING MOopERN ILLUSTRATED EDITION. Limited to 1000 copies on ‘‘papier 
vélin de cuve.”’ 


Lucas (E. V.). Vermeer of Delft. With an Introduction by Sir Charles J. 
Holmes. London [1922]; KNackruss (H.). Holbein. Translated by Camp- 
bell Dodgson. Bielefeld, 1899; HARTMANN (S.). Landscape and Figure 
Composition. New York, 1910. All profusely illustrated. Together, 3 vols. 
royal 8vo and 8vo, boards and cloth. London, etc., 1899-1922 


Luce ILLUSTRATIONS. Coins de Paris. A series of 7 large fine illustrations . 
Folio, marbled board sides, cloth back, uncut, original covers bound in. 
Paris, circa 1880 

VERY RARE set of lithographs showing the Parisian race-track types. 


LYELL (JAMEs P. R.). Cardinal Ximenes. Statesman, Ecclesiastic, Soldier 
and Man of Letters, with an Account of the Complutensian Polyglot Bible. 
Iilustrated. Small 4to, boards, uncut. London, 1917 

Printed on handmade paper. 


MAte (Emite). L’Art Allemand et l’Art Francais du Moyen Age. 1917; 
SIZERANNE (R. DE LA). L’Art Pendant la Guerre. 1914-1918. 1919; Le 
Miroir de la Vie. Essais sur l’Evolution Esthétique. Deuxiéme Série. 
1909; Le Miroir de la Vie. Premiére Série. 1912. Two vols. illustrated. 
Together, 4 vols. 12mo, wrappers, uncut. Paris, 1909-1919 


Manet (EpouarD). BazirE (EDMOND). Manet. With numerous full-page 
plates, including two etchings by Manet, one being a portrait of himself, and 
facsimile of an autograph letter. 8vo, half green morocco, gilt back and 
top, uncut, original wrappers bound in. Paris, 1884 

FINE Copy oF A VERY SCARCE WorK ON EpouARD MANET. 


Manet (Epovarp). Duret (THéopore). Histoire d’Edouard Manet et 
de son CEuvre. Avec un catalogue des peintures et des pastels. With 
full-page and text illustrations, two of the full-page plates being IN COLORs. 
4to, full wine-colored French levant morocco, sides with border in geometri- 
cal design, gilt paneled back, gilt top, uncut, BY TALLIBART. Paris, 1902 


EpIT1ion LIMITED to 600 copies. A very useful work for the Collector, as it 
contains a complete Catalogue of the Artist’s pictures, with details and names of 
owners. BEAUTIFUL SPECIMEN OF BINDING. 

Tipped in, on fly-leaf, is an Autograph Letter Signed, by Manet, Ip. 16mo, no 
place or date, addressed to his friend Mardinet. 


Manet (EpouarD). Duret (THfoDoRE). Histoire d’Edouard Manet et de 
son CEuvre. Avec un catalogue des peintures et des pastels. Copiously 
illustrated, several of the plates being IN CoLor. Small 4to, quarter orange 
levant morocco, gilt paneled back, gilt top, uncut, original covers bound in. 

Paris, 1902 
EDITION LIMITED to 600 copies. FINE WoRK ON THIS FAMOUS PaARISIAN ARTIST. 


Kindly read Conditions of Sale in forepart of Catalogue 


305. Manet (Epovarp). Proust (ANTONIN). Edouard Manet. Souvenirs Publiés 
par A. Barthélemy. Jilustrated with 39 plates. 8vo, wrappers, uncut. 
Paris, 1913 


First EpITION. IMPORTANT WorRK ON MANET. 


306. Marcet (Henry). L’Art de Notre Temps. Chassériau. No date; GUERLIN 
(H.). L’Art enseigné par les Matires. La Composition. No date; ROUCHES 

(G.). Le Caravage. 1920. All illustrated. 3 vols. 12mo, wrappers, uncut. 

Paris, 1920 and no date 


307. Masaccio’s ParintTincs. ScHMarsow (AUGUST H.). Masaccio der Be- 
griinder des Klassischen Stils der Italienischen Malerei. Fiint Biicher 
Kritischer Studien von August H. Schmarsow. With a portfolio containing 
60 plates, some with more than one subject. Text, one vol. 8vo, cloth; Plates, 
in large oblong cloth portfolio. Together, 2 vols. Leipzig, 1920 


CHOICE Work. The volume of text is divided into five books, the titles reading, 
—Castiglione d’Olona mit den Malereien des Masolino; Masaccios Meisterwerke; 
Masolino oder Masaccio; Masaccio oder Masolino; Der Fortschritt des Meisters. 


308. Maruer (F. J.). Estimates in Art. New York, 1916; Hart Ley (M.). Ad- 
ventures in the Arts. New York [1921]; SIREN (O.). Essentials in Art. 
London, 1920; KNowtton (H. M.). Art-Life of William Morris Hunt. 
Boston, 1899; Puitirpps (L. M.). Form and Colour. New York, 1915. 
Three vols. illustrated. Together, 5 vols. 8vo and 12mo, cloth, uncut. 

New York, etc., 1899-[1921] 


309. MEDER (JosEPH). Die Handzeichnung. Ihre Technik und Entwicklung. 
Numerous fine plates and text illustrations. Thick imperial 8vo, boards, 
morocco back, gilt. Wein, 1919 


FINE Copy of this important work, and one that seldom comes up for public 
sale in this country. 


310. Mrneut (M.). Etudes d’Animaux. Sous la Direction de E. Grasset. A 
series of 51 plates, many containing more than one subject, of animals, birds, 
reptiles, fishes, etc. Enclosed in two royal folio board portfolios, holland 
backs, with ties. Paris [1911] 


Contains an introduction by E. Grasset, and each portfolio has a separate title- 
page. A SumpTuous WorK. 


311. MEISSONIER ILLUSTRATIONS. Les Contes Rémois par M. Le CtedeC... 
Portrait and numerous fine illustrations by E. Meissonier. 8vo, leather 
back, gilt edges. Paris, 1858 


312. MERYON (CHARLES). DODGSON (CAMPBELL). The Etchings of Charles 
Meryon. Edited by Geoffrey Holme. With 47 plates, reproductions of 
etchings. 4to, boards, vellum paper back, gilt, gilt top, uncut. 

London, 1921 


313. MxzzoTint. WuITMAN (ALFRED). The Masters of Mezzotint. The Men and 
Their Work. Wath 60 fine large illustrations. 4to, cloth, gilt top, uncut. 
London, 1898 
Epition Limitep to 550 copies. The numerous beautiful illustrations in this 
volume are engraved after the works of Read, Lely, Sir J. Reynolds, Rembrandt, 
G. Romney, H. Morland, G. Morland, Murillo, Sir T. Lawrence, J. M. W. Turner, 
J. Constable, Sir E. Landseer and others of note. 


= = es 


Second Session, Tuesday Afternoon, March 18th 


314. MICHELANGELO. SyMoNDS (JoHN AppINGTON). The Life of Michelangelo 
Buonarroti. Based on Studies in the Archives of the Buonarroti Family 
at Florence. With etched portrait of the Artist and 50 reproductions of his 
works, on Japan paper. 2 vols. square 8vo, cloth, gilt tops, uncut. Labels 
removed from front covers. London, 1893 


RARE First EDITION OF THIS VALUABLE WORK. 


315. Mitirary CostuMEs. LaBiDoLiiéRE (E. DE). Historie de la Garde Na- 
tionale. Récit Complet de tous les Faits qui l’ont Distinguée depuis son 
Origine jusqu’en 1848. With a frontispiece depicting a group of figures, 
Santerre, Lafayette, Hanriot, and others, also 10 tllustrations In COLOR 
representing military garb. 12mo, half blue straight-grain morocco, gilt, 
gilt top, uncut. Paris, 1848 


FINE Copy or THis IMpoRTANT Work, which gives the history of the National 
Guard from 1789 to 1848. 


316. Mitiais (Sir Jonn Everett). Muttais (J. G.). The Life and Letters of 
Sir John Everett Millais. With 316 illustrations. 2 vols. 8vo, cloth, gilt 
tops, uncut. New York, 1899 


317. MILLET (JEAN-FRANCOIS). MorEAu-NELATON (ETIENNE). Millet Raconté 
par Lui-Méme. Jlustrated throughout with numerous fine reproductions. 


3 vols. 4to, cloth, uncut, original wrappers bound in. Paris, 1921 
EpiTion LimitTEeD to 600 copies. A valuable publication on Millet’s life and 
works. 


318. MINIATURE ArT. Propert (J. L.). A History of Miniature Art. With Notes 
on Collectors and Collections. Numerous full-page plates. Small folio, 
original cloth, uncut. London, 1887 

Tus IMPORTANT Worx Is VERY SCARCE. One of the best works on Miniature 


Art with many reproductions of the finest examples from the mural-painters, to the 
portrait miniaturists of the XVIth to the XVIIIth Centuries. 


319. MINIATURE ART OF PIERRE-ADOLPHE HALL. VILLOT (FrEDERIC). Hall, 
Célabre Miniaturiste du XVIIle Siécle, sa Vie, ses CEuvres, sa Correspon- 
dance. Royal 8vo, half red levant morocco, gilt back and top, uncut, 
original vellum wrappers bound in. Paris, 1867 

Very Rare. EpItIon LIMITED to 130 copies, this being No. 80 of 120 copies 


printed on “‘ papier vergé.’’ The work gives a Biography of Hall and a Complete 
List of his works, from 1766 to 1791. 


320. MopERN FRENCH Art. Feuillets d’Art. Illustrated with fine full-page plates, 
many of which are IN CoLor, also numerous woodcuts and text illustrations. 
6 vols. 4to, laid in loosely in the original paper wrappers, uncut. 
Paris, 1919-1920 
FINE PUBLICATION ON MODERN FRENCH ArT. It also treats on Literature, the 


Theatre, the Arts of Design, Music and Fashion. Many of the fine colored plates 
are suitable for framing. 


321. MopERN Prints. SINGER (Hans W.). Die Moderne Graphik. Eine Dar- 
stellung fiir deren Freunde und Sammler von Hans W. Singer. Profusely 
illustrated. 4to, cloth. Leipzig, 1914 


Comprises the artists of Germany, America, France, England, etc. 


Kindly read Conditions of Sale in forepart of Catalogue 


322. MOHAMMEDAN ArT. SARRE (F.) AND Martin (F. R.). Die Austellung von 


Meisterwerken Muhammedanischer Kunst in Miinchen 1910. Wath 257 
full-page plates, MANY IN Coors. 3 vols. atlas folio, cloth. 
Miinchen, 1912 

ONE OF THE Most SuMpTUOUS ART PUBLICATIONS OF RECENT TIMES. BELIEVED 
TO BE THE First Copy TO BE OFFERED AT PUBLIC SALE IN THIS COUNTRY. 

EDITION LIMITED to 430 copies. The plates which are in colors, are tipped on 
sheets of heavy gray paper; some of the plates not in colors, have more than one 
subject. 

Fine copy of this work on the exhibition of Masterworks of Mohammedan Art 
in Miinchen in Igr1o. 


323. Monraut It.ustrations. La Journée d’un Gentilhomme de la cour de Louis 


324. 


325: 


326. 


327- 


328. 


XV. A series of 12 lithographs, in colors, drawn by Henry de Montaut, 
lithographed by Ch, Bargue. Oblong small folio, original boards with cloth 
back, binding worn. Paris, 1852 

ORIGINAL ISSUE. Twelve amusing drawings of Children in the XVIIIth Century 
costumes, the first plate being foxed. 

Signed Autograph Presentation Copy from Henry de Montaut, with inscription, 
in pencil, on first plate, reading,—A Mademoiselle Henriette Souville. Profonde et 
inalterable affection. Henry de Montaut. 


MonveEL ILLusTRATIONS. MonvEL (R. BouTET DE). Saint Frangois d’Assise. 


With 21 fine plates tipped in, by Maurice Boutet de Monvel. 4to, wrappers, 
uncut. Paris, 1921 
EpDITION LIMITED to 1700 copies on “‘beau papier d’alfa.” 


MonvEL ILLusTRATIONS. Jeanne d’Arc par M. Boutet de Monvel. Each page 


with a beautiful illustration IN Cotor. Oblong small folio, cloth, gilt. 
Paris, no date 


An entertaining, colorful and historic series of illustrations, accompanied by a 
descriptive and interesting letterpress. 


Monvet IxiustraTions. Nos Enfants. Scénes de la Ville et des Champs. 


Par Anatole France; Filles et Garcons. Scénes de la Ville et des Champs. 

Par Anatole France; La Civilité Puérile et Honnéte. Expliquée par l’Oncle 

Eugéne. All illustrated IN Coors by M. B. De Monvel. Together, 3 vols. 

royal and oblong royal 8vo, pictorial boards. Paris, no dates 
FINE Copies of these attractive volumes. 


NApoLEon I. Metz (JEAN DE) AND LEGRAIN (GEORGES). Aux Pays de — 


Napoléon l’Egypte. Illustrated. Royal 4to, printed wrappers, uncut. 
Grenoble, 1913 


Interesting publication describing Napoleon’s Egyptian Campaign, illustrated 
with portraits, battle scenes, views, monuments, etc. 


NINI (JEAN-BAPTISTE). STORELLI (A.). Jean-Baptiste Nini. Sa Vie—Son 


(Euvre 1717-1780. With 72 reproductions of medallion portraits. Imperial 
8vo, half blue morocco, gilt back and top, uncut, BY CHAMPS-STROOBANTS. 
Paris, 1895 
An exceptional work on this great sculptor, describing 109 terra-cotta medallions, 
of which 72 are reproduced, including 9 of Benjamin Franklin. The author states 
in his Preface that the resources of the talent of Nini were great and varied, the 
proof of this being shown in his various portraits of Franklin, whom he greatly ad- 
mired, which are in a way the official portraits of him and represent him ina 
most familiar way. 
This work was limited to 200 copies, and is now out of print and quite scarce. 


Second Session, Tuesday Afternoon, March 18th 


329. Numismatics. Korcuurn (CaprainE J. L.). Les Ordres de la Couronne de 
Fer et de la Couronne d’Italie (1805-1905). With numerous illustrations. 
4to, boards, green levant morocco back, gilt top, uncut. Paris, 1907 


FINE Copy of the only work on this Order, which was created by Napoleon in 
1805 to recompense his Italian subjects. 


. 330. ORIENTAL ArT. Encyclopedie des Arts Decoratifs de l’Orient. Recueil de 
dessins pour 1’Art et l’Industrie par E. Collinot et A. de Beaumont. Wzth 

250 full-page plates IN CoLors, SOME HEIGHTENED WITH GOLD. 6 vols. 

bound in two, atlas folio, cloth, morocco backs; binding rubbed and por- 

tion of back of one vol. broken. Paris, 1883 

EpITIon LimiteD To 500 Copies. A VERY FINE AND RARE PUBLICATION of 

plates depicting the designs found on architecture, pottery, manuscripts, interior 

decorations, ornamental designs, etc. Each part has a separate title-page, half- 

title and list of plates. The work comprises,—(1) Turcs. 30 plates; (2) Arabes. 


40 plates; (3) Perse. 60 plates; (4) Japon. 4o plates; (5) Chine. 4o plates; (6) 
Venitiens, Hindous, Russe, etc. 40 plates. 


331. ORIENTAL Rucs. Haw.ey (WALTER A.). Oriental Rugs. Antique and 
Modern. With 11 full-page plates IN Cotor, 80 half-tone engravings and 4 
maps. Ato, decorated cloth, gilt top, uncut. New York, 1913 


332. ORIENTAL RuGs. BopE (WILHELM). Antique Rugs from the Near East. 
Third Revised Edition with contributions by Ernst Kuhnel. Translated 
by R. M. Riefstahl, Ph.D. Wath 95 full-page illustrations. Royal 8vo, 
boards, cloth back. New York, 1922 


First EDITION IN ENGLISH which follows the German text as faithfully as pos- 
sible, and is the same as that of the German third edition. 


333. ORIENTAL Rucs. GRoTE-HAsENBALG (WERNER). Der Orientteppich. Seine 
Geschichte und seine Kultur. Profusely illustrated with a large number of 
plates IN Cotor, and in black-and-white, also numerous text illustrations, 
several of which are colored. 3 vols. small 4to, cloth. Berlin, 1922 


ONE OF THE Most ILLUSTRATIVE AND COLORFUL PUBLICATIONS OF ITS KIND. 
The first volume, though profusely illustrated, also contains a fine descriptive text, 
many detail drawings and reproductions of a few paintings of famous masters, 
wherein rugs are displayed, also glimpses of interiors of rooms beautifully decorated, 
with an exquisite rug as the indispensable finishing touch. 

Volumes 2 and 3 consist solely of plates, reproduced in rich color with a descrip- 
tive legend. Each plate in these two volumes is mounted on tan art paper. 

A VALUABLE ITEM FOR THOSE INTERESTED IN THE RARE AND BEAUTIFUL RUGS 
OF THE ORIENT. 


334. Painters. Bénézir (E.). Dictionnaire Critique et Documentaire des 
Peintres, Sculpteurs, Dessinateurs & Graveurs de tous les Temps et de tous 
des Pays. Par un Groupe d’Ecrivains spécialistes Frangais et Etrangers. 
With numerous illustrations. 2 vols. 8vo, cloth, leather backs. 

Paris, 1911-1913 


335. PAINTING. SMITH (JoHN). A Catalogue Raisonné of the Works of the Most 
Eminent Dutch, Flemish, and French Painters; in which is included a 

i short Biographical Notice of the Artists. With a copious Description of 
#. their Principal Pictures; A Statement of the Prices at which such Pictures 
have been sold at Public Sales on the continent and in England... . 
8 vols. 1829-1837; [ALso] The Supplement. 1842. Portraits and plates. 
Together, 9 vols. royal 8vo, original cloth, uncut. London, 1829-1842 


ORIGINAL EDITION OF THIS CELEBRATED WorK, MucCH SUPERIOR TO THE 
REPRINT. 


Kindly read Conditions of Sale in forepart of Catalogue 


336. Parntinc. Lanz (Luic1). The History of Painting in Italy. From the 


337: 


338. 


339- 


340. 


341. 


Period of the Revival of the Fine Arts to the End of the Eighteenth Cen- 
tury: Translated from the Italian of the Abate Luigi Lanzi, by Thomas 
Roscoe. 3 vols. 1847; CROWE (Sir J. A.). Handbook of Painting. The 
German, Flemish, and Dutch Schools. Based on the Handbook of Kugler, 
2 vols. 1889. All with illustrations. Together, 5 vols. 12mo, cloth. 
London, 1847-1889 


Pamntinc. GRuvER (F.-A.). La Peinture au Chateau de Chantilly. Ecoles 
Etrangéres. With 4o illustrations on India paper. 4to, half maroon morocco, 
gilt paneled back, gilt top, uncut, original covers bound in. Paris, 1896 


HANDSOME Copy oF THIS IMPpoRTANT Work, which was specially printed for M. 
Fernand Dehaitre. 


Partinc. DewHurst (Wynrorp). Impressionist Painting. Its Genesis 
and Development. With numerous fine reproductions, frontispiece being 
In Cotors. Imperial 8vo, cloth, gilt top, uncut. London, 1904 

A FINE Work oF ArT. It treats upon the Evolution of the Impressionistic Idea; 
The Impressionist Group, Realists, The Women-Painters; and other similar matters 
relating to art. Amongst the illustrations are reproductions of the works of Max 
Liebermann, J. M. W. Turner, John Constable, Thomas Girtin, G. F. Watts, Paul 
Cézanne, Claude Monet, Auguste Renoir, Mary Cassatt, J. McN. Whistler, Childe 
Hassam, and others. 


Parntinc. VAN DykE (Joun C.). American Painting and its Tradition. 
New York, 1919; MARRIOTT (CHARLES). Modern Movements in Painting. 
London, 1920; VASARI (GiorGIO). Vasari on Technique. Now for the 
first time translated into English by L. S. Maclehose. Edited with Intro- 
duction and Notes by Prof. G. Baldwin Brown. London, 1907; GILMAN 
(B. I.). Museum Ideals of Purpose and Method. Cambridge, 1918. All 
illustrated. Together, 4 vols. 8vo and 12mo, cloth and boards, uncut. 

New York, etc., 1907-1920 


Parntinc. Benoit (FRANCOIS). La Peinture au Musée de Lille. Wath 159 
exceedingly fine plates, some having two reproductions on one plate, im all 
212 beautiful reproductions of famous masterpieces of art. Folio, letterpress 
and plates laid in loosely in 3 portfolios, cloth, gilt. Paris, 1909 

EDITION LIMITED, this being copy No. 426. 
Or INTRINSIC VALUE FROM AN ARTISTIC POINT OF VIEW, also a valuable acqui- 
sition to an Art Collector’s library. The schools that are represented in this com- 


prehensive publication are: The Primitive Netherlands; Flemish; German; English; 
Swedish; French; Italian; Spanish; and Dutch. 


Parntinc. Hotes (C. J.). Notes on the Art of Rembrandt. With 45 illus- 
trations. 1911; MOREAU-VAUTHIER (CHARLES). The Technique of Paint- 
ing. With a Preface by Etienne Dinet. Illustrated. 1912; FROMENTIN 
(EUGENE). The Masters of Past Time or Criticism on the Old Flemish & 
Dutch Painters. With colored and half-tone illustrations. 1913. Together, 
3 vols. 12mo, cloth, two with gilt tops, uncut. London, 1911-1913 


342. PAINTING. RosENTHAL (Lton). La Peinture Romantique. Essai sur 


l’Evolution de la Peinture Francaise de 1815 a 1830. 4to, wrappers, uncut. 
Paris, recent 


Second Session, Tuesday Afternoon, March 18th 


343. PAINTING. Moore (GeorGE). Modern Painting. London, 1913; Impressions 
and Opinions. New York, no date; Brown (Horatio F.). Venice. An 
Historical Sketch of the Republic. New York, 1893; SELINcouRT (BASIL 
DE). William Blake. London, 1909; CATALOGUE of the Special Loan 
Exhibition of Old Masters of the British School in aid of ‘‘The Artists’ 
Fund” and “The Artists’ Aid” Societies . . . held at the galleries of 
Messrs. Duveen Brothers. . . . New York, January 1914. With 17 full- 
page photogravure reproductions. New York, 1914; BIRNBAUM (MarTIN). 
Introductions. Painters, Sculptors, and Graphic Artists. New York, 1919. 
All but one volume, with illustrations. Together, 6 vols. 4to, 8vo, and I2mo, 
cloth and boards. 


344. Paintinc. Maucvarr (C.). The French Impressionists. London, no date; 
Srrevens (A.). Impressions on Painting. New York, 1891; SHaw (G. BER- 
NARD). The Sanity of Art. New York, 1918; THURSTON [OCHe ry a. ne 
Art of Looking at Pictures. New York, 1916; SPOONER (S.). Anecdotes of 
Painters, Engravers, Sculptors and Architects. 3 vols. New York, 1853; 
Cartwricut (J.). The Painters of Florence. New York, 1916; RUSKIN 
(J.). The Ethics of the Dust. Fiction, Fair and Foul. The Elements of 
Drawing. Boston, no date; Proserpina, Ariadne Florentina. The Open- 
ing of the Crystal Palace. By John Ruskin. Boston, no date. Some vols. 
illustrated. Together, 10 vols. 12mo and 16mo, cloth and wrappers. 


345. PAINTING AND SCULPTURE. LAFENESTRE (GrorGEs). Le Livre d’Or du Salon 
de Peinture et de Sculpture. Catalogue Descriptif des Euvres Récompen- 
sées et des Principales Euvres Hors Concours. Rédigé par Georges Lafenes- 
tre. 1879-1891; [ALso] Dix Années du Salon de Peinture et de Sculpture. 
1879-1888. 1889. Illustrated with about 200 etchings, engraved by De Bully, 
Decisy, Lalauze, Muller, Le Rat, and others. Plates mainly IN Two STATES. 
Together, 14 vols. imperial 8vo, full peacock blue crushed levant morocco, 
Jansenist, inner gilt borders, gilt tops, uncut, original covers bound in, 
BY RIVIERE, backs very slightly faded. 

Paris: Librairie des Bibliophiles, 1879-1891 
EpItion Limirep to 125 copies. Vol. I, is on Holland paper, with Proors BE- 
FORE LETTERS; all the others but the last volume have plates IN Two STATES, 


the last having plates with legends. 
VERY SUMPTUOUS PUBLICATION ON THE FINE ARTS IN A BEAUTIFUL BINDING. 


346. PAINTING AND SCULPTURE. PELLIOT (PAUL). , Les Grottes de Touen-Houang. 
Peintures et Sculptures Bouddhiques des Epoques des Wei, des T’ang et 
des Song. With 256 plates. Laid in loosely in 4 small folio board portfolios, 
with cloth backs, margins and inner flaps, ties. Paris, 1914-1921 


Fine Copy of this extremely important and rare work. Believed to be the first 
copy to be offered at public sale in this country. 


347. PAINTINGS OF CHARLES LE BRUN AND EusTACHE LE SUEUR. Les Peintures 
de Charles le Brun et d’Eustache le Sueur qui sont dans |’Hotel du Chastelet 
ci devant la Maison du Président Lambert. With numerous large and fine 
plates, engraved by Picart and others. Atlas folio, full old calf, somewhat 
rubbed. Paris, 1740 


Fine IMPRESSIONS OF THE PLATES. 


348. Paris Views. BENOIST (Pu.) AND JACOTTET (J.). Nouvelles Vues de Paris. 
With 309 fine lithographed views of Paris. Oblong small folio, boards, roan 
back, binding poor. Paris, circa 1840 


Kindly read Conditions of Sale in forepart of Catalogue 


349. PEN DRAWING. PENNELL (JOSEPH). Pen Drawing and Pen Draughtsmen, 


350. 


351. 


352. 


353: 


354- 


355: 


their Work and their Methods. A Study of the Art To-Day with Technical 
Suggestions. With 366 illustrations. 4to, cloth, uncut. |New York, 1894 


The work treats on the art in France, Germany, America, Holland, Denmark, 
England, and other countries. 


PHyFE (DUNCAN). CoRNELIUS (C. O.). Furniture Masterpieces of Duncan 


Phyfe. With numerous photographic plates, and measured detail drawings 
by Stanley J. Rowland. Royal 8vo, boards, vellum paper back, uncut. 
Garden City, 1922 


Picart (BERNARD). Le Temple des Muses, orné de LX. Tableaux ou sont 


Représentés les Evénemens les plus Remarquables de l’Antiquité Fabuleuse 
... et Accompagnés d’Explications et de Remarques. With numerous 
finely engraved plates, designed and engraved by Picart. Folio, full old calf, 
gilt back, and edges, skilfully and neatly rebacked and repaired. 


Amsterdam, 1733 
ORIGINAL EDITION, with fine impressions of the plates. 


PIRANESI. Focrtton (HENRI). Giovanni-Battista Piranesi 1720-1778. Wuth 


34 full-page illustrations. 4to wrappers, uncut. ‘Paris, 1918 
FINE PUBLICATION on the works of Piranesi. 


Pissarro (C.), S1sLey (A.) AND RENOIR (A.). DELTEIL (Loys). Le Peintre- 


Graveur Illustré (XI-Xe et XXe Siécles). Camille Pissarro, Alfred Sisley, 
Auguste Renoir. Profusely illustrated. 4to, wrappers, uncut and unopened. 
Paris, 1923 


PLAYING Carbs. D’ALLEMAGNE (HENRY-RENE). Les Cartes 4 Jouer du XIVe 


au XXe Siécle. With 3200 reproductions of cards of which 956 are IN COLOR, 
12 plates beautifully watercolored, 25 phototypes, 116 envelopes illustrated for 
games of cards and 340 vignettes. 2 vols. thick 4to, original decorated wrap- 
pers, uncut. Paris, 1906 


A LARGE AND COMPREHENSIVE WORK ON THE SUBJECT OF PLAYING CARDS, 
WHICH IS SELDOM BROUGHT BEFORE PUBLIC NOTICE. These two thick volumes 
are not only desirable for the numerous illustrations but also for the lucid and 
descriptive letterpress. 


Portraits. Maitres du XVIIIe Siécle. Cent Portraits de Femmes des 


Ecoles Anglaise & Francaise. Préfaces par Armand Dayot et Claude 
Phillips. Documentation par MM. Léandre Vaillat & Robert Dell. Wath 
100 fine portraits. Folio, letterpress and portraits laid in loosely in a cloth 
portfolio, gilt, ties (which are broken). Paris, 1910 

EpDITION LIMITED to 500 copies on ‘“‘vélin a la forma des papeteries de Rives,” of 
which this is, No. 353. Some of the painters represented in this most desirable 
publication are Gainsborough, Hogarth, Hoppner, Sir Thomas Lawrence, John 
Opie, Sir Henry Raeburn, Sir Joshua Reynolds, Francois Boucher, Honoré Fra- 
gonard, J.-B. Greuze, and others. 


356. Portraits des Personnages Frangais, les plus Illustrés du XVIe Siécle. Re- 


cueil Publié avec Notices par P. G. J. Niel. Premiére Série. Rois et 

Reines de France. Maitresses des Rois de France. Numerous plates repro- 

duced in facsimile, from the original colored pencil drawings by contemporary 

artists. Atlas folio, marbled board sides, morocco back, gilt top, uncut. 

Paris, 1848 

A Ak AND VERY SCARCE WorkK on the illustrious personages of France of this 
period. 


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eRe PSA oe ape ae oA oo i artZ 
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357: 


358. 


359: 


360. 


361. 


362. 


363. 


364. 


Second Session, Tuesday Afternoon, March 18th 


PORTRAITS OF BRITISH OFFICERS IN THE WORLD WAR. Passed by the Censor. 
A series of 30 reproductions of portraits drawn by Raymond Wood. Enclosed 
in a folio cloth portfolio. [London, 1916] 

Each plate is accompanied by a sheet containing a verse regarding the subject. 


POTTERY AND PoRCELAIN. MONKHOUSE (Cosmo). A History and Descrip- 
tion of Chinese Porcelain. With Notes by S. W. Bushell. Wzth 78 full- 
page plates, 24 of which are IN Cotors. 8vo, cloth, gilt top. London, 1901 


EDITION LIMITED TO 1000 Copigs. Contains at end of volume, Marks on Chinese 
Porcelains, Glossary, Bibliography, and a Descriptive List of the Black-and-White 
Illustrations. 


POTTERY AND PORCELAIN. BARBER (EDWIN ATLEE). Tulip Ware of the, 
Pennsylvania-German Potters. An Historical Sketch of the Art of Sli- 
Decoration in the United States. With nearly roo full-page and text illus- 
trations, some IN Cotors. Royal 8vo, decorated cloth, gilt top, uncut. 

Philadelphia, 1903 


PRINT PRICES CURRENT. Being a Complete Alphabetical Record of all En- 
gravings & Etchings sold by Auction in London, each item Annotated with 
the date of Sale and Price realised. Compiled and Arranged by E. H. Cour- 
ville, F. L. and E. L. Wilder. Vols. I to III. 3 vols. 8vo, cloth. 

London, 1919-1921 


Prints. The Print Connoisseur. A Quarterly. Vols. I and II complete, and 
Vol. III, No. 1, January 1923. 9 numbers. New York, 1920-1922; SHORT 
(F.). Etchings and Engravings. What they are, and are not, with some 
Notes on the Care of Prints. London, 1911; Sotheby’s Catalogue of 
Superb Prints, Drawings, Pictures and Armour. Priced. London, 1917. 
All illustrated. Together, 11 pieces, 8vo and small 4to, wrappers, uncut. 

New York and London, 1911-1922 


Prout (SAMUEL). Fac Similes of Sketches made in Flanders and Germany 
and drawn on stone by Samuel Prout. With 50 plates. Atlas folio, half 
roan, uncut, text somewhat foxed, binding poor. [London, 1833] 


AUTOGRAPH PRESENTATION COPY FROM THE ARTIST TO His DAUGHTER with the 
following autograph inscription on end-leaf: R. Elizabeth Prout. The gift of her 
affectionate father, S. Prout. June 21, 1833. 

VERY FINE Proors. THE PLATES ARE IN UNSPOTTED CONDITION. 


Pusiic SALES oF ARTISTIC PROPERTY. MrrEuR (DoctTeEurR H.). Diction- 
naire des Ventes d’Art faites en France et a l’Estranger pendant les XVIII 
et XIX siécles. 7 vols. imperial 8vo, half red levant morocco, gilt backs 
and tops, uncut, original wrappers bound in. Paris, IQII 


SUPERB SET OF THIS MONUMENTAL Work, describing the art sales of the past 
two centuries, which gives the results of over 3000 public sales. The names of over 
30,000 artists and the prices of over 150,000 items, including Paintings, Drawings, 
Engravings, Water Colors, Miniatures, Gouaches, Enamels, etc. A very useful 
work for the collector, museum and dealer. 


RAEMAEKERS (Louis). A Series of 12 cartoons by Louis Raemaekers, ALL 
Proors, EACH SIGNED, IN PENCIL, BY THE ARTIST. Each plate is mounted 
on a sheet of heavy paper of folio size. [New York, 1918] 


These cartoons depict World War scenes on the battlefield, in the hospitals, in 
occupied territory, etc. 


Kindly read Conditions of Sale in forepart of Catalogue 


365. 


366. 


267. 


368. 


369. 


370. 


371. 


372. 


f 


RAEMAEKERS (Louis). The Great War. A Neutral’s Indictment. One Hun- 
dred Cartoons by Louis Raemaekers. [Also, Vol. II, Sixty Cartoons.] 
With an Appreciation (in each volume) by H. Perry Robinson and De- 
scriptive Notes by E. Garnett and M. B. Huish. Portrait of the artist with 
his autograph signature in pencil and 160 photographic reproductions of 
Raemaekers’ famous cartoons, 100 of which are IN Coors. 2 vols. folio, — 
half cloth, marbled board sides, gilt backs, leather labels, gilt tops, uncut. 

London: The Fine Arts Society, 1916-1917 


EDITION DE LUXE limited to 1050 copies. VoL. II HAs THE ArTiIst’S AUTOGRAPH 
SIGNATURE IN PENCIL, ON VERSO OF HALF-TITLE. 
Each plate mounted on gray paper. Text printed on gray paper. 


RAFFET ILLUSTRATIONS. Norvins (M. DE). Histoire de Napoléon. Vignettes 
by Raffet. Thick royal 8vo, boards, calf back, emblematic gilt tooling. 
Paris, 1839 


ORIGINAL ISssuE of this finely illustrated edition. 


REDON (OpiLon). A Soi-Méme. Journals (1867-1915). Notes sur la vie l’Art 
et les Artistes. Introduction de Jacques Morland. Portrait and reproduc- 
tion of an etching. 8vo, printed wrappers, uncut. Paris, 1922 


REGNIER ILLUSTRATIONS. Habitations des Personnages les plus Célébres 
de France depuis 1790 jusqu’a nos Jour. [Introduction by Charles Nodier.] 
Drawn by August Regnier and lithographed by Champin, ALL INDIA PAPER 
OpEN LETTER PrRoors. Oblong folio, half green morocco, uncut. . 

No place, circa 1835 


AN EXCEEDINGLY INTERESTING Work, with brilliant impressions of the illus- 
trations and of the greatest rarity to find on large paper. 


REMBRANDT. VOSMAER (C.). Rembrandt. Sa Vie et ses Euvres. Hichings of 
“Rembrandt's House’ and of ‘‘l’ Atelier de Rembrandt,” on China paper by 
Weissenbruch, the first after Traelsdel, the second after Rembrandt. Royal 
8vo, wrappers, uncut. The Hague, 1877 


FINE WorkK on the life of this great Dutch painter, which has now become very 
scarce. 


REMBRANDT. MicHEL (EMILE). Rembrandt. His Life, his Work, and his 
Time. From the French by Florence Simmonds. Edited by Frederick 
Wedmore. With 67 full-page plates and 250 text illustrations. 2 vols. imperial 
8vo, cloth, uncut. London: William Heinemann, 1892 


This important work has now become scarce. It is the first and best English 
edition. 


REMBRANDT. Groot (C. HOFSTEDE DE). Die Handzeichnungen Rembrandts. 
Versuch eines beschreibenden und kritischen Katalogs. 8vo, wrappers, 
uncut. Haarlem, 1906 

It is seldom that this work makes its appearance at public sale in this country. 


REMBRANDT. Hinp (ArtHuR M.). Rembrandt’s Etchings. An Essay and a 
Catalogue. With some Notes on the Drawings. With 34 plates illustrating 
the drawings & a complete series of reproductions (330) of the etchings. 2 vols. 
8vo, cloth, gilt tops, uncut. London [1912] 


A COMPREHENSIVE PUBLICATION ON THIS GREAT MASTER’S ETCHINGS. Vol. I, 
contains the text; Vol. II, the etchings. 


Ne NE TR, CS. Sp Se ie tar eet on Glia 


a eee ee 


Se eT Ne Ne ei 


373: 


374. 


375: 


376. 


377- 


378. 


379: 


Second Session, Tuesday Afternoon, March 1&th 


REMBRANDT. LuctT (Frits). Wandelingen met Rembrandt in en om Am- 
sterdam. Profusely illustrated. Royal 8vo, wrappers with etching on 
obverse cover, uncut. Amsterdam, I915 


RENOIR (AuGusTE). Ten Water-Colours, Sanguines, and Pastels. Introduc- 
tion by René Jean, translated by Ronald Davis; With a portfolio containing 
10 large and fine plates, each matied. Text, one volume, wrappers, uncut 


and unopened; Plates in a folio board portfolio. Together, 2 pieces. 
Geneva and Paris, 1921 


A FINE AND COLORFUL SET OF PLATES. ENGLISH EDITION. Limited to 185 
copies numbered from 16 to 200, of which this is, No. 32. 


Riccarpi Press. Horace. Quinti Horati Flacci Opera Omnia. Cura E. C. 
Wickham apud P. H. Lee Warner Medicez Societatis Librarivm. Royal 
8vo, boards, Holland back, gilt top, uncut. London: Medici Society, 1910 


EDITION LIMITED to 1000 copies, printed on paper with ‘‘ Riccardi Press”’ water- 
mark. 


RIVERSIDE Press. Hay (JOHN). The Complete Poetical Works of John 
Hay, Including Many Poems now first collected. With an Introduction by 
Clarence L. Hay. Portrait. 8vo, boards, cloth back, paper label, uncut 
and unopened. Boston, 1916 


LARGE PAPER Copy. EDITION LIMITED to 1000 copies, of which this is, No. 
533: 


Ropert (HuBert). Gasittot (C.). Hubert Robert et son Temps. With 
57 engravings in the text and 12 engravings outside of the text, drawn in red 
chalk. 8vo, original wrappers, uncut. Paris, 1895 


Ropin (AucusTE). MatLiarp (Lfon). Etudes sur quelques Artistes Origi- 
naux. Auguste Rodin. Statuaire. With numerous fine plates and tllustra- 
tions. Royal 8vo, uncut, shaken. Paris, 1899 


Rocer-MitEs (L.). Comment Discerner les Styles du VIIIe au XI Xe Siécle. 
With 000 choice illustrations of arms, ceramics, jewelry, enamels, laces, clocks, 
etc., and 800 marks and monograms of porcelains and pottery makers, also of 
silversmiths. Imperial 8vo, full green French levant morocco, sides elabo- 
rately gilt tooled with a border of geometrical and scroll-work designs, gilt 


inside fillet borders, gilt paneled back, gilt top, uncut, BY TALLIBART. 
Paris: E. Rouveyre [1898] 


EXCEEDINGLY SCARCE AND INTERESTING WorK. This exhaustive work is indis- 
pensable to the Art Collector and Museums. ONE OF 50 Copies PRINTED THROUGH- 
OUT ON IMPERIAL JAPAN VELLUM. 


Kindly read Conditions of Sale in forepart of Catalogue 


BRUCE ROGERS, TYPOGRAPHER 


FINE SERIES OF BOOKS DESIGNED BY THIS FAMOUS TYPE 
DESIGNER AND PRINTER 


The following 32 numbers are a collection of books designed by Bruce Rogers. 
Most of the volumes contain Bruce Rogers’ personal device, a thistle with his 
initials B. R., and in those volumes which do not contain his device credit is ac- 
corded him in a note. 

The collection comprises Riverside Press Editions, Limited Editions and pri- 
vately printed books from the Riverside Press, and issues of private presses. 

“‘T believe that no other printer, since printing began, could point to so varied 
an output of so high a standard of craftsmanship within so short a time. Certainly 
no other books I have ever seen embody more successfully the lightness of touch, 
gaiety and color which have their place among the ideals of fine printing no less than 
splendour and dignity. 

. . . Mr. Rogers is, to my thinking, the most vital force in modern typography 

. he stands apart from all other workers in the same field by the far wider 
range of his successful experiments, and also by the fact that (though he must still 
be reckoned a ‘limited edition’ man) by printing modern books which require pref- 
aces, footnotes, indexes and all the other apparatus of scholarship and bibliography 
he has confronted, and confronted successfully, many typographical problems 
which all our English experimenters, who have worked mainly on Fifteenth Century 
lines, have left untouched.’”—Mr. ALFRED W. POLLARD, Address before the Biblio- 
graphical Society, London. 


380. RoGERS (BRucE—Typographer). FieLpDING (HENRY). The Journal of a 
Voyage to Lisbon. Portrait. Tall 8vo, half holland, uncut. 
Cambridge: Riverside Press, 1902 
Edition limited to 300 copies, printed in the Brimmer type. 


381. RoGErs (BRUCE—Typographer). RALEIGH (Str WALTER). A Report of the 
Truth Concerning the Last Sea-Fight of The Revenge. Woodcut title by 
Howard Pyle. Imperial 8vo, boards, uncut. 

Cambridge: Riverside Press, 1902 


Edition limited to 300 copies, printed by hand in the Montaigne type, trial font. 
From the library of Edmund Clarence Stedman, with bookplate. 


382. RoGERS (BRrucE—Typographer). SPENSER (EDMUND).  Prothalamion: 
Epithalamion. Medallion in bistre on India paper, laid on the title. Small 
thin folio, boards, uncut. Boston: Printed at the Riverside Press, 1902 

Edition limited to 400 copies, printed in the Brimmer italic type. 


383. ROGERS (BRUCE—Typographer). MonTaAIGNE (MICHEL DE). Essays of — 
Michael Lord of Montaigne. Written by him and done into English by 
John Florio. Frontispiece portraits and engraved titles on wood within floreate 
borders; large decorative woodcut initials in the manner of Geofroy Tory. 
3 vols. small thick folio, original buckram, uncut. Each volume enclosed 
in buckram box case. _ Boston: Printed at the Riverside Press, 1902-1904 

THE MASTERPIECE OF THE RIVERSIDE PRESS. Only 265 copies printed, in the 
Montaigne type. The paper is handmade, and the binding handsewn. G. B. 
Ives has written copious notes and a bibliographical description of all known edi- 
tions, English and French, illustrated with facsimiles. 

Florio’s is one of the books known to have been used by Shakespeare, he copying 
the description of an ideal commonwealth into ‘‘ The Tempest,”’ and a copy is known 
with a contested autograph of the dramatist on the title-page. 


Second Session, Tuesday Afternoon, March 18th 


384. RoGERs (BRUCE—Typographer). EMERSON (RALPH WALDO). Compensa- 
tion, an Essay. Narrow 8vo, boards, cloth back, uncut. 
[Cambridge] Riverside Press, 1903 
Edition limited to 300 copies, printed in the Brimmer type. 


385. RocEers (BRucE—Typographer). The History of Oliver and Arthur. Con- 
tains upward of 50 engravings redrawn from the old woodcuts that appeared 
in the original; rubricated title-page. Royal 8vo, half holland, uncut. 

[Cambridge: Riverside Press] 1903 


Edition limited to 330 copies, printed in double columns, on Arnold handmade 
paper, in the Priory text type. 

This medieval romance was written in French in 1511, translated into German 
by Wilhelm Liely in 1521, and now done into English by William Leighton and 
Eliza Barrett. 


386. RoGErRs (BRUCE—Typographer). PETRARCH. Fifteen Sonnets of Petrarch. 
Selected and Translated by Thomas Wentworth Higginson. Woodcut 
title, text within ruled borders. Tall 16mo, boards, vellum back. 

Boston: Printed at the Riverside Press, 1903 
Edition limited to 400 copies, printed in the Caslon italic type. 


387. RoGErs (BRUCE—Typographer). RONSARD (PIERRE DE). Songs & Sonnets. 
Selected & Translated into English Verse by Curtis Hidden Page. With an 
Introductory Essay & Notes. Woodcut title. Tall 16mo, boards, uncut. 

Boston: Printed at the Riverside Press, 1903 
Edition limited to 400 copies, printed in the Caslon italic type. 


388. RoGers (BRUcE—Typographer). Boccaccio (Giovanni). Life of Dante, 
now translated from the Italian by Philip Henry Wicksteed. Woodcut 
portrait on title. Thin folio, boards, uncut. 

[Cambridge:] The Riverside Press, 1904 
Edition limited to 265 copies, printed by hand in the Montaigne type, final form. 


389. RoGErs (BRUCE—Typographer). DoNNE (JoHN). The Love Poems of John 
Donne. Selected and Edited by Charles Eliot Norton. Woodcut border on 

: title. 16mo, boards, vellum back, uncut. 

} Boston: Printed at the Riverside Press, 1905 

Edition limited to 535 copies, printed in the Caslon type. 


| 390. RoGers (Bruce—Typographer). PLurarcH. A Consolatorie Letter, or 

; Discourse, sent by Plutarch of Chaeronaea unto his own Wife as touching 

the Death of her and his Daughter. Tall thick 8vo, half holland, uncut. 
Boston: Printed at the Riverside Press, 1905 


Edition limited to 375 copies, printed in the Brimmer type. 


3 

j 391. RocEers (BRUCE—Typographer). QuARLES (FRANCIS). Sions Sonets. Sung 
Y by Solomon the King and Periphras’d by Francis Quarles. 16mo, boards, 
ie uncut. Cambridge: Riverside Press, 1905 


Edition limited to 430 copies, printed in the Brimmer type. 


=r. oe ee 


392. RoGERs (BRUCE—Typographer). BuTLER (IsABEL—Translator). The Song 
of Roland. Illuminated page-heading and several medallions in the text. 


: 

; Folio, boards, uncut. Cambridge: Riverside Press, 1906 
., Edition limited to 220 copies printed in two columns on heavy handmade paper, 
q in the French Gothic type. pike 

4 This is considered the most beautiful of the Riverside Press publications. 

2 

3 

4 

= 


a 


nm 


Kindly read Conditions of Sale in forepart of Catalogue 


393- 


394. 


395- 


306. 


397: 


398. 


399. 


400. 


401, 


RoGers (BRUCE—Typographer). SAINT-PIERRE (BERNARDIN DE). Paul et 
Virginie. Proofs on China paper after Moreau. Royal 8vo, boards, uncut. 
Boston: Printed at the Riverside Press, 1906 
sei limited to 280 copies, printed in the Didot type. Publisher’s announcement 

ald in. 


RoGcers (BRucE—Typographer). THEocriTus. The Idylls of Theocritus. 
Translated by Charles Stuart Calverley. Tall 8vo, boards, uncut. 
Boston: Printed at the Riverside Press, 1906 
Edition limited to 300 copies, printed in the Brimmer italic type. 


RoGcers (BRucE—Typographer). BROWNE (Sir THomAs). Hydriotaphia. 
Urne-Buriall or A Discourse of the Sepulchrall Urnes lately found in Nor- 
folk. Woodcut border on title-page. Small 4to, full red leather, with a design 
in gilt on covers from a binding in the British Museum. 

[Cambridge] Riverside Press, 1907 
Edition limited to 385 copies, printed in the Brimmer type. 


RoceErs (BRucE—Typographer). BROADSIDE. LINCOLN (ABRAHAM). Eman- 
cipation Proclamation. Royal folio, untrimmed. 
[Cambridge: Riverside Press, 1907] 


Edition limited to 200 copies, printed in Montaigne capitals. 
Fine example of printing. 


RoGers (BrucE—Typographer). LowELL (Mary). Poems. Portrait. 8vo, 
boards, uncut. Cambridge: Riverside Press, 1907 
Edition limited to 330 copies, printed in the Scotch type. 


Rocers (BrucE—Typographer). SHELLEY (PERCY ByssHE—Translator). — 
The Banquet of Plato. Translated from the Greek. 12mo, boards, uncut. 
[Cambridge: Printed at the Riverside Press] 1908 

Edition limited to 440 copies, printed in the Montaigne type. 


RoGeErs (BRUCE—Typographer). Tory (Grorrcy). Geofroy Tory, Painter 
and Engraver, First Royal Printer, Reformer of Orthography and Typogra- 
phy under Francois I. An account of his Life and Works, by Auguste 
Bernard. Translated by George B. Ives. Facsimiles of border, initial letters, 
monograms, illustrations from Books of Hours, etc. Imperial 8vo, boards, 
with design in gilt on covers from a binding in the British Museum, uncut. — 

Cambridge: Riverside Press, 1909 
Edition limited to 377 copies, printed in the Riverside Caslon type. 


ROGERS (BrucE—Typographer). WALTON (Isaac). The Compleat Angler, 
or, The Contemplative Man’s Recreation. Being a Discourse of Fish 
and Fishing not Unworthy the Perusal of Most Anglers. Vzgnette on title, 
and decorative border on title. 16mo, boards, uncut. 

[Cambridge:] Printed at the Riverside Press, 1909 
Riverside Press Edition, limited to 440 copies, printed in Riverside Caslon type. 


RoGers (BRuCcE—Typographer). ECCLESIASTES, or the Preacher. Wood- 
cut title-page; text within woodcut borders. 16mo, boards, uncut. 
Boston: Printed at the Riverside Press, 1910 
Edition limited to 300 copies, printed in the Riverside Caslon type. 


ee Pg Oe RS I, ae a eee eae a 


ee a ee 


402. 


403. 


404. 


405. 


406. 


407. 


408. 


409. 


Second Session, Tuesday Afternoon, March 18th 


RoGers (BrucE—Typographer). [FuRNEss (Horace H.—Editor).] Rec- 
ords of a Lifelong Friendship, 1807-1882. Ralph Waldo Emerson and 
William Henry Furness. Portraits and facsimiles on Japan paper. Square 
8vo, cloth, uncut. Boston: Printed at the Riverside Press, 1910 


Edition limited to 750 copies, printed in the Oxford type. 


RoGers (BrucE—Typographer). WorpDsworTH (WILLIAM). LXXV Son- 
nets. 8vo, boards, cloth back, uncut. 
Boston: Printed at the Riverside Press, 1910 


LARGE PAPER. Edition limited to 440 copies, printed in the Oxford type. 


RocErs (BRUCE—Typographer). The Constitution of the United States of 
America. Royal 8vo, leather, uncut. 
[Cambridge: Riverside Press, 1911] 


Edition limited to 440 copies, printed in the Montaigne type. 


Rocers (BrucE—Typographer). FRANCE (ANATOLE). Amycus et Céles- 
tin. Wzth two woodcuts by Timothy Cole, after designs by Bryson Burroughs. 
12mo, yellow wrappers, uncut. [New York] The Museum Press, 1916 


One of 200 copies on Batchelor handmade paper, printed at the Museum Press 
in the Centaur type. 


RoGeErs (BRucE—Typographer). Spare Your Good. (London, T. Marshe, 
Pab. 1555). Reprinted from the only known copy with an Introduction 
by E. Gordon Duff. Two illustrations. 8vo, wrappers, uncut. 
Cambridge: Printed at the University Press, and sold by Bernard Quaritch, 

London, W., I919 


Edition limited to 250 copies, printed in the Centaur type. 


Rocers (BrucE—Typographer). KnicutT (SARAH KEMBLE). The Journal 
of Madam Knight. With an Introductory Note by George Parker Win- 
ship. Facsimile map. 12mo, decorative cloth, paper label, uncut. 
Boston: Printed by Bruce Rogers for the Publishers, Small, Maynard & 

Company, 1920 
Edition limited to 525 copies printed at the press of William Edwin Rudge on 
French handmade paper from type designed by Bruce Rogers. 


Rocers (Bruce—Typographer). Cote (TimotuHy). Considerations on 
Engraving. Wath woodcut frontispiece portrait of a girl, by Timothy Cole, 
and signed in pencil by him. 8vo, boards, uncut. 

New York: William Edwin Rudge, 1921 


Limited issue, printed on French handmade paper. This address was delivered 
by Mr. Cole at the opening view of an exhibition of Old Prints, April 6, 1921, given 
by the American Institute of Graphic Arts and The National Arts Club. 


Rocers (BRucE—Typographer). GALLATIN (A. E.). Modern Fine Print- 


ing in America. 8vo, boards, uncut. 
New York: Privately Printed, 1921 


Limited issue, printed on Fabriano handmade paper, in type designed by Bruce 
Rogers. Rogers is mentioned frequently throughout the work. : 

This essay was originally published, in abridged form, in The American Magazine 
of Art and is now reprinted through the courtesy of that journal. 


Kindly read Conditions of Sale in forepart of Catalogue 


410. RoGERs (BRUCE—Typographer). Moore (CLEMENT C.). A Visit from St. 
Nicholas. Woodcuts, 1s Cotor, by Florence W. Ivins. 12mo, decorative 
boards, uncut. Boston: The Atlantic Monthly Press, 1921 


_ This work was printed from type designed by Bruce Rogers and printed by Wil- 
arte Edwin Rudge, Mount Vernon, N. Y. The text is that of the original (1837) 
edition. 


411. RoGEerRs (BRucE—Typographer). Printing and the Renaissance: A Paper 
Read before the Fortnightly Club of Rochester by John Rothwell Slater. 
8vo, boards, uncut. New York: William Edwin Rudge, 1921 


One of 100 copies printed on French handmade paper, printed from Monotype 
Caslon type designed by Bruce Rogers. 


412. Rops (FELIcIEN). Ramiro (ERAsTeNE). L’(Euvre Lithographié de Fé- 
licien Rops. With 7 lithographs, also tail-pieces. Royal 8vo, uncut. 

Paris, 1891 
EpITION LIMITED to 150 copies “‘sur papier vélin,” of which this is, No. 140. 


413. Rops (FELIcIEN). RAmrIRO (ERAsTENE). Etudes sur quelques Artistes 
Originaux: Félicien Rops. Wath an etched portrait of Rops, and numerous 
full-page and text illustrations of works by Rops. Small 4to, original wrap- 
pers, uncut. Paris, 1905 

One of the rarest books on the great Belgian artist. 


414. Rops (FELICIEN). Kann (Gustave). Félicien Rops. With 46 illustra- 
tions of works by Rops. 4to, wrappers, uncut. Berlin, recent 
A fine treatise on Félicien Rops and his work. 


415. Rops ILLUSTRATIONS. UZANNE (OCTAVE). Son Altesse la Femme. Jilus- 
trations by Henri Gervex, J.-A. Gonzales, L. Kratké, Albert Lynch, Adrien 
Moreau and Félicien Rops. The plates are beautifully printed In Coors, 
the vignettes, IN Two STATES. Imperial, 8vo, three-quarter Gobelin blue 
crushed levant morocco, gilt back with morocco onlays, forming a fringed 
gentian, gilt top, uncut, original pictorial wrappers and backbone bound 
in, BY TAFFIN. Paris, 1885 


BEAUTIFUL Copy OF THE First EpiTion. LIMITED TO 100 Copigzs ON JAPAN 
PAPER, Of which this is, No. 87. 


416. Rops ILLUsTRATIONS. UZANNE (OcTAVE). La Nouvelle Bibliopolis. Voy- 
age d’un Novateur au Pays des Néo-Icono-Bibliomanes. Lithographs IN 

CoLor and decorative margins by H. P. Dillon. Etched frontispiece after 
Félicien Rops, and numerous illustrations, 12mo, original wrappers, uncut. 

Paris, 1897 


EDITION LIMITED to 500 copies “‘sur papier vélin satiné, de Rives,’ of which this 
is, No. 275. ; , 

The volume not only treats on book-binding, but also book illustrations, book- 
plates, posters, etc. 


417. SAINT-PIERRE (BERNARDIN DE). Paul et Virginie. Portrait, engraved title, 
plates and vignettes by Tony Johannot, Meissonier, Francais, and others. 
Portrait, map and plates being INDIA PAPER PRooFs BEFORE LETTERS. 
Royal 8vo, boards, morocco back, gilt, gilt top, uncut. 

Paris: L. Curmer, 1838 


FINE Copy of the scarce original issue of this esteemed edition. 


418. 


419. 


421. 


422. 


423. 


424. 


425. 


Second Session, Tuesday Afternoon, March 18th 


SALES OF ENGRAVINGS. Annuaire des Ventes d’Estampes. Guide de l’Ama- 
teur. Publié par Léo Delteil. With numerous reproductions, some IN 
Cotors. 5 vols. 8vo, 3 vols. bound in quarter and three-quarter red 
morocco, gilt tops, original covers bound in; 2 vols. in original wrappers, 
all uncut. _ Paris, I91I-1921 


A DESIRABLE AND USEFUL PUBLICATION, being a guide giving a complete descrip- 
tion and list of engravings with prices realized at public sales in Paris, during the 
last ten years. The early volumes are out of print and scarce. 


SCULPTURE AND ARCHITECTURE. CooMARASWAMY (A. K.). The Arts & 
Crafts of India & Ceylon. London, 1913; Sturcis (R.). The Interde- 
pendence of the Arts of Design. Chicago, 1905; PORTER (A. K.). Beyond 
Architecture. Boston, 19198. Allillustrated. Together,3 vols. 8voand 
12mo, cloth and boards, uncut. London, etc., 1905-1918 

A TrRIo OF ILLUSTRATIVE AND INSTRUCTIVE ART BOOKS, 


. SEVRES PORCELAIN. LECHEVALLIER-CHEVIGNARD (GEORGES). La Manu- 


facture de Porcelaine de Sévres. W4uth 128 illustrations. 8vo, paper covers, 
uncut. Paris, 1908 


_ Useful work on the manufacture of porcelain at Sévres, giving its history, organ- 
ization, ceramic museum; also a complete list of the artists who worked at the 
factory, and the marks used at Sévres. 


SILHOUETTES. EpouartT (AuGusT). Ancestors in Silhouette, Cut by Au- 
gust Edouart. Illustrative Notes and Biographical Sketches by Mrs. F. 
Nevill Jackson. Numerous reproductions of silhouettes. 4to, cloth, uncut. 

London, 1921 


One of the best works on the subject published, with 62 plates showing por- 
traits of Sir Walter Scott, Charles X, Franklin Pierce, John Tyler, W. H. Harrison, 
Daniel Webster, Henry Clay, W. H. Seward, General Scott, etc. Contains a list 
of English silhouettes, portraits, as transcribed by Edouart, a complete list of 
3600 silhouette portraits of Americans taken between 1839-1849, during his tour 
in the United States. Also a list of the towns and districts visited by Edouart. 


Sirver. Barst (Germain). Etudes sur l’Orfévrerie francaise au XVIII 
Siécle. Les Germain Orfévres-Sculpteurs du Roy. Profusely illustrated. 
Royal 8vo, three-quarter red levant morocco, gilt, gilt paneled back, gilt 
top, uncut. Paris, 1887 


EDITION LIMITED TO 25 COPIES ON JAPAN PAPER, of which this is, No. 2. 
ONE OF THE BEST WORKS ON THE CELEBRATED SILVERSMITHS OF THE EARLY 
I8TH CENTURY. VERY SCARCE. 


SILVER. Curtis (GEORGE M.). Early Silver of Connecticut and its Makers. 
Profusely illustrated. 8vo, boards, uncut. Meriden, Conn., 1913 


SMITH (JOHN RAPHAEL). FRANKAU (JULIA). An Eighteenth Century Art- 
ist & Engraver, John Raphael Smith. His Life and Works. With 30 
photogravures on Japan paper. 8vo, cream colored buckram, gilt top, 
uncut. London: Macmillan and Co., 1902 


The portfolio of plates which was issued with the work does not accompany 
the present volume. 


SPORTING Prints. NevitL (RALPH). Old English Sporting Prints and 
Their History. Numerous reproductions IN CoLor and in black-and-white. 
Royal 4to, buckram, gilt top. London, 1923 

First Epirion. Limited to 1500 copies of which this is, No. 1398. 


Kindly read Conditions of Sale in forepart of Catalogue 


426. 


427. 


428. 


429. 


430. 


431. 


432. 


433. 


SturGis (RUSSELL). A Study of the Artist’s Way of Working in the Vari- 
ous Handicrafts and Arts of Design. First Epirion. Profusely tllus- 
trated. 2 vols. 8vo, cloth, gilt tops, uncut. New York, 1905 


TAINE (H. A.). Lectures on Art. Translated by John Durand. (Both 
Series.) 2 vols. I2mo, cloth. New York, 1883; FREY (ROGER). Archi- 
tectural Heresies of a Painter. A Lecture Delivered at the Royal Insti- 
tute of British Architects, May 20, 1921. I2mo, wrappers, uncut. Lon- 
don, 1921. Together, 3 vols. New York and London, 1883-1921 


TAPESTRIES. HAVARD (HENRY) AND VACHON (Marius). Les Manufactures 
Nationales: les Gobelins, la Savonnerie, Sevres, Beauvais. Wzth numerous 
full-page illustrations, including tapestries, and portraits. ‘Thick imperial 
8vo, half dark green morocco, gilt top, uncut. Paris, 1889 


ONE OF THE BEST WORKS ON THE SUBJECT OF TAPESTRIES. Besides the tap- 
estries there is a chapter devoted to the manufacture of porcelains at Sévres. 


TAPESTRIES. DUMONTHIER (ERNEST). Les Tapisseries d’Ameublement de 
la Manufacture Royale de Beauvais d’aprés Francois Casanova. With a 
series of fine plates several being IN COLOR, each with descriptive legend. 
8vo, letterpress and plates laid in loosely in a board portfolio, cloth back, 
with ties. Paris [1921] 

The tapestries are representative of military scenes; country scenes; etc. 


TAPESTRIES. GOBEL (HEINRICH). Wandteppiche. Numerous illustrations, 
some IN COLOR. 2 vols. imperial 8vo, cloth. Leipzig, 1923 
A COMPLETE AND EXHAUSTIVE WoRK ON THIS SUBJECT. 


Vol. I constitutes the text, Vol. II consists solely of illustrations, with respective 
legends. Apparently the first copy to appear for public sale in this country. 


TAPESTRIES OF CENTRAL Asta. Tapisseries de l’Asie Centrale. Faisant 
partie de la Collection réunie par A. Bogolubow. Wzuth 2 maps, and 43 
plates, all of which, with the exception of 7, are PRINTED IN CoLors. En- 
closed in atlas folio cloth portfolio, with flaps. Leipzig, 1908 

IMPORTANT AND RARE Work. A fine series of plates depicting the tapestries 


from Central Asia which formed part of the collection of A. Bogolubow. Title 
in Russian and French. 


TENNYSON (ALFRED, LorD). Poems. Portrait and «illustrations by Stan- 
field, Millais, Hunt, Rossetti, Mulready, Maclise, and others. 8vo, full 
green morocco, gilt, solid gilt edges, BY HOLLOWAY. London, 1857 


First EDITION with these illustrations. The volume is cracked at joints. 


TEXTILES. Cox (Raymonp). L’Art de Décorer les Tissus, d’aprés les 
Collections du Musée Historique de la Chambre de Commerce de Lyon. 
Ouvrage publié sous le patronage de la Chambre de Commerce de Lyon. 
With 127 full-page plates, MosTLy IN COLORs, some plates containing more 
than one subject. Atlas folio, half red morocco, uncut. Paris, 1900 

A SUMPTUOUS PUBLICATION on textiles of the various periods, copies of which are 


EXTREMELY RARE, as none were offered for sale—the work being strictly reserved 
to the members of the ‘Chambre Syndicale.”’ 


434. 


435. 


436. 


437 


438. 


439. 


440. 


Second Session, Tuesday Afternoon, March 18th 


Touprry Etcurncs. Le Champ de Bataille de Waterloo. Avant-propos de 
Charles Grandmougin. Notice du Lt.-Colonel Rousset. With 18 etchings 
by Alexander Toupey. 4to, wrappers, uncut. In board folder and slip- 
case. Paris, 1915 


EDITION LIMITED to 175 copies on Holland paper, numbered and signed: ‘‘A. 
Toupey,”’ this being copy No. 75. 


TRUMBULL (JOHN). Autobiography, Reminiscences and Letters of John 
Trumbull, from 1756 to 1841. First EDITION. Engraved portrait. 8vo, 
cloth, top portion of backbone slightly damaged. New York, 1841 


TuRNER (J. M. W.). Hotme (CHArLES—Editor). The Genius of J. M. W. 
Turner, R.A. With numerous full-page illustrations, and facsimile of an 
autograph letter. Special Winter Number of the Studio. New York, 1903; 
RAWLINSON (W. G.). Turner’s Liber Studiorum. A Description and a 
Catalogue. Second Edition, Revised Throughout. London, 1906. To- 
gether, 2 vols. cloth, royal 8vo and I2mo. London, 1903-1906 


. TURNER (J. M. W.). Rawlinson (W. G.). The Engraved Work of J. M. 


W. Turner, R. A. With portraits of Turner. 2 vols. 8vo, cloth, uncut. 
London, 1908-1913 
A COMPREHENSIVE WorRK ON TURNER. Vol. I treats upon line-engravings on 


copper, 1794-1839; Vol. II, upon line-engravings on steel, mezzotints, aquatints, 
plain and colored, lithographs and chromo-lithographs. 


Tuscan ArT. MArmortran (Paut). Les Arts en Toscane sous Napoléon. 
La Princesse Elisa. With 11 illustrations. 4to, half blue straight-grain 
morocco back, cloth sides, gilt top, uncut. Paris, 1901 

FINE Work ON TuSsCAN ArT, which is not only desirable to the enthusiast of 


“Vart Francais,’’ but is also of Napoleonic interest, and throws interesting side- 
lights on the art of that period. 


TYPOGRAPHY. JOHNSON (J.). Typographia, or the Printer’s Instructor, in- 
cluding an Account of the Origin of Printing, with Biographical Notices of 
the Printers of England, from Caxton to the close of the Sixteenth Cen- 
tury. A Series of Ancient and Modern Alphabets, and Domesday Char- 
acters. Together, with an Elucidation of every Subject connected with 
the Art. Portraits. 2 vols. narrow 12mo, full green morocco, sides gilt 
tooled with panel in scroll design, gilt paneled backs, solid gilt edges, BY 
CHARLES LEWIS. London: Longman [etc.] 1824 

LarcGE Paper Copy of this valuable work, which contains more information 
respecting early printed books than is to be found in many of the more costly works 
on the art. Its real compiler was Richard Thomson, librarian of the London In- 
stitution, who was assisted by Dibdin, Wilkin, Boler and other well-known biblio- 
graphers. Each page of text is within decorative borders. 


From the George Woods and John Bouche collections, with their armorial book- 
plates. 


TypocrapHy. Early Venetian Printing. Profusely illustrated with wood- 
cuts, watermarks, facsimiles, etc. Imperial 8vo, cloth, gilt top, uncut. 
Venice and New York, 1895 


A Very FINE, COMPREHENSIVE ILLUSTRATED Work, in which the history of 
the art of printing is lucidly told. 


Kindly read Conditions of Sale in forepart of Catalogue 


441. TYPOGRAPHY. ENSCHEDE (CH.). Fonderies de Caractéres et Leur Matériel 
dans les Paye-Bas de XVe au XI Xe Siécle. Notice Historique principale- 
ment d’aprés les donées de la Collection Typographique de Joh. Enschedé 
en Zonen a Haarlem. Facsimiles. Folio, cloth, gilt, uncut. 

Haarlem: E. F. Bohn, 1908 


LARGE PAPER Copy oF THIS FINE WorK. Printed on Holland handmade paper. 


442. TypoGRAPHY. Harin (JAN). Kabinet der Schrijfkunst door Jan Haring, 
Schoonschrijver te Utrecht. A series of 44 plates of various types. Oblong 
folio sheets, enclosed in oblong board portfolio, holland back. 

Amsterdam [1908] 
A FINE MopERN WorkK depicting the various styles of 44 classes of type. The 


work is accompanied by a title-page, and a Table of the plates, with descriptions. 
From the Theodore L. De Vinne collection, with bookplate. 


443. UZANNE (OcTAVE). Les Modes de Paris. Variations du Gofit et de l’Es- 
thétique de la Femme 1797-1897. Wath 100 full-page illustrations COLORED 
BY Hanp and numerous text illustrations, by Francois Courboin. 8vo, illus- 
trated paper wrappers, uncut. Paris, 1898 


EDITION LIMITED to 1000 copies ‘‘sur vélin special,” of which this is, No. 773. 
Interesting volume describing the French styles for a period of over 100 years. 


444. Van Dyck (ANTHONY). MucHrIeELs (ALFRED). Van Dyck et ses Elevés. 
With § heliogravures of original etchings, and other full-page illustrations. 
Royal 8vo, half green morocco, gilt back, gilt top, uncut. Paris, 1882 


FINE Copy, Now VERY ScarcE, of a valuable work on Van Dyck. 


445. VAN Dyck. Hinp (ArtHuR M.). Van Dyck. His Original Etchings and 

His Iconography. With a large number of illustrations. 8vo, boards, art 

linen back, paper label, uncut. Boston, 1915 

First Epirion. Some of the illustrations are: Portrait of the artist; Titian and 

his Mistress; Frans Snyders; Desiderius Erasmus (after Holbein); The Reed offered 

to Christ; Jan de Wael; and others. Most of the originals of these are in the British 
Museum. 


446. VINCENT vAN GocH. MEIER-FRAEFE (JULIUS). Vincent. Plates. 4to, 
boards, half calf, gilt top, each plate guarded at hinge. Miinchen, recent 


A FINE WorK ON VINCENT VAN GOGH, consisting solely of fine reproductions of 
his works, with text of the preliminary matter only. : 


447. VERSAILLES. La Création de Versailles d’aprés les Sources Inédites par 
Pierre de Nolhac. Etude sur les Origines et les Premiéres Transformations 
du Chateau et des Jardins. With a large number of illustrations, plans, 
facsimiles, etc. Folio, wrappers (worn), uncut. Versailles, 1901 


First EDITION. With the following autograph inscription by the author: Il faut 
arriver @ Versailles par un jour d’automne encore lumineux. P. de Nolhac. 


448. VUILLARD ILLUSTRATIONS. GERALDy (PAUL). Toi et Moi. Nouvelle 
Edition. With 2 illustrations by Edouard Vuillard. 12mo, half black 
morocco, gilt back and top, uncut, original covers and backbone of 1917 
edition, bound in. Paris, 1921 


EDITION LIMITED. 


Second Session, Tuesday Afternoon, March 18th 


449. WASSERMANN (EUGENE von). Catalogue le la Bibliothtque M. Eugéne 


450. 


von Wassermann ... dont la vente publique ... Octobre... No- 

vembre 1921. With Atlas containing illustrations of bookbindings. Text, 
I vol.; Plates, I vol. Together, 2 vols. 4to, printed wrappers. 

Paris, 1921 

Fine Sales Catalogue of Manuscripts, Costume Plates, works on Ornamental 


Designs, Fine Bindings, etc. The fine copy of Girtin in Mr. Eddy’s collection 
(No. 224 of this catalogue) came from the Wassermann collection. 


WATTEAU (ANTOINE). Mantz (PAUL). Antoine Watteau. With numerous 


reproductions of works by Watteau. Small folio, original paper wrappers, 
rebacked. Paris, 1892 


A HicHLY EsTtEEMED Work. No. 30 of 500 copies printed. Long out of print 
and scarce. 


451. WATTEAU (ANTOINE). GURLITT (CORNELIUS). Handzeichnungen von Wat- 


452. 


453- 


454. 


teau. Mit einer Studie und begleitenden Notizen herausgegeben von 
Cornelius Gurlitt. With 55 full-page reproductions of drawings in the tints 
of the originals. Folio, buckram, uncut. Berlin, 1909 

EDITION LIMITED TO 200 COPIES. PRINTED THROUGHOUT ON HOLLAND PAPER. 


Fine work on the drawings of this noted French artist. Each reproduction is neatly 
tipped on a sheet, and is preceded by a leaf containing the title. 


[WHISTLER (JAMES McNEILL).] Good Words for 1862. Edited by Norman 


MacLeod. With two fine illustrations by Whistler, and other illustrations 
by J. E. Millais, Holman Hunt, John Tenniel, Charles Keene, Frederick 


Walker, J. D. Watson, and others. Thick 8vo, cloth, gilt edges. 
London [1862] 


Whistler’s illustrations were done for the ‘‘Trial Sermon,’”’ a story in the above 
work. 


Wroucut I[Ron. FERRARI (GruLio—Compiler). Collezione Artistica 


Hoepli. II Ferro nell’ Arte Italiana. Seconda Edizione. With 150 full- 
page plates, containing 338 subjects. Small folio, cloth. 
New York, recent 


Catalogue of the Hoepli collection of wrought iron, dating from the Renaissance 
and Baroque periods to the New Classics period. 


ZoRN (ANDERS). RompaH (AXEL). Arnolds Graphische Biicher: Anders 


Zorn als Radierer. Wath 100 reproductions of etchings by Zorn. Royal 
8vo, half green morocco. Dresden, 1922 


AMERICAN ART ASSOCIATION, Inc., MANAGERS, 
DEPARTMENT OF BOOKS AND PRINTS 
ARTHUR SWANN, DIRECTOR 


OTTO BERNET ann HIRAM H. PARKE, 


AUCTIONEERS 


‘ 
4 
; 
1 
1 
b ‘ 
Lok 
een 


INTELLIGENT APPRAISALS 


FOR 


UNITED STATES AND STATE TAX 
INSURANCE AND OTHER PURPOSES 


AND 


CATALOGUES OF PRIVATE COLLECTIONS 


APPRAISALS AND CATALOGUES. Together with the increase 
in its exhibition and sales rooms, the American Art Association, Inc., 
will expand its service of furnishing appraisements, under expert direc- 
tion, of art and literary property, ae and all personal effects, in the 
settlement of estates, for piesrnce tax, insurance and other purposes. 
It is prepared also to supplement this work by making catalogues of the 
contents of homes or o entire estates, such catalogues to be modeled 
an finely and intelligently produced catalogues of the Association’s 
own Sales. 


The Association will furnish at request the names of many Trust and 
Insurance Companies, Executors, Administrators, Trustees, Attorneys and 
private individuals for whom the Association has made appraisements 
which have not only been entirely satisfactory to them, but_have been 
accepted by the United States Revenue Department, State Comptroller 
and others in interest. 


AMERICAN ART ASSOCIATION, Inc. 
AT ITS NEW 
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MADISON AVENUE, s6ru Tro 57TH STREET 
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DESIGNS ITS CATALOGUES AND DIRECTS 
ALL DETAILS OF ILLUSTRATION 
TEXT AND TYPOGRAPHY 


PRESS OF J. J. LITTLE & IVES CO., NEW YORK 


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1924 Mar. 13 NeAmE ¢ C. iE 
American /Splendid art reference 
94-P85 


is 


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THE SPLENDID ART 
REFERENCE LIBRARY 


OF 


CHARLES B. EDDY 


or PLAINFIELD, NEw JERSEY 


(WITH ADDITIONS) 


MARCH 17TH anp 18TH, 1924 


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